Marcia Douglas
Electricity Comes To Cocoa Bottom Electricity Comes to Cocoa Bottom takes the reader on a journey of light, from the flicker of the firefly in rural Jamaica, through the half-moonlight of the limbo of exile in the USA to the point of arrival and reconnection imaged by the eight-pointed star.
It is also a journey of the voice, traversing back and forth across the Atlantic and across continents, pushing its way through word censors and voice mufflers and ending in tongues of fire.
In making this book a Poetry Book Society recommendation, its selector commented: 'Marcia Douglas has the kind of intent but relaxed concentration which ushers the reader into the life of a poem and makes the event - a wedding, a hot afternoon,
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This is a rich and very welcome book.'June Owens writes in The Caribbean Writer: 'Some writers leave their creative handprints in dark caves where only later happenstance may, perhaps, discover them. Some writers stamp their entire selves upon the language, upon a culture, upon literature and upon our consciousness in so intimate, singular, well-illumined and indelible a manner that there can be no mistaking their poems and prose for those of another. Such a writer is Marcia Douglas.'
Her first publications appeared in Sister of Caliban: A Multilingual Anthology of Contemporary Caribbean Women Poets (1996) and in Callaloo, Sun Dog: Southeast Review, Phoebe and APTE.Her first collection of poems, Electricity Comes to Cocoa Bottom (Peepal Tree, 1999) won a Poetry Book Society recommendation. It explores the recuperation of Jamaican place and voice from the perspective of a young woman in urban America in resistance to culturally annihilating forces in that society. She writes of the memories which went into these poems: ‘To write these poems was to traverse my navel string back to my Jamaican grandmother who I remember working at a foot-pedalled sewing machine by the light of a kerosene lamp, the words Home Sweet Home on the glass shade; it was to return to the
James Fenton and Carol Ann Duffy are both contemporary poets. Their poems ‘In Paris with You’ and ‘Quickdraw’ both include the themes of the pain of love. This essay compares how the two poets present the pain of love in their poems, exploring things such as imagery, vocabulary and form and structure.
At a first glance, the poem “The Author to Her Book”, written by Anne Bradstreet, is quite difficult to decipher. With a perplexing use of diction, Bradstreet manages to lure readers in and stimulate interest, much like puzzle. The language usages in the poem was intrinsic to the time period it was written in however, a current audience may become confused at the site of this poem and be more inclined to investigate it. After reading this particular poem numerous times, the underlying story begins to be revealed. It appears as if the author being described in the poem is unhappy with her work. The speaker’s friends on the other hand, liked it and decided to publish it so the author was forced to revise the writings and make them better. The vibe from the speaker however, is of constant disgust in their work. No matter how much they revised and edited, they were never satisfied with anything completed. To add character to her work, Bradstreet effectively uses metaphors throughout the poem to aid in her overall theme of conflicts
Furthermore, Sharon Olds and Molly Peacock convey the Tone of the poems to describe the characters emotions. In “Parents' Day” Olds stated “To see that woman arriving and to know
Both Maya Angelou of "Champion of the World", and Amy Tan of "Fish Cheeks" write anecdotal short stories which express their isolation from the dominant Anglo culture while delving into deeper detail as to why they feel such a great sense of alienation. Although both stories take place within different settings and time periods, a primary commonality they share comes from within the detachment they feel as minorities within a larger, more dominant community. Each author expertly employs literary devices such as description and narrative style within their writing to express the primary underlying message of their anecdotal stories; however, placing emphasis on the descriptive aspects of a story and setting more often seems to give the audience greater clarity and insight into the situation and setting. In Tan's story, objects of familiarity and a myriad of overwhelming are described in intense detail. Therefore, Tan's heavy emphasis of description throughout her story resonates more strongly with the reader. By thoroughly analyzing the text, we can observe how and why the literary element which the authors place more focus on is an important aspect toward expressing the theme of cultural isolation, as well as to how Tan's usage of description give the audience more insight as a result.
Good morning teachers and students. Today I am going to talk about the impact of discoveries. Do you think the impact of discoveries can be transformative? Which means the impact could change something or someone and make different impacts. This idea is represented in the film direct by Gary Ross “Pleasantville” and the poem “Journey to the Interior” by Margret Atwood.
