Drizelle Baluyot
Enervation in “The Triumph of Death”
In a perfect world, sickness and death no longer exist. Ideally, there would be wholesome bodies, pure souls, and a transcendence that takes human beings beyond the limits of their imagination. Although Giorgio Aurispa longs for this kind of transcendence, he has found that “life was but a seething mass of impurity” (104). Human beings have managed to find purpose in the midst of life’s endless scheme of enervation through work, religion, responsibility, and community. However, this is not always the case for the privileged, which Gabriele D’ Annunzio blatantly addresses in his novel “The Triumph of Death” through Giorgio Aurispa, a 20-year-old man who has become wealthy through inheritance from his uncle who has just committed suicide. Giorgio begins his journey towards enervation after no longer having need of these different spheres of life and instead, immerses himself with sensuality, materialism, and whatever pleasures his heart desires. Gabriele D’ Annunzio used Giorgio’s ambivalence to demonstrate how his journey of enervation was birthed out of privilege.
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With sickness and death constantly surrounding Giorgio, he wasn’t able to get through life by focusing on other aspects, such as work, community, or love. Giorgio’s tendency towards privilege led him to a prideful man, an unmoved Nietzsche superman who would not settle for less than the ideal. D’ Annunzio used “The Triumph of Death” as a pessimistic warning to the privileged that the obsessive pursuit of transcendence will only lead to a disappointment that has the potential to destroy a person’s soul. Life is not meant to be experienced through an idealized lens, but through hard work, dedication, responsibility, community, and everything that gives life the fullness of
“The medieval morality play Everyman, personifying such abstractions as Fellowship and Good Deeds, recounts the death journey of Everyman” (Allegory, 2010). The author makes it clear that nothing is as important in life as death. It is also made clear that death in
In his novel “The Late Mattia Pascal”, Luigi Pirandello tells the story of Mattia Pascal, a man that, after having lost everything and recognizing his unhappiness, has the opportunity to start over. The events of Mattia’s life are dictated by a mixture of fortune and decision making during unusual circumstances, where death, especially of the people he loves the most, constantly surrounds him. This leads to a crisis of identity, which is the main focus throughout the novel while at same time directly correlating to Pirandello’s life. In his novel, Pirandello explores the theme of identity, which is a symbol of the universal moral and existential crises that were taking place at the time.
As human beings, we are students of life, and death is one of the hard lessons that we will encounter. Our faith is not a fixed concept, it is affected by a convergence of factors and events in our life. Faith is complex and differs from one person to another, but one thing is for certain, it affects how we look at life and how we approach life. Rudolfo Anaya’s Bless Me Ultima divulges into the life of an inquisitive six year old Antonio as he transitions from a young boy to a man and becomes cognizant of life’s tragedies. His inquisitive nature that persists to understand himself and his world bears an internal struggle that leaves a rift of
In the play “everyman” death is depicted as something that is terribly feared as no one seemed ready for it, death is perceived as something that takes one away from the pleasures of this world.
As human beings, we are students of life, and death is one of the hard lessons that we will encounter. Our faith is not a fixed concept, ist is affected by a convergence of factors and events in our life. Faith is complex and differs from one person to another, but one thing is for certain, it affects how we look at life and how we approach life. Rudolfo Anaya’s Bless Me Ultima divulges into the life of six year old Antonio as he transitions from a young boy to a man and becomes cognizant of life’s tragedies. His inquisitive nature that persists to understand himself and his world bears an internal struggle that leaves a rift of
In this paper I am going to compare and contrast two different books on the subject of human mortality. The two books that I am reviewing are “The Art of Dying: Living Fully Into The Life to Come”, and “Death and Afterlife”. I am going to give brief summaries of each book and also share where I think both of these books have agreed on certain themes, as well as where the have disagreed.
The play Everyman may have been written many years ago, but its lessons are still relevant today. Generally, the facts of death are very traumatizing and in fact unthinkable. This leads the modern day Everyman to ignore its significance, dying without acknowledging or reflecting on their lives here on earth. It is based on this fact that this paper aims to show the position of the author of the play “Everyman” regarding death.
