Echoes Of A Scream Analysis

This painting was completed for the four hundredth anniversary of the Conquest and it was exhibited originally in the Mexican pavilion for the World Colombian exhibition in Chicago in 1893. In being showcased to the public, it was meant to have a dark representation of the already dark subject matter of the Conquest. Izaguirre creates a heritage filled with political meaning for Mexico in this historical painting of the Torture of Cuauhtemoc.

A piece of art is not limited to a painting that captures a representation of imagery. Art is anything that stirs emotions in a person or makes them think, just like Marcel Duchamp accomplished in 1917 with one of his most famous pieces Fountain. Art can be anything that captures and represents the artists emotions, mental state, and personality with every brushstroke, and the usage of colors while also reflecting the mentality, thoughts, and major events that occur in a certain period, such as Picasso’s Guernica. To understand the message that the artist is trying to convey, one must look deeper than what is on the surface of the artwork, which is what I will do with this piece of art, scrutinizing its mysteries as well as its motives.

This paintings powerful message can clearly be seen to the viewer, especially culturally when we see the torn up Constitution of the United States in the background, representing a “free-for-all” on this day as our American beliefs did not matter to the terrorists. We also see the diversity between the three suffering women in handcuffs, showing that this tragedy hit everyone, but we were all bound together as Americans. The visual claims that this event truly was horrific and shows the absolute loss of innocence throughout our nation on this one day. The hands of the men especially show the suffering and anguish our nation felt, as they are deformed, projecting their pain onto the viewer. This work specifically reflects a historical moment in American history in that it depicts the events of September 11th. However, it also shows the future that is to come with the old man who survived passing the information of these events onto the young innocently blindfolded girl on the bottom right. Clearly, this piece is superficial in the sense where it comments on one event, but it also goes deeper, showing the aftermath and actions to come for the American

Most of his creations represent history and society of his time. But “Guernica,” which Picasso painted in response to tragedy and the loss of life, directly related to the Spanish civil-war. “Guernica” was one of the masterpieces created by Picasso, probably the 20th century 's most negative symbol of the horrors. It was a also signal for the terrors of the future. When the Nazi troops dropped a bomb on the Basque village of Guernica in northern Spain, at that time nobody imagined this kind of act in reality. Most

Its vibrant blue color puts the viewer at ease, making the painting appear to be a tranquil and peaceful scene. As the observer’s eyes drift downward, they see the chaos as the Texans slowly lose the battle. At the top of the left building, a Mexican flag flutters in the wind, and to the right, another Mexican flag raises as the Texas flag is tossed to the ground. Through all this, at the bottom of the painting, hope is still shown: the Texans will not give up. Patriotism is shown as although they are outnumbered and their flag is lowered, they are still fighting. On the right side, it shows a man much larger than the others, shooting a man holding a Mexican flag. This figure represents patriotism in the physical form, and the observer can assume this man is an important figure in the battle of the

The mural “La dualidad” has a strong connection to the history of our people. When the mural was completed in 1985 and it stood 16 feet tall and 46 feet wide. There is a tremendous amount of symbolism within the mural that depicts significant historical events and ideas from our past.The mural is divided into three parts, the left, right, and center. The left side is called “El Mundo de Tezcatlipoca” it represents the negative. The right side is “The world of Quetzalcoatl” it represents the positive. The Center is “Balance” it represents harmony. There are forty three images with specific meanings and history.

TXT- This image was inspired by the cruelty of the Spanish Civil War, especially the demolition of the town of Guernica by the Germans who bombed them and this was the result of the aftermath in a painting. Pg 257

The war on drugs has been around for a very long time. For some people taking drugs is part of their lives and it is the only thing that gets them through their day. Some drugs are legal and some are illegal but each drug is used in some form of way. People with addiction to drugs fight their own war to either get help that they always wanted or finding drugs to help them stay high. The book Chasing The Scream by Johann Hari is about people's history on drugs and how they got addicted to it or how they recovered from it. Harri gets personal stories from each individual he meets about their struggles with drugs and the journey they went through to get to where they are today. He also talks about theories on how to end the war on drugs and how

The first thing we are bound to notice when viewing Juan de Pareja is his face. The main object by which the light in the painting illuminates, it is also the most important part of the work. From afar, we can see pride and self-confidence in a man with an upright posture. But, as we take a second and closer look, the picture becomes much blurrier. Literally. The separation between light and color becomes much clearer, but the facial expression is harder to fully make out. We move away from pride and see a contained sadness with the facial features of Juan de Pareja. The bags underneath his eyes become clearer, the spark of light contained within his pupils are visible, his pressed lips start to appear as a frown. We may hurriedly pull away from such a graven image, when we see the full face in context. When viewing the juxtaposition of Juan de Pareja’s watery eyes and upright posture, a sort of bored suffering is

In the essay “Description and criticism of the three murals by Rivera” I was astonished through the murals were described. The symbolism and the comprehensive manner, the murals were defined. The way the paintings were able to revive, the power of the revolutions within Mexicans. I enjoyed reading this because I was able to identify a profound meaning on the circumstances Mexico went through after several difficult and challenging obstacles Mexico’s revolution. The murals and symbolism were another way to view the suffering and the society that went through political struggles. Through the use of colors and body language to understand the mural, it was a sophisticated manner to approach the story behind the Mexico revolution.

In 1930 José Clemente Orozco, a famous mural painter known for his radical art depicting the Mexican revolution in interesting new ways, was asked to paint a mural in the college Pomona. This is when and where he painted his mural titled “Prometheus”. In this work, Orozco’s use of scale, monochromatic colors, and emphasis help to depict the dreadfulness of the troubling time at war that it is inspired by as well as the peace that was expected, and that came, from these times.

This piece of art will give people a better understanding about Spanish’s religions in the history because it shows that there were Catholic saints, the Christ Child, and the Virgin Mary in this piece of art.

Intensively striking war imagery emerges throughout the course of the text and therefore effectively joins its underlining fore.  Graphic images of the grotesque face of war characterize and develop the

The Paintings A Sunday Afternoon on the Island of La Grande Jatte and The scream have several similarities and difference between them, but one difference that can be easily seen is the painting techniques. A Sunday Afternoon on the Island of La Grande Jatte is made of oil paint on canvas and its dimensions are of 6’91/2’’ by 10’11/4’’. The artist of A Sunday Afternoon on the Island of La Grande Jatte uses the technique of “Divisionism” or “Pointillism”. The artist uses small multidirectional strokes of colors in his painting

This painting is divided into three equal parts by the arches in the background and the characters correspond to each of these arches (TV12). The father is in the middle portion of the painting. The lines of perspective created by the tiled floor, draws our attention to the swords that the father is holding and the vanishing point lies just behind the handles of the sword. Our angle of vision is such that we are looking directly at the main figures groups, particularly the father. A single light source from the left of the picture illuminates the characters and also focuses our attention to the father holding the sword. This creates a ‘theatrical’ effect. The background is simple and stark so our attention is focussed on the figure groups in the painting. The painting has a wide tonal range that makes the composition logical and balanced. The colours used in this