Here we see that Edna has always been “different” and that she perceived early the difference between “the outward existence which conforms, the inward life which questions.” Again we see the physical descriptions of Edna and Adele relating to their personalities. Edna’s figure is noble and symmetrical while Adele’s (from Chapter IV) is plump and matronly. Here Edna is wearing a cool muslin dress with a streak of brown running through it. Adele is dressed in pure white, in a fluffy dress with ruffles. Edna’s physical being is always described in more masculine terms than Adele’s. Sitting at the beach, Edna, as always, is focused on the sea. She is gazing so intently that Adele asks what she is thinking about. Edna, who is usually very reserved,
She leaves the care of her children to her grandmother, abandoning them and her husband when she leaves to live in the pigeon-house. To her, leaving her old home with Léonce is very important to her freedom. Almost everything in their house belonged to him, so even if he were to leave, she would still feel surrounded by his possessions. She never fully becomes free of him until she physically leaves the house. That way, Edna has no ties whatsoever to that man. Furthermore, Edna indulges in more humanistic things such as art and music. She listens to Mademoiselle Reisz’s playing of the piano and feels the music resonate throughout her body and soul, and uses it as a form of escapism from the world. Based on these instances, Edna acts almost like a very young child, completely disregarding consequences and thinking only about what they want to do experience most at that moment. However, to the reader this does not necessarily appear “bad”, but rather it is seen from the perspective of a person who has been controlled by others their entire life and wishes to break free from their grasp. In a way, she is enacting a childlike and subconscious form of revenge by disobeying all known social constructs of how a woman should talk, walk, act, and interact with others.
Now, she is fully awake, but in contrast to how leveling the word awake look like, she dies inside. Edna looked straight before her with a self-absorbed expression on her face. She felt no interest in anything about her. "The street, the children, the fruit vender, the flowers growing there under her eyes, were all part and parcel of an alien world which had suddenly become antagonistic" (104). After she's rebirth, she awakes with a new realization that she will never be able to live the way she intended because of her gender. Her husband treats her as property he owns, he over controlling actions did not calm her but stir up a rebellious mind. She repeats to herself "To-day it is Arobin; to-morrow it will be someone else. It makes no difference to me, it doesn't matter about Leonce Pontellier--but Raoul and Etienne!" She understood now what she meant by she "would give up the unessential" (97). But never for the children. The complex relationship with them and the children mess up with Edna's mind she desperately needs a place to rest. "she knew a way to elude them. She was not thinking of these things when she walked down to the beach" when she put herself in the water; she saw flashbacks from her childhood memories, is not it ironic that children would always want to grow up, but adults would continuously mourn for their never coming back childhood
Edna’s children are different from other children, if one of her boys fell “…he was not apt to rush crying to his mother’s arms for comfort; he would more likely pick himself up, wipe the water out of his eyes and the sand out of his mouth, and go on playing”. Edna is not a typical Creole “mother-woman” who “idolized her children (and) worshipped her husband” (8) and at times that results in her husband’s claims that she neglects her children. Edna’s children leave her attached to her husband, and even if she is somehow able to escape the relationship with her husband she will never be able to escape her children. She realizes this and whether consciously or not, doesn’t care for her children the way this is expected of a woman in her time period. When Adele Ratignolle reminds her to, “Think of the children!…Oh think of the children! Remember them!” Edna finally realizes her decisions affect her and her children. Instead of accepting her responsibility as a mother Edna decides to give up, and does so by committing suicide.
Deeper into Edna’s alternate personality, she begins to realize how much positive has come from the new Edna. When the Doctor and Edna finally get to meet, the Doctor talks with Edna in hopes of changing her back to the stereotypical wife Mr. Pontellier wants her to be. In the conversation between the two, Edna says, "The years that are gone seem like dreams--if one might go on sleeping and dreaming--but to wake up and find--oh! well! Perhaps it is better to wake up after all, even to suffer, rather than to remain a dupe to illusions all one's life" (Choppin 38). Edna is praising herself for being one of the few women who have been able to be a realist, and for not letting illusions pull her into a fantasy life. She believes it is better for one to live aware and conscious to the world around one’s self. This being a new way of looking at life at the time, especially for a woman. While there are many positive changes that are present in Edna’s life due to her recent awakening, there are some negatives as well. There are days where Edna feels as if she understands the world and everything within it. But then there are days where Edna feels utterly alone. Edna’s thoughts are expressed, in which she says, “There were days when she was unhappy, she did not know why—when it did not seem worthwhile to be glad or sorry, to be alive or dead...She could not work on such a day, nor weave fancies to stir her pulses and warm her blood” (Choppin 19). Edna expresses that she feels what appears to be a depressed mood at time, due to the life she has become awakened to. It is a confusing sadness that she does not know how to explain, completely countering the days of pure happiness that she often feels. Thus showing the change in Edna’s psychological views are apparent, and bring both happy, understandable thoughts, as well as
Through the story Edna becomes more and more uneasy about not being able to do and have what she really wants. This can be shown from the beginning when she lets her children play by themselves and doesn’t miss her husband when he is away from home. Edna tried to be a good mother by becoming friends with an old fashioned woman, Madame Adèle Ratignolle, who devoted her life to her husband and children. However, when Edna was not around Madame Adèle Ratignolle, she forgot how to be like Adèle Ratignolle and instead busied herself with what was considered to be her “childish ways”. She would try to make herself as happy as possible; she was not her happiest with her husband and kids. When Edna discovered her passion for art, she embraced it and neglected her family even more so than before.
