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Fahrenheit 451, By Ray Bradbury: Literary Analysis

Decent Essays

The progression of society is dependent upon the free flow of ideas and information, as outlined in the novel Fahrenheit 451, by Ray Bradbury. At the time Bradbury wrote the novel, the United States government was censoring a fair bit of literature deemed to be offensive or dangerous. The author brought to light the destination towards which the country trod. The novel itself was, at one point, banned, the act of which underlined the extent to which suppression of culture and expression because it makes us uncomfortable slows the advancement of the society as a whole. In the novel Fahrenheit 451, Ray Bradbury clearly states that the free exchange of ideas is necessary for a societyś progress.
From boredom springs ingenuity. Ingenuity yields …show more content…

Emotions such as contempt and confusion run rampant, while those such as love and affection cling to the sidelines for fear of being trampled. One example of this occurrence is when Clarisse calls attention to Montag’s emotion or lack thereof at the very beginning of the story. She remarks how it’s such “a shame… [Montag is] not in love with anyone.”(19). Following this, Montag vehemently denies this accusation, and one side of the discussion becomes heated. Bradbury uses the motif of love or lack thereof found throughout the novel as a way to contrast the society of Montag and mechanical Hounds with our own. Many people are exposed to a wide range of emotional responses to various events through literature. When literature is taken out of the equation, one can hardly be expected to have the same response to eventualities they have never experienced, second or firsthand. Anger is an entertaining sentiment to witness, whether in person or through media, while love stories are reduced to lust. Complex emotions are deemed “too much work”. Mildred is seemingly without affection, as is demonstrated when she puts in the alert for the firefighters to come and burn Montag’s books. As she exits the scene, she mutters to herself “Poor family, poor family, oh everything gone, everything, everything gone now…”(108). She seems disconnected from the trauma of losing her spouse through her actions, and entirely

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