Examples Of Morality In The Lady With The Dog

The Russian attitude toward love during Chekhov’s time is very patriarchal and is considered normal to marry for practical reasons, parental pressures or other considerations rather than for love. The feelings that accompany love, such as passion and spirituality, are not a societal consideration and this institutional attitude toward human emotion is the catalyst for Chekhov’s story. When a person is deprived of love, he or she builds up a futility of life which consumes the human soul. In Anton Chekhov’s “The Lady with the Dog”, the readers are placed in a setting where the main character Gurov, and his love interest Anna, are given the emotional freedom to feel love toward one another. This freedom is the driving force in the story

The first example can be seen in the title of this story - the aspect of snow suggests purity that audiences have come to associate with the colour white whilst the word ‘child’ suggests the innocence that can only be possessed by children so young. The connotations carried by colour are used to give us an insight into the personalities of both the Count and the Countess. For we are told that the Count rides ‘on a grey mare’ and the Countess ‘on a black one’. Therefore, if the colour white is associated with purity and goodness as previously mentioned, the colour black is at the opposite end of the spectrum, seeming to suggest evil whilst the colour grey is in between - not totally good but not totally evil either.

Anton Chekhov in “the Lady with the Dog,” brilliantly displays the quest of one man to find happiness. Anton Chekhov’s short story, The Lady with the Little Dog, is the simple story of a philandering married man who finally falls in love with an unhappily married woman with whom he has an affair.  Though it is a remarkably simple plot, the story is compelling to read because Chekhov’s use of two effective plot devices with diction and symbolism.

A story, of any type, is greatly affected by the characters’ outlook on life. A bright, hopeful main character will give the narrative a more lighthearted feel, and cause the reader to feel encouraged and satisfied. If the character has a negative perspective, however, it can elicit sadness, pity, or even irritation from the reader. In Voltaire’s Candide and Tolstoy’s Death of Ivan Ilyich, two characters with very different worldviews are displayed. The lighthearted Candide maintained an attitude of cheerfulness and perseverance even through the hardships of his life, which stems from his deep love and care for others, while the coldhearted despair of Ivan Ilyich is only intensified into anger by the feigned optimism of those around him.

The color white traditionally is a symbol of purity in most cultures around the world. Women dress in white during a wedding ceremony because of this color symbolism. However in The Great Gatsby the symbol white appears to have a similar meaning, but the color’s true implications are not what it seems. In the article “Color-Symbolism in The Great Gatsby”, the author Daniel J. Schneider says “ The white Daisy embodies the vision which Gatsby (who, like Lord Jim, usually wears white suits) seek to embrace-but which Nick, who discovers the corrup admixture of dream and reality…”(Schnider .p146) Characters in The Great Gatsby like Daisy, are synonymous with the color white and are implicated to be pure and incorruptible. The point Schneider makes is that Daisy is not as innocent as she seems. The color white truly

Anton Chekhov hardly restrained from writing the dreary aspects of life during his writing career. Noted as one of Russia’s most prominent realist writers of the late 19th century, Chekhov’s work ranged from critical issues concerning the mental health system in “Ward No.6” to illustrating the tiresome cycle occurring for ordinary people sensing they are incomplete with their dull, normal life in “The Lady with the Dog.” “The Lady with the Dog,” in particular portrays characters of Chekhov’s facing an unreachable desire; Gurov and Anna. This desire emulates two contrasting forces represented by the double-lives the couple lives, one being that of realism and boredom, and the other of strict passion and romanticism. Gurov and “the lady with

Color plays a unique role in the world we live in today. Color can sway the way someone thinks, change a person’s actions, and cause someone to react a certain way. In preschool, children are taught colors and as peoples’ lives progress, they are able to associate specific colors with specific feelings or emotions. For example, the color red symbolizes extremes dealing with passionate love, seduction, violence, danger, anger and adventure. Edmund Wilson comments on how the colors play a huge role in The Great Gatsby in the quote, “The whole preposterous farrago is animated with life"-and "its color and gayety and movement gave it a distinction for literary criticism long accustomed to heaviness and dinginess in serious American fiction"(Wilson

Colors are very apparent in The Great Gatsby. They often show up as descriptions to many important items throughout the book, and make those items resemble symbols. The color white confuses the reader, and often causes him/her to rethink their logic. It describes false purity and deception within something, which is very apparent in the character Daisy in this novel. The color grey gives the reader a comparison, and that is of humans to machines. Something that is lifeless is described as grey. After that, there is the final color of blue, something that is very dreamy. This is mostly associated with the eyes of Dr. T.J. Eckleburg but is also seen in other things as well. The colors white, grey, and blue cause the reader to rethink this whole book, and are associated with the most important symbols, in this novel. It is colors that truly make The Great Gatsby, a marvelous book to read.

