Fear In Oedipus

Gender and its roles are exposed in the story of Antigone as the central themes. Roles and rules are set and followed by several people in this era, this is appreciated in this text. Ideas of contradiction to these rules were not explored. In Greek mythology, several women held positions of power, but none of these women were human, making the idea of a powerful woman godlike and unattainable, as if to keep woman in their place, which of course, was always under the rule of the superior gender, the male. To challenge a patriarchy with feminism was dangerous, for both sexes were equally protective of it, leaving the challenger desolate in the battle against it. To rely on women to help other women rebel against this social norm was not probable, in the contrary, women held each other accountable for complying to these rules and punished those who didn’t. Women were their gender’s prevalent critics and suppressors, not only because they feared the repercussions, but since they didn’t have the means to rebel against it.

In Oedipus Rex, Oedipus faces a terrible tragedy mostly caused by his own insecurities. Sophocles literally shows us the human nature for always wanting to know more information about ourselves no matter the cost. Had Oedipus not cared about what was being said about him and left well enough alone he could have avoided his whole predicament and lived a happy life with his wife and children.

The first section of the book's theme is about how Telemakhos needs to find himself and finally grow up so he can find out about his dad and help his mom. The second theme is about Odysseus’s problems, well actually its about his fears. In order to go home Odysseus has to face some of his biggest fears and get over some of the greatest tragedies he could ever imagine. For the third part of the book the theme is about Odysseus again and how he needs to regain the respect he lost when he left and didn't return.

Tragedy always involves human suffering, but not everyone who suffers is a Tragic Hero. According to Aristotle, there are five basic criteria that must be met for a character to be considered a Tragic Hero. Aristotle’s ideas about tragedy were recorded in his book of literacy theory titled Poetics. In it he has a great deal to say about the structure, purpose and intended effect of tragedy. His ideas have been adopted, disputed, expanded, and discussed for several centuries. In this essay, I will examine these criteria in regards to Antigone’s Creon, King of Thebes.

One has the capability to determine from right and wrong and having the determination to stand up for what one believes in, no matter what the price is. In Sophocles’ Antigone, a written dramatic play, Sophocles portrays the theme that at times of one’s life, it is necessary to follow moral law and ignore political law. In the play, a determined and courageous woman named Antigone is loyal to her beloved brother by granting him a proper burial and having to suffer the consequences for revolting. Throughout Antigone, several incidents occurred where the political law was of no importance to the individual. Conflicts between Antigone and Ismene and then with Creon and Antigone are examples