Introduction The literary characters of Meursault and Tonio Kroeger are likely depicted as ‘outsiders’ in the novels The Stranger by Albert Camus and Tonio Kroeger by Thomas Mann. The novels can both be described as existentialist investigations. Existentialism seeks to investigate the relationship between individuals and the society, the meaning of life, and the unavoidable conflicts in interpersonal relationships among other inquisitions. Existentialism is evident in the two novels under review as the characters are treated as outsiders.
Albert Camus’ The Stranger The two lead characters namely Meursault and Tonio Kroeger demonstrate the concept of the outsiders. In The Stranger, Meursault is depicted as an outsider both in himself as well as the society as owing to his criminal tendencies as he battles to show emotions and link with realities regarding his life. Meursault is depicted as much disconnected to the current world and life either emotionally or socially. For instance, the opening scene shows how Meursault reacts to his mother’s death. His lack of remorse and loss is both salient and borders on the pathological. By falling asleep during his mother’s funeral, the action demonstrates the lack of feelings and social competence which children are usually expected to show to their parents. Furthermore, he consents to marry Marie, his girlfriend just after she thinks that it would be an excellent move, and individuals who have a passionate relationship must
The Word existence comes from the Latin root “ex” out, and sistere from stare, which means to stand (rise up). Existentialism literally means pertaining to existence or in logic, predicating existence. Philosophically existentialism applies to a vision of the condition and existence or lack of one, with God. According to Kierkegaard, Christian existentialism is all meaning and serenity which comes through one’s relationship with God by putting our selves in his hands and finding freedom from tensions and discontent and also praying to him in order to be bless and find peace within our selves. Jean Paul is the hierophant of modern atheistic existentialism and believes that fate is determined by human action, meaning that the individual
The Stranger by Albert Camus focuses largely on the concept of absurdism. Camus uses family and personal relationships, or the lack of it thereof, to show the isolation that the main character, Meursault, undergoes in the novel and it’s effect on him overall. Camus utilizes the protagonists’ character development as a tool to further his plot of the novel. The absence of family and personal relationships tied in with the particular recurring topics of the novel are crucial in both the development of the protagonists’ characters as well as the plot as it affects the portrayal of the main character.
Albert Camus’s novel, The Stranger is regarded to the philosophical ideas of Existentialism, yet seems to also incorporate Absurdist tenets throughout the book that show ideals of being a unique type of individual with different actions that society disagrees with.
In Albert Camus novel, The Stranger (The Outsider), the main character Meursault displays a unique indifference to his surroundings and the world around him. It takes him a degree of time to come to terms with his indifference, but when he does he feels truly free from society's constricting bonds. He leads an apathetic lifestyle that is characterized by his constant lack of a definitive personality. Meursault wanders through life as if in a drunken stupor, living the life of a pleasure seeker. When he accepts his death he is relieved of the pressure of dealing with guilt and with relationships towards other people.
My purpose on earth is to bring peace and happiness. As of 2015, this world is the opposite of peaceful. Many people are being killed just to get education, kids are in poverty, and a plethora of international terrorism’s Martin
Finding the meaning of life has been an endeavor undertaken by countless philosophers with almost no uniformity from their answers. Ranging from promises of eternal life, to the belief that life has no meaning at all, Albert Camus, a French philosopher, offers his own unique view on the matter. In Camus’ novel The Stranger, he uses the beach scene where Meursault, the main character, kills an Arab in order to signify that life definitely has a meaning at times, albeit with absurd implications.
Albert Camus is considered one of the greatest existentialist writers of all time. However, although he was considered an existentialist writer, Camus never labeled himself as an existentialist. “No, I am not an existentialist” (Albert Camus: Lyrical and Critical Essays, Vintage (1970)) Camus rejected in an 1945 interview, however in some of his literary works, some find that his writings are one of a true existentialistic thinker. Although many contrast these thoughts and believe that Camus was anything but a thinker of this philosophy, Camus is one of the main authors that people turn to research and read to understand the thinking of existentialism. One of his most famous books, The Plague, illustrates the need for a human to become an
Flat characters play a significant role in all novels. For instance, the brother of Raymond’s mistress is a key flat character. The Arab never grows throughout the novel; rather, he remains a stalker, stalking his prey, tempting a fight. Without the role of the Arab, Meursault, would never have gone to prison, and never be tried for murder.