Few authors in history have had an impact that has lasted beyond their own time. I was born on the 29th of November in 1898 and died on the 22nd of November 1963 not quite living until my sixty-fifth birthday (“About C.S. Lewis” 1), and during my life, I earned somehow the right to be remembered like few authors have gotten he chance to do. Although, I do not know how I came to earn that. I grew up in Belfast, Ireland surrounded by the plains to Flora and August Hamilton (About 1). My childhood was often filled with fantasy as my brothers and I wished for greater adventures. I found this adventure in some ways when World War I was on the rise and I participated in the British army (About 2). Later in life, I attended Oxford and had
Harwood’s poetry are valued texts because they explore challenging ideas of nostalgia and mortality. Discuss this statement in light of your understanding of the poetry of Gwen Harwood.
In her book, she writes short poems about issues she’s witnessed and been a part of throughout her life. Her constant experience with being humiliated in public, looked down upon, just because she’s considered different in society. All because she’s an African American woman. Just like the thousands of immigrants from Australia. They will be frowned upon because they’re outsiders of America, and do not belong.
Kelly, David. "Critical Essay on 'To My Dear and Loving Husband'." Poetry for Students. Ed.
Marian Evans Lewes relates to aspiring writers by subtly elucidating her own anticipation in order to draw attention to the common misconceptions young people possess about writing. Lewes quickly states how “exultation is a dream before achievement and rarely comes after” (Lewes 8-9). By creating a short and concise sentence, Lewes quickly informs the reader of how in one’s youth, triumph and elation are expected results of one’s work. Yet the reality is that these are attributes that scarcely accompany one’s achievement. Lewes immediately juxtaposes her previously succinct point what that of a lengthy conclusion she has developed. She determines how after one has completed a piece of writing they feel as though their bodies became the system in which writing “develop[s] and grow[s] by some force of which one’s own life has only served as a vehicle and that what is left of oneself is only a poor husk” (11-13). Lewes contrast in
Love can be quite a difficult topic to write about, expressing one’s intimate and innermost emotions requires a great level of dedication and honesty. If done correctly, the outcome is truly stunning. John Donne’s “A Valediction: Forbidding Mourning” and Katherine Philips’s “To Mrs. M.A. at Parting” are two masterpieces of this genre. These poems depict the concept of true love so meticulously that the reader cannot help but envy the relationships presented. Perhaps the reason that these works are so effective is due to the fact that they are incredibly similar to each other. Although some differences are present when it comes to structure and gender concerns, the poems share the same theme of love on a spiritual level and show many parallels in meaning.
“Wish for a Young Wife”, by Theodore Roethke, may seem to be more than just a simple epithalamium, for the way the poet presents his writing compels the reader to question his true intentions. Nevertheless, although it is easy for the reader to trip down this path, a closer reading, in which one pays particular attention to aspects such the poem's imagery, rhyme scheme, meter, and parallelism, allows them to acknowledge that as the poet appreciates his wife and elaborates on what he wants for her, it is in fact the ambiguity of the poem that doubles the effect of his sincerity and love for his young wife.
Colleen McElroy uses her poetry to describe her culture and heritage in a very historical manner. McElroy’s poetry is very different from Hughes and Clifton in the sense that she uses so many references to her ancestors culture back in Africa. “My memory floats down a long narrow hall, A calabash of history. Grandpa stood high in Watusi shadows Where effigies of my ancestors are captured in Beatle tunes, And crowns never touch Bantu heads. My past is a slender dancer reflected briefly Like a leopard in fingers of fire. The future Dahomey is a house of 16 doors, the totem of Burundi counts 17 warriors-- In reverse generations. While I cling to one stray Seminole. My thoughts grow thin in the urge to travel beyond Grandma’s tale. Of why cat fur id for kitten britches; Past the wrought iron rail of first stairs In baby white shoes, To Ashanti mysteries and rituals.” The use of African language and the names of tribes paint a geographical image that readers can begin to follow. Heritage is more than following the lineage of a people, the land in which they live is equally as involved. This ethnic and topographical following of these people gives her Clifton’s poetry the breath
Stylistically, the visual and concrete nature of the poem lends itself to modern comparison as well. The delightful accounts of the changing of the seasons are in part to indicate the passage of time, but also add mood to the whole of the piece. Present-day fantasy writer Patricia McKillip has been critically lauded for "lush imagery" and stories described as "atmospheric... and filled with rich imagery." Clearly the descriptions are an important part of the style that makes modern
These strong, and independent African women authors use insightful and educational language, which invites the western world to be a part of their world through the power of literature. One of the