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Ed Ruscha's Influence On Contemporary Art

Decent Essays

Caroline Rushforth
Humanities
May 2, 2017 Ed Ruscha has been making work in Los Angeles for the better part of the century. People often talk about Ed’s work, his paintings, his books, photos or films as different. Ruscha broke classical tradition, stepped outside of the boundaries and changed art. Ed Ruscha the most iconic artist in the 20th century pioneered the pop art movement inspiring the world to think outside the box with his bold design choices. Ed Ruscha greatly influenced contemporary art, changing the way the world perceived the simple but yet so complicated works that Ruscha composed. Ruscha defies easy categorization as an he artist. He is simultaneously known as a pop artist, a conceptual artist, surrealist artist and is …show more content…

From a young age Ruscha was surrounded by cartoons, stamps, and comic strips which inspired him to pursue a career in commercial art. Throughout his years of grade school Ruscha was passionate about art, taking several classes centered around commercial art. Immediately after completing high school Ruscha uprooted his life and moved to L.A. Coming to Los Angeles at the young age of 18 Ruscha intended on working as commercial artist, drawing cartoons for Walt Disney. However, after he entered Chouinard Art Institute which taught art as a balance between fine and commercial he found himself drawn to fine contemporary art. He fell in love with the process of painting, he loved not knowing how his paintings were going to finish. Ruscha felt relieved as he said farewell to the constructive ways of commercial art and began to sincerely paint from his heart. Commercial art provided Ruscha with the means to move forward as an artist but it didn't offer the …show more content…

The first of them being 26 gasoline stations. These created a new precedent, they were mass produced on high speed offset lithographic presses. And were as previous artist book had been very valuable, high end production limited additions this was something new using ordinary photographs which Ruscha took himself while on the streets of vernacular architecture, whether it be gasoline stations, apartment buildings, or empty lots. When Ruscha was first making the book he usually thought of the content before he actually took the photographs. For example in the case of 26 gasolines stations he had the title in mind and the cover of the book design before he took a single photograph. It's only now, fifty years after the publication of 26 gasoline stations that he recognizes the value of the photographs in and of themselves as objects that perfectly represent the time that he was taking them. Ruscha is thought of as the intersection of pop art and conceptual art and by using photographs in these photographic books he really brings those two aspects

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