The French philosopher Roland Barthes once said, “Literature is the question minus the answer” (Barthes 2). This statement hold true for most works of literature that explore a central question. According to Barthes, literature often raises a question, but leaves it up to the reader to determine the answer. The Stranger by Albert Camus is an excellent example of how a central question, “Is there value and meaning to human life?” is raised and left unanswered, resulting in different interpretations of the answer, depending on the viewpoint of the reader. Although the question is never explicitly answered, Camus offers perspectives on what French society regarded the answers to be, such as connections with others, elusion to freedom, and faith in religion and God.
In the novel, The Stranger, author Albert Camus confronts some important issues of the time, and uses the singular viewpoint of the narrator Meursault to develop his philosophy and effectively weave together themes of absurdity, colonialism, and free will. Through the progressive disruption of Meursault’s life and his characterization, Camus presents the absurdity of the human condition along with the understanding that a person can actually be happy in the face of the absurd. Camus also intentionally sets the story in the colonized country of Algeria, and hints at the racial tensions that exist between French-Algerians and Arabs.
In The Stranger by Albert Camus, the main character, Meursault, is an absurdist who lives in the moment and refuses to be distracted by societal norms. He views the world as random and is indifferent to it. But to many French people living in Algeria, religion, social order and character are intertwined and are imperative to human life. Camus uses the crucifix and the courtroom to convey the idea that religion is man’s desperate attempt to create meaning in life where there is none.
Many people often base their opinions on a person by judging his whole life in general and his attitude towards life without caring about who the person really is deep down inside. This unfair reasoning can occur in the courtroom when people are put on trial and the judge and the jury must delve into the life of the accused and determine if he is a hazard to society. Occasionally, the judge and jury are too concerned with the accused’s past that they become too biased and give an unfair conviction and sentencing. In his novel, The Stranger, Albert Camus uses the courtroom as a symbol to represent society that judges the main character, Meursalt, unfairly to illustrate how society forms opinions based on one’s past.
In The Stranger, Albert Camus allows the main character to tell the story in order to give the reader an experience of his own. Obviously, with a novel also comes language, which Camus incorporates cleverly as a way to indirectly illustrate Meursault’s thoughts about certain situations. Although the novel represents a postmodern setting, the author shifts the overall meaning. In The Stranger, Camus applies a unique literary style as a power that deflects blame from Meursault, the antiheroic character. In order to disclaim the fault of Meursault, Camus incorporates several instances in which he leaves a greater sense of authority to nonliving objects, while further drawing attention away from the main character. Based on the implication of
The novel The Stranger, by Albert Camus, translated by Matthew Ward, follows the story of a man, Meursault, and how his emotionless way of living and his one grave mistake ends up killing him through a court of law. Throughout his journey, there is tension in him, and between him and other people and groups. This tension is represented throughout this novel with the motif is heat. And as tension can grow and is part of everyday life, it is part of Meursault’s as well. Furthermore, through tension and it growing, it can result in a conflict of multiple varieties. This motif comes up at scenes such as the trial in the courtroom, the conflict on the beach with the Arabs, and the magistrate and his heated argument. And due to Camus specific placement of the motif during these scenes, it also foreshadows conflict and trouble throughout the novel. Camus’ motif of heat shows a tension between opposing sides to foreshadow various types of conflict which demonstrate the theme that tension leads to conflict.
“The outsider” also commonly known as “The Stranger” is written by Albert Camus. It is a book that explores the many concepts, understandings and overall idea of human life. As my group and I take time to break down the varies aspects of the book, please take time to reflect, and understand your own meaning of human life.