lesson can be summarized using a proverb. The phrase “ignorance is bliss” means that it is better to not know rather than finding out the truth. Newly acquired knowledge will affect how a person thinks or feels because he or she is the recipient of information. Not knowing something is often times more comfortable than knowing it. For example, if a person who usually watches his or her weight suddenly
his imagery as cheerful, but however goes on to become bleak. For example, he uses gustatory imagery in the first stanza, describing the berries as "sweet like thickened wine"(5-6), then after the berries have been harvested, he uses the same type of imagery in depicting the berries as "sour"(21). Creating this contrast, Heaney displays his speaker's evolution. By using antithesis, he makes an abundantly clear change, not just in the berries, but in our protagonists thinking. Another example of Heaney's
of land. The third line contains a triple form of alliteration with “soft, stealing shadows” (Lovecraft). The third line contains a sense of calming mood as the imagery of growing shadows quietly envelope the landscape. Finally, the stanza closes “to mellowing landscape, and to calming sea” (l.4 Lovecraft); this final line is full of imagery as the land is becoming calmer with days’ end. The stanza also begins the simple rhyme scheme of “abab” to be seen through the rest of the stanzas. This stanza
further elaborates by comparing the process of creation to that of a blacksmith, ending the imagery by asking if God smiled after viewing the final product. The use of the word furnace gives me the impression of Hell. When being asked to describe the idea of Hell, most individuals use words such as torment, suffering, and evil. If the word furnace were to be replaced with bliss, then the poem shifts again. Bliss is defined as a state of perfect happiness or great joy (Dictionary). The switch of words
The way literary works show this attitude is especially through diction or word choice. The tone conveyed in “I Wondered as Lonely as a Cloud” is optimistic because the speaker’s unhappiness and loneness is cured by a field of flowers. An example of tone that is revealed through diction is revealed when the speaker states how happy the field of flowers makes him in the following lines: “A poet could not but be gay / In such a jocund company” (15-16). The word “gay” or in other words happy
poem, Dove incorporates imagery to its full potential, has more than enough symbolism, has a soft loving tone and voice which brings the reader onto a personal level with the mother, and has a clear moral to the story. Right away Dove shows imagery within the first four lines of the poem. The first line of the poem, “She wanted a
by Woods on a Snowy Evening” has masculine, end rhymes; for example know, though, and queer, near. There is slant rhyme such as assonance and consonance. The evidence of assonance is in the first two lines of the first stanza, I’ll take it line by line. Line one, “… I think I know.” Line two, “… is in …” The first example for consonance rhyme lies in the beginning of the second line of the first verse. “His house…” and the second example is in the first line of the third verse; “He gives his harness
The Metamorphosis of Bertha in Katherine Mansfield’s Bliss Katherine Mansfield’s “Bliss” is quite an interesting story full of underlying meanings and themes. Upon a first reading, it seems to be a simple story of a woman who feels uncontainable bliss one day, only to have it end when she discovers her husband is having an affair. Although this is a correct interpretation, after a second reading, much more is apparent. “Bliss” is a story of the revelation of a vibrant young woman, of criticism
The Hebrew and Christian religious traditions have a storied history of experiencing revelations, specifically Apocalyptic writings. Some examples of these visions include, Isaiah, Ezekiel, Daniel, John’s Revelation, and Julian’s Revelations of Love. Yet, the question remains, how credible these revelations are, especially the newer ones? If the Old Testament is taken as credible, then the New Testament and any subsequent writings must align with the Old Testament. Isaiah’s apocalyptic and messianic
lovers offended by books about dogs. The reader can only assume which minority groups Bradbury was truly referring to. Finally, in the Afterword to Fahrenheit 451, Bradbury clearly expresses his own sensitivity to attempts to restrict his writing. For example, he feels censored