Essay On Biographies Of Hegemony And The Naked Citadel

We define masculinity in a very narrow way. Masculinity becomes this hard, small cage, and we put boys inside the cage. We teach boys to be afraid of fear. We teach boys to be afraid of weakness, of vulnerability. We teach them to mask their true selves because they have to be, in Nigeria speak, ‘hard man’ (Adichie).

Human beings have full control over their identities after they have received knowledge and have become shaped from external stimuli. These stimuli include the teaching process of humans which comes through tradition, schooling, and the actions of other humans and the influence of the organisms around them. Andrew Solomon, through “Son,” was able to use his experience of growing up and labeling himself as a gay dyslexic to show how his environment and knowledge had shaped his identity and how it was viewed by others with different identities. In “An Elephant Crackup,” Charles Siebert was able to explain how the other organisms or humans are able to form new identities for elephants over time by shaping them a new environment and having the elephants process it. In “Mind’s Eye,” Oliver Sacks had different case studies of blindness from different people and was able to show how each one experienced their blindness help shape and express their individual identities. The stimuli that becomes processed by a person in the situations, accounts, and studies of these works assist in the role of explaining the formulation of an identity.

The general public depicted in An's story utilizes a test to decide how masculine or feminine an individual is to dole out them to specific assignments and sexual orientation particular positions. While this is by all accounts fairly tragic at to start with, it quite accurately reflects the present society. In spite of the fact that individuals are not compelled to seek after professions that fit their cliché gender roles, in reality, there are unmistakable "manly" and "ladylike" connotations with numerous policed acts, wherein not adhered to, is met with prejudice, violence and varying levels of ridicule.

Our identities are key to our understanding of the world. Mental models through which information is processed are built off of life experience, taught ethics and morals, and upbringing. Identity is discussed in the following texts - The Politics of Exile by Elizabeth Dauphinee, “Unlearning the Myth of American Innocence” by Suzy Hansen, and “Letter to America” by Aida Hozic - through various themes of American culture. Dauphinee, in particular, examines the depth of personal identity and its ability to change. All three works consider the many components of personal identity and its formation as well as its undoing.

As George R.R. Martin once stated, “Never forget what you are, for surely the world will not. Make it your strength. Then it can never be your weakness. Armour yourself in it, and it will never be used to hurt you” (“Quotes About Identity”, 2017). In the short stories, David Goes to the Reserve, and Compatriots, characters struggle with their sense of identity. Some know who they are, but lack the knowledge of who they want to be; while others do not perceive any identity, but know they can be so much more. To find their true selves, the characters have to confront and overcome the obstacles that hindered them in the past.

In one scene of the memoir, Allison describes her uncles and their need to be depicted as masculine and to act “hard” to the world around them. She also remembers her cousins as young boys and how quickly they seemed to turn into men. The time came for them to act as the world expected them to. This action shows how gender may oppress some males when they feel the pressures of the world to act a certain way. Otherwise, they are at risk for being seen as different and abnormal. Men who do not portray masculinity well are often seen as feminine and weak. When Allison describes her uncles she states, “If you didn’t look close, you might miss the sharp glint of pain in their eyes, the restless angry way they gave themselves up to fate,” (Allison, 28). These men already had their futures planned for them though the society and gender norms. Acting against these norms was seen as unusual, radical, and

There is no denying that every person needs ti have a persona. One’s personality is developed through the different environments, cultures, and even obstacles faced in order to create the type of person we are. When going through the process of finding our identities, we are faced with aspects of ourselves that we do not wish to be defined as. According to the author, Jennifer M. Volland “Stay: The Archetypal Space of the Hotel,” she emphasizes psychologist Carl Jung’s idea that we each have two sides to ourselves that we are either accepting or unaccepting as she states, “the ‘persona’ which is the outward appearance a person presents to the world, and the ‘shadow,’ the subconscious aspects of that person’s personality — that is, the denied parts of one’s self.” We are able to see parallels of Jung’s argument of what are the components of a person’s identity throughout David Wallace’s work, “Shipping Out,” of how the cruise ship internally exploits workers and manipulates their passengers while externally trying to maintain a facade of what the Zenith stands for.

“In Defense of Masks”, by Kenneth Gergen regards that it is not possible for humans to adequately find a coherent self identity without an aftermath. Gergen states, “to the extent that they do, they many experience severe emotional distress” when trying to do so (172). He refers to Erik Erickson, a psychologist who speaks about how self-alienation can result due to the pressures of society to individuals with various masks of identity.

False identity can become so inherent to a person’s character, they can begin to forget where it stops and their true self begins. In Tobias Wolff’s novel Old School, the narrator and the literary review the Troubadour both are hiding behind a persona that is placed onto them by themselves or others. An aspirational vision of the characters is the basis of their personas. Wanting to be more then they already are, the characters end up believing in the lies told to persuade others of their importance. Placing the personas on themselves is a way to divert people from the true nature of their identity, which might not live up to their expectations. The identities taken on by the narrator and the Troubadour convey that what they are and what they want to be are not yet the same.

There is a massive difference between wanting to keep a tradition alive and being so avid about living in sameness that it becomes dangerous. Fluidity and being open to revision is necessary in order to survive in an ever changing environment. In The Naked Citadel, Susan Faludi recounts the events that occurred during the period that Shannon Faulkner fought for acceptance to the Citadel, the military college of South Carolina. Throughout this time, the school community experienced utter chaos as a result of mixed emotions about letting a female gain the honor of becoming a cadet. In The Minds Eye, Oliver Sacks shows the necessity of change in order to survive by describing the changes that blind people made in their lives in order to become as successful as they are today. When an individual is forced to change, they are more likely to tackle the situation with an open mind as a method to make the best of that situation. In contrast, when change is not necessary, it can be much more difficult to adapt due to the presence of fear and insecurities.

Outside influences have a strong capability to influence and alter our personal identity. Both directly and indirectly, the social contexts in which we live can change the way we think and feel, and by extension how we interact with other people and places. Immediate family, friendship groups and the physical environment are all factors which contribute to our ever changing perceptions of ourselves. Sometimes personal identity can be subtly reshaped over a gradual time frame, as our sense of who we are is modified without personal recognition that we are changing. At other times we may be able to notice our personal identity changing, through important life decisions.

Within dystopian literature, identity is something that can be seen as an individual’s most core and precious element. Exposed against a scarcity of freedom in self-expression, we can begin to fully appreciate and understand the importance in the role of identity as well as its robustness. The role of identity and its manipulation is often explored within dystopian literature to exemplify weaknesses in human psychology as well as to destroy false images of strength and superiority that we apply to ourselves. In both The Road and

The way a person views themself is often very different from the way they are viewed by other people. Both protagonists believe that how they perceived themselves was reflected in other people minds. In Miss Brill by Katherine Mansfield and Identities by W.D. Valgardson, the authors create irony, develop the characters perspectives, and the use their resolutions to portray that the identities we prescribe to ourselves and others differ from reality, and often one only learns this through the world with which we interact.

Porter even states that he had asked a young boy how he would feel in the event that he were to be told that he acted like a girl the boy responded by means of saying “that it would destroy him” (A Call To Men).

Men portray their domination in the power they hold over decisions in the household and society. Men hold a status of hyper-sexuality as society expects them to always have the ability to produce children and to hold strong sexual desires. The differences between Nick and the Commander show stratification of men. Nick portrays the lower class man, who rarely talks yet still holds domination over women.