Throughout the reading of the curriculum documents the thing that stood out the most was not the units and lessons themselves, but the procedures that my classmates shared of how they run their classrooms. Many of the procedures I had heard of before, but had never tried because I didn’t know how they would work in an art classroom. Seeing how other teachers are able to use warm-up activities, the release of teacher control in the use of station, and seeing assessment through the scope of another teacher has inspired me to change how I do these things. One thing that stood out was how Kara Litchfield (2015) starts her lessons with a “Do Now! Warm-Up” activities. These activities help students get into an art mindset after being in other classes. Using these warm-up activities gives students “positive stimulation by the teacher so as to express their own ideas” in a short amount of time (Steers, 2007, p. 144). Through these activities students will also will be reminded what they have been working on in previous art classes, saving time on reintroducing information by having the students do a quick activity before class starts to get busy. These warm-up also get the students in the room and engaged quickly so they have little time to be off task not thinking about art. Using these warm-up activities Kara Litchfield is using the time given to her in the fullest possible way. Another part of Kara Litchfield (2015) curriculum document that stood out to me was her use of
Further, this simplicity in her teaching approach led to a published a book called The Art of the Classroom. Haughey takes all educators back to some of the basic elements of classroom management that is currently being fine-tuned by classroom teachers as we just started the 2017-2018 school year. “Student achievement at the end of the year is directly related to the degree to which a teacher established good control of the classroom procedures in the very first week of the school year.” Harry Wong, The First Days of School: How to be an Effective Teacher.
At Arts-Based School I did my observation in Leni Fragakis’s third grade class. This was the first observation I had done since learning about instructional design. Since learning it, I now have a new way of observing, I pay more attention to the teacher; how she implemented the lessons, what strategies she uses, and the types of assessments she uses. This gives me a better experience because before I was just paying attention to what the students were doing and their part in the classroom and now I am paying attention to so much more. Even though it is important to watch the kids, I now also know how important it is to observe the teacher, too. I was also able to observe what I am learning in class be used in the classroom.
Curriculum, as stated by Glickman (2014) “is the what of instruction”. Additionally, Ornstein and Hunkins, (as cited by Glickman, Gordon and Ross-Gordon, 2014) have listed the elements of the curriculum and they “are sequence and continuity, scope and balance”. The mastery with which a teacher can incorporate the elements of the curriculum in instruction is categorized by levels. The levels of teacher involvement in curriculum implementation are described and exemplfied
For example, teachers make sure the practice assessments they give out to their students mirror the format of the state assessments. Especially in third grade, where students are taking the test for the first time and have some troubles with filling out bubble sheets and following directions. Across classrooms, teaching practices are aligned to the curriculum and reflect and express set of beliefs about how students learn best through student work products and discussions. In a math lesson, some students worked with the teacher in the front of the room answering a series of tiered questions using large visual representations and some worked with their tables as well. This helps keep students not only engaged but, working together as a team.
A study conducted in 2003 by Ofsted that involved England, Denmark and Finland, showed England’s national curriculum compared to the other two countries was:
This independent reading report focuses on Tools For Teachers by Fred Jones. This book is excellent at describing the nuts and bolts of teaching. It is a refreshing balance to the theoretical works of Vygotsky and Piaget, and it is a solid start for people who are focused on the tangible, practical aspects of what to do at 8am on their first day of classes, when the “Zone of Proximal Development” just doesn’t seem helpful enough. Dr. Jones, a psychologist from UCLA, based his methods off of countless hours of observing natural teachers. When he’d interview these naturals and asked them why they were successful, he found they weren’t able to articulate the tangible things they were doing. This book is Dr. Jones’ best shot at this articulation. It’s a practitioner’s manual; backed up by evidence, but not overloaded with jargon. It is the best educational book I have ever read. In this report, I will describe how Dr. Jones defines classroom management, detail the primary tenants of his system, discuss the differences and similarities of Dr. Jones’ system to the research and ideas we’ve learned about in class, and present how the ideas from Tools For Teaching have practical application in my own future classroom.
Ever since the late 1990s Cari Casper-Bassler, Rob Thornberry, and Dan Krause have been a positive and productive teachers in the Belleville West Art Department. Each sharing load of teaching Photography, Ceramics, Intro To Graphic Arts, Graphic Design, and Painting. Those who are apart of the art community know very well what each teacher teaches, However a sudden change this year is shaking things up and leaving many students confused.
