Dracula By Bram Stoker

Vampires have been around for centuries, they represent the fear of many things such as sexuality, race, gender, etc. and above all, they stand for the fear of diseases. Vampires have once been the symbol of horror due to their terrific depictions and were described as a threat to the humanity. Throughout time, the image of vampire has changed dramatically from a monstrous, inhumanely creature that doesn’t belong to human society to such an attractive and adaptive figure that expresses more of the human side than the evil. They developed human feelings, senses, and live within our society. Modern vampire movies are often more romantic and “sympathetic” comparing to the past. Vampires have abandoned their horror and evolved to a more

After waking up Harker finds he’s surrounded by 3 women. In this quote, Harker notices their beauty and at the same time their disturbing aura, noting that he wants to kiss them, and the pain it would cause his fiancee if she ever found out.

A key element of the fantasy / horror / gothic genres is to fascinate and intrigue readers through stories that pose the “what if” questions, thereby teaching us something new about the society we live in. Sometimes these stories are helpful in explaining difficult concepts of good and evil, science and religion. In Bram Stoker’s Dracula and Richard Matheson’s I Am Legend, the mythical horror creatures, the vampires, have many differences in their mythical abilities, functionality and origin; however, they both serve to underline themes that remind the reader of what makes us human and what defines us as ultimately good or evil. Stoker’s Count Dracula is the product of a religious strike against the antagonist whereas the vampires in I Am

Abraham (Bram) Stoker was born in Dublin in 1847, the third of seven children. As a child he was sickly and bedridden. To entertain him, his mother would tell him horror stories. He overcame his illness and, by the time he entered Trinity

Feminism was a rising social shift in the late nineteenth century. Women's sexuality was seen as impure and insensitive to the society. Because of this, the feminist’s objective was to modify the conviction of the perfect Victorian while being able to express oneself sexually without shame. In other words, many women had sexual desires, but could not express them because of the society’s standard of women. To support this, Lois Drawmer wrote in his article, “Vampires: Myth and Metaphors of Enduring Evil”, “development of the women's movement received a backlash in the resurgence of reactionary ideology of “deviant” female sexuality” (Drawmer 1). Feminism was frowned upon because of the social and sexual standards of the era. Therefore,

Bram Stoker was a famous writer and one of his greatest books he ever published was called, Dracula. Bram’s was born on November 8, 1847, in Dublin, Ireland. In 1864, Bram’s attended the University of Dublin and graduated with a mathematics degree and was later hired as a servant at the Dublin Castle. Bram’s worked in the evening, as an unpaid writer for, Dublin Evening Mail, a local newspaper.

Stoker’s most famous work, Dracula, was a worldwide phenomenon that took the horror world by storm. Abraham “Bram” Stoker was born on November 8, 1897 at 15 Marino Crescent, Clontarf, on the northside of Dublin, Ireland. Stoker was the son of Abraham Stoker

Bram Stoker, our author, was born in Clontarf (an area near Dublin), Ireland in early November of 1847. He was accomplished in many fields, including athletics, but he was, and probably still is, seen as the most

Throughout much of this era, Irishman Bram Stoker lived his life. He was born Abraham Stoker on November 8, 1847 in Dublin, Ireland. In 1864, he started to attend the University of Dublin. He graduated with a mathematics degree in 1870. Later, he was hired as a civil servant at Dublin Castle, where he worked for nearly 10 years while also being an unpaid writer for a local newspaper writing reviews of theatrical productions. In the late 1870s, Stoker gave up his civil service position and met the famous actor Sir Henry Irving. Stoker even worked with Irving by being a manager at the Lyceum Theatre in London for nearly 30 years. It was during this time that he wrote his most well known novel, Dracula. Stoker served as manager of the theatre

All too often the gothic literature genre is reduced in its interpretation to gloomy weather and archaic haunted houses. These patterns do exist, but they do not define the genre. Gothic literature found its niche in the 18th and 19th centuries, and during the Victorian era it served a more nuanced purpose than simply to scare readers. Many gothic authors used a monster as a vessel to symbolize topics that the Victorian era sensibilities would label as “monstrous.” They are the incarnation of the taboo subjects society is trying to repress. In Bram Stoker’s Dracula and Edgar Allan Poe’s “A Tell-Tale Heart”, the authors use Freudian symbolism along with literary symbolism to demonstrate the repercussions of repressing “id” desires.

Gothic literature is dominated by gothic horror, for instance dark and mysterious objects or events. It is a type of literature that combines fiction, horror, and romanticism. As Bram Stoker wrote his famous novel, Dracula he makes sure to include many different characteristics of gothic literature. Three important motifs that are stated in Dracula which also fit into the gothic literature category would be; blood, dreaming or nightmares, and superstition. This particular novel has many gothic motifs, but these are three that I believe really stand out.

In the 1897 novel “Dracula” by Bram Stoker, a vampire named Count Dracula is brought about and brung into the “real world”. Many stories, books, movies, and games have developed from this novel. In the novel, Dracula has a lot of myths attached to him. These myths are what make him a vampire, and so when other people come up with these new stories or books or movies, they also implement myths into their characters to give them life as a vampire. In every story, most of the characters are considered either “bad” and “evil” or “good” and “friendly”. These labels are based on the characters actions, thoughts (when possible), and personality traits. In Dracula, Count Dracula would primarily be classified as the antagonist and evil. As previously mentioned, this is based on the fact that he made evil decisions, and had very bad qualities about him. However, in Twilight, Edward is a much more difficult character to label. Him and the Count have many similarities, however they are also much different.

Evil never conquers because good always overcomes it. A good example of this is the book Dracula by Bram Stoker because the author expresses the nature of good vs. evil. Dracula wants to come to London because he wants to turn everyone into vampires. The basic background of the book Dracula is when Jonathan Harker, a realtor who is sent to Transylvania to complete a transaction with Dracula so he can come to England. What Harker does not know is that Dracula has a plan for world domination. Well, while Harker is on a train to Transylvania he enters “the east, a section of Europe whose peoples and customs will be for the most part, strange and unfamiliar” (Dracula, 20). Harker arrives at Bistritz on the eve of St. George’s Day,

Mary Shelley’s Frankenstein has undoubtedly withstood the test of time. Frankenstein’s direct association with fundamental Gothic literature is extremely renowned. However, the novel’s originality is derived from the foundational thematic values found within the relationship (or lack there of) between Victor Frankenstein and the monster he had created, in combination with a fascinatingly captivating plot. Understandably, Frankenstein can often be associated with a multitude of concepts; however, in this particular instance, the circumstances in the book seemed remarkably coherent with Shelley’s Romantic beliefs in preserving the natural world, and one’s natural existence. These values present themselves as metaphorical symbols that

The story of Dracula is well documented and has stood the test of time since it’s Victorian age creation. More times than not, literature writings are a reflection of the era from which they are produced. In the case of Dracula, Vampire literature expresses the fears of a society. Which leads me to the topic I chose to review: sexuality. The Victorian Era was viewed as a period diluted in intense sexual repression and I believe that Dracula effectively exploited this as the fear of sexuality was commonplace in the society. In this paper I will examine Bram Stoker’s Dracula and highlight his use of sexuality. I will analysis the female sexuality that is prevalent throughout the book, the complexities are at work within the text, and the