Edna’s awakening was the beginning to her suicide. As Edna realized her capacity to be honest with herself, the old Edna began to die. Edna slowly started to realize she did not want to be like other women, whom “idolized their children, worshiped their
Edna also finds comfort in spending time with Adele whom she adores. They spend some time together on the beach to escape Robert one time and talk. The two become close friends. Edna tells Adele that looking over the beach and the water reminds her of her days in Kentucky as a child. This time with Adele at the beach looking over the water also helps to further spark Edna's passion as a painter.
She does not want to keep herself hidden from the outside world, unable to transcend the social barriers. However, Adéle Ratignolle represents the typical mother woman in the novel, who has accepted and embodied this socially constructed role. She does her duties without questioning her existence and she lets herself be locked in a "cage". Edna realizes that she does not want a life deprived of independence and freedom. She does not want to be locked up in a cage and that her wings are not clipped yet and she still has got a chance to break through to barriers.
There are many other areas of Edna's story while illustrate the rebellious ideas that she represents. For example, her view of religion is very controversial for that time period. Throughout the story, we can see that Edna had no tolerance for the religious practices that were held so dear to the rest of society (Klein 3). It is not surprising that Edna refuses to "worship" any higher power, since we have also seen that she refuses to hold even her family to any higher regard (Klein 4). Additionally, Edna's attitude towards art builds on the unconventional themes of the story (Klein 6). Edna is told by Mademoiselle Reisz that ""o be an artist... you must possess the courageous soul... the brave soul. The soul that dares and defies" (Chopin 115). This seems indicative of the very soul that Edna strives to possess in the story. Her quest to become an artist seems tied to her quest to break from the conventions of society because of this definition. Edna's reverence for art and the values that it seems to be connected with make her personality even more unconventional in the terms of the society that she lived in.
The ideals Edna had were very progressive for her time. Just as expected she met a lot of push back from most since people do not like the idea of change But one of the biggest leaps she took was moving out of her own home. An understandable gesture for a woman coming into her own, for with a change of heart of change of setting is also needed. She tells
Throughout “The Awakening”, Edna is immersed in a constant clash with society over the significance of the difference between her life and her self. To Edna, the question of whether or not she would die for her children is somewhat simple. Edna attempts to explain this concept to her good friend, Adele Ratignolle, but to no avail, “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself” (Chopin 62). Not only does Edna consider her life unessential, she categorizes it as equal with material objects such as money. The idea of self, on the other hand, lies on a completely different level in Edna’s mind. The most important goal to Edna in her life is the journey to discover her true character. The idea that her inner self is more essential than life or even her children causes Edna to stray farther from the social constraints of the typical domestic woman. Kathleen M. Streater weighs in on Edna’s situation and placement in
On the contrary, Adele viewed motherhood and being a wife as the single handedly most important role in a woman’s life. When Edna was distressed she wanted to do something to fix the problem where on the other hand Adele would simply use the piano to sooth her soul and relax herself in order to overcome the anger that is at that time bypassing her.
“Mrs. Pontellier was beginning to realize her position in the universe as a human being, and to recognize her relations as an individual to the world within and about her” (547). She looked at and heard things as if for the first time. “The very first chords which Mademoiselle Reisz struck upon the piano sent a keen tremor down Mrs. Pontellier’s spinal column” (556). She decided that she would move out of her house with her husband and children and would move into a small apartment by herself. This is something that women of her day simple did not do. Edna was different.
named Edna becoming independent and finding herself in a time when women had little to no
Though there are several themes in this novel, the central theme that connects them all is identity and finding who you are and where you belong in life and society. At the beginning of the novel, we see Edna is portrayed as typical mother and wife; "Looking at them reminded her of her rings, which she had given to her husband before leaving for the beach. She silently reached out to him, and he, understanding, took the rings from his vest pocket and dropped them into her open palm. She slipped them upon her fingers" (1). Once Edna decides to live life the way she wants that is thrown out the window. The reason for this is due to Edna’s second side. She is said to have two sides "Even as a child, she had lived her own small life all within herself. At a very early period she had apprehended instinctively the dual life—that outward existence which conforms, the inward life which questions" (7). The "sides" refer to as her inner and outer self. Edna’s outer self is the person who everyone around tells/wants her to be; Her inner self is the Edna that longs to be free, she wants to do what she feels like without people judging her. This is why the theme is identity from start to finish Edna is struggling between who others want her to be vs. what she wants to be.