The stories of Anton Chekhov mark a focal moment in European fiction. This is the point where 19th realist caucus of the short stories started their transformation into modern form. As such, his work straddles two traditions. The first is that of the anti-romantic realism which has a sharp observation of external social detail. It has human behavior conveyed within tight plot. The second is the modern psychological realism in which the action in typically internal and expressed in associative narrative that is built on epiphanic moments. In consideration of the two sides, Chekhov developed powerful personal styles that presage modernism without losing traditional frills of the form. This essay will discuss the Chekhov's portrayal of women.

Colors can be symbolic of infinite various things. Artists take this truth into attention while selecting the colors they use in their paintings; as these colors are used to generate emotions inside their target market. Identical to an artist, F. Scott Fitzgerald makes use of light and color in his masterpiece to create float and harmony. There is, however, an additional, extensive motive for his use of light and coloration symbolism. Fitzgerald uses lights and hues to focus on the critical battle, Gatsby and Daisy's courting. The first of the many colors used in the novel is white. The first time Nick met Daisy and Jordan "they had been each in white" (Fitzgerald 12). White, in American civilization, is usually related to innocence. This

If green is associated with Jay Gatsby because of its presence in the significant moments of his life, then Daisy’s color must be white. She is adorned with white and travels via white car when Gatsby first spies her. Years later, upon Nick’s visit, Daisy lounges in a white dress while white curtains billow around her. Even her name evokes the picture of a white flower. The purity that the color implies is what initially draws Gatsby to her. However, just as white is exceptional at reflecting color, Daisy is stellar at mimicking those around her, without putting thought into her actions. Haibing Zhang, who wrote for a journal for the Canadian Academy of Oriental and Occidental Culture, states that white actually represents Daisy’s vacuous and superficial nature (42). Though she initially seems to possess original thought, particularly in her hopes that her daughter will be “a beautiful little fool,” she becomes the fool herself (Fitzgerald 30). Her inability to cope with her love for both men causes two deaths and destroys many other lives. Though Tom and Daisy may be materialistically wealthy, they are “...quite poor and decadent in their morality” (Zhang 42). To

During the 1920’s, many people would disguise themselves through the identities of someone else. In the novel, The Great Gatsby by F. Scott Fitzgerald, the main characters can be seen “hiding” behind the symbolism of different colors. Color affects the mood, emphasizes the importance of events in a novel, and can also interact with the personalities of the characters. The concept of color symbolism is prominent in the novel. White, yellow, blue, green, and even the color black affect the atmosphere of scenes through association with a specific mood, and also through the actions of the characters.

After becoming acquainted, Anna and Gurov “walked and talked of the strange light on the sea: the water was a soft, warm, lilac color and there was a golden band of moonlight upon it” (Chekov 507). Later, when he is alone in his hotel room, Gurov reflects on her “slim, delicate throat, her lovely gray eyes” (Chekov 507) and his thoughts reveal that he has determined this young, vulnerable woman to be an ideal candidate for another one of his many affairs that he just cannot help becoming involved in. And as the story unfolds, the color gray reveals itself as an integral component in the sort of comfortable, yet, unresolved feeling that the relationship between Gurov and Anna emanates.

In 1899, Anton Chekhov published a story called, “The Lady with the Pet Dog.” This story is about deception, conflict, and love. Several years later, in 1972, Joyce Carol Oates published a story with the same title and characters. Despite the few similarities, these stories are not one in the same. Travelling through the same storyline, the reader experiences the many similarities and differences that are scattered throughout the story. In both versions of “The Lady with the Pet Dog,” the reader is able to compare and contrast the narrator's point of view, the structure of each story, and the overall theme of fate.

In 19th century Russian literature there was often a gender inequality depicted between the male and female characters. Women were expected to get married, start a family, and obey their husbands. Women often made sacrifices and married men they weren’t fond of in order to support their families. Anton Chekhov’s writing questions these gender relationships. The female characters have a strong presence within Chekhov’s works, and they transcend typical gender roles.