In order to revamp Core tested programs, schools have been shifting focus to those areas and changing instructional times for various classes, which prevents students from achieving their full potential in the affected classes. Instructional time is important, especially in the fine arts. In order to have an arts program with the tangible results and benefits previously explained, elementary students require to have at least 50 hours of instructional time in order to give them a solid base in art disciplines (Good, 374). The schools who would prefer to focus their resources on the Core tested programs will see improvement in the Core areas, but there are other subjects that leave a footprint along the beach of test scores that help improve
Section II. Teaching Practice Question 1: The Washington County School District organizational strategies in place for teachers has increased academic student growth in my classes. Throughout the year, I participate in professional development activities that enhance my teaching skills and increase student learning. I collaborate with data analysis and colleagues to disaggregate student data, correctly identify the lowest benchmarks that students scored based on FSA performance and Washington County School District Progress Monitoring Program (three assessments from the previous year). For this reason, we develop an "Order of Instruction" for content areas based on data from various student measures that have been assimilated throughout the school year. In like manner, I meet with vertical/grade level teams during preplanning to gather resources and organize materials by units, critique online resources to incorporate new technology into daily lesson objectives. Prior to students entering my classroom on the first day, I locate my class roster in FOCUS, print out all student IEP 's and 504 's and incorporate that information into my data notebook. As a team, we meet weekly to design lesson plans, create informal/formal assessments, and collaborate with another to ensure that standards-based instruction is being implemented in our classroom. After students start the new school year and complete their baseline assessments, I meet with colleagues, data analysis and Washington
All that being said, the students are in desperate need of a curriculum that can be individualized and that will keep them motivated. Implementing this program will require both the other teacher and I to be credible in our knowledge base beforehand. From there, we will start the new curriculum from the beginning of the school year and lay out clear expectations for the students. Some bumps in the road should be expected, but persistence is key. Constant reflection, however, is of the utmost importance. In order to make sure that the curriculum is effective both teachers will need to reflect on each and every lesson so that they can constantly be improving. Pre, formal, and summative assessments will also be utilized in evaluating the program.
The transitions occurring in my classroom from last year to this include dissecting and presenting curriculum in a manner that provides more opportunities for collaborative work with increased individual accountability within their collaborative group. Students are presented with additional opportunities to make and share their critical assumptions, requiring them to think deeply about the lesson or selection.
The aim of Social Studies is the promotion of civic competence the knowledge, intellectual processes, and democratic dispositions required of students to be active and engaged participants in public life. Proverbs 19:2 (ESV) states," Desire without knowledge is not good, and whoever makes haste with his feet misses his way."For example it is essential for there to be commonalities across the grade levels so that there is a scaffolding of concepts to build from one grade level to the next.
Developing a curriculum is a difficult process, moreso when an educator has to keep in mind the number of students they are trying to reach. At the secondary level, it is not uncommon for a teacher to be responsible for 150 or more students. Each of these students presents a unique and trying task for educators who want to help students learn. Students have different modalities for which they gain knowledge, and it is the teacher’s job to engage those
Self-initiated learning is a key aspect of Rogers’ beliefs for a lasting education. He notes that when a student is fully engaged with the subject matter, they are more likely to retain the significant information they have been taught. When developing a curricular activity to represent Rogers’ experiential learning theory, we must remember to assemble a curriculum where the student can reflect on their work. As a secondary school art classroom focuses on work developed by the student, the assignments are often structured with a curriculum created by the educator. Assignments and art pieces are put in place to help the student learn the foundations of art and art history. Although students create the art pieces, they are often confined to the outline created by the teacher.
Prospective student teachers were required to choose a curriculum document from either the primary or secondary school sector for evaluation. They were required to conduct such an evaluation using the Daniel Stufflebeam’s CIPP (Context, Input, Process and Product) Model. The CIPP Model would be used to determine the usefulness of the curriculum in meeting the needs of the Trinidad and Tobago society. Based on possible weaknesses found in the document, prospective teachers were to offer appropriate alternatives to improve the document’s content and implementation.