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Essay On Cathleen Ni Houlihan's Rising Of The Moon

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First Cathleen Ni Houlihan would be performed followed by The Rising of the Moon. Both settings of these one-acts would be constructed with minimalistic design juxtaposed with highly detailed acting decisions. This will utilize the audience’s imagination to create a realistic backdrop for both of these scenes, and keep the focus of the production of the evolving relationship between the protagonists and the unlikely defenders of Ireland, i.e. the ragged man and the poor old woman. Minimalist constructs for both settings is a must for both plays. It impossible to create a realistic enough backdrop for the scenes that accurately illustrates the culture, and the beauty of the nature surrounding both scenes. Therefore, by allowing the audience to create the shoreline that the quay is built upon, and the fields basked in the sun’s glow surrounding the Gillane’s residents, they will be more invested in the stakes of the rebellion, and as a result better sympathize with the antagonist.
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His decision should be fully motivated by the dialogue between himself and the ragged man. Instead of a gradual change of heart, there needs to be a clear moment before the sargent’s “No one” (57), that shows a quick deliberation and decision. This will show that while the sergeant’s choice was based on instinct, it was also of his volition. This contrast directly with Michael who was powerless to resist the urge to defend Ireland. It also important that the levity, and humor not be loss from these lines, this contributes to the lighter tone, and the ultimate approval from the audience for the sergeant's decision. At the conclusion of these two pieces the audience should leave having contemplated the personal sacrifice of both protagonists, but also fully appreciate the reasoning they have for giving up monetary gains, and in Michael's case his family, to defend Irish

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