Time is forever moving forward, constantly progressing and as time progresses, societal values and beliefs adjust and develop, yet there are some values and ideas that remain constant. Despite suffering being a natural and an unavoidable aspect of human life, people have developed the skill of avoiding its existence. Even though created in disparate time periods, Ovid’s ‘Icarus’, Breughel’s ‘Fall Of Icarus’ and Auden’s ‘Musee des Beaux Arts’, all present their society's principle of human indifference towards the suffering and the continuance of the human life, as suffering occurs. W. H. Auden’s ‘Musee des Beaux Arts’ exposes society’s indifference towards suffering. Through the poet's conversational tone, Auden places the reader in front of Breughel’s painting ‘Fall Of Icarus’, and uses the piece to manifest how self-concerned human beings are.
In his 1873 portrait, The Dying Mazzini (30 1/8” X 39 ½”, Providence, RISD Museum), Italian realist painter Silvestro Lega captures the final hours of Mazzini Morente’s life. In this painting, rather than depict the terror of death, a topic which people dislike and always associate with separation, fear, agony and sadness, Lega shows an incredibly peaceful and serene scene of dying Mazzini. With his eyes closed, Mazzini lies on a bed and is propped up against a pair of white pillows. His whole body is wrapped up in a piece of gray plaid shawl with only his hands exposed—left hand softly resting on his right. In this essay, I will show you how Lega
“Everyman” is a metaphorical story that illustrates the value of life and death. The famous medieval play of the 20th century elucidates around the lifetime journey, the sins, family, and the day of reckoning. Death is perceived distinctively in various cultures and tends to impact an individual personally as compared to a group. The journey to
Death is a force that continuously plagues humanity from day to day, and sometimes even just the thought of leaving our world causes many terror and anxiety; yet would a never-ending life truly be any better than coming to an eventual demise? This lust for the gift of immortality is a naïve desire which comes attached to more extreme consequences than one would think. These consequences and the overall concept of immortality being a curse instead of a blessing has been explored particularly in “The Mortal Immortal” by Mary Shelley, and “Herbert West: Reanimator” by H.P Lovecraft . The characters featured in these short stories expose the perils of achieving the inhuman attribute of eternal life, and then suffer the repercussions for going
Their legacies serve to teach audiences about the dangers of the routine, utilitarian lifestyles as well as the hope that is ever present, no matter how far gone one may be. Ivan and Gregor, through their meaningless lives, provide reflection for readers into their own lives. Is anyone truly free from the entrapment of routine in their life? Who can say that they have not often desired the utilitarian pleasures of the world? Kafka’s The Metamorphosis serves almost as a cautionary tale against such things, while The Death of Ivan Ilyich offers readers the hope beyond. In the end, what readers must learn from Gregor and Ivan is that even in death there is hope for new
In Western Society, some aspects of death and dying are visible whilst others remain hidden due to various factors. This essay will briefly discuss the reasons behind this. The word visible relates to things that can be seen, both physically and in a metaphorical way through perception of what is obvious. In western society, great importance is placed on the notion of a “good death” rather than what is viewed to be a “bad death” which has contributed towards socially desirable aspects of death and dying being more visible in society than less favourable features.
“You can have it”, a phrase said out of defeat, surrenders one’s life because the personal value has diminished. Levine issues a timeless message for his readers to value life and live as if the world houses the danger of killing you on the inside, which can be analogous to a physical death. Life is given to all persons alike, but to live is given through choice of each
Death in Venice by Thomas Mann, was told from the point of view of Gustav von Aschenbach. The main theme of the novel was Aschenbach following around a little Italian boy, Tadzio. Tadzio reminds Aschenbach of himself when he was a child. Aschenbach and Tadzio were ill as children which is why Aschenbach becomes infatuated with Tadzio. Aschenbach was home schooled as a child because he was very ill and his parents decided that it was best for him to remain isolated from the other children. He came from a wealthy family which allowed him to live this lifestyle. The difference between the two is that although Tadzio is ill as a child he was still presented opportunities to play with other children and gain experiences. Part of the reason that Aschenbach as an adult has writers block is because as a child and as a young adult he didn’t have communication with the outside world. The remainder of this essay will be focused on the fact that if Aschenbach lived a normal life like Tadzio then the consequences of Aschenbach’s legacy wouldn’t have been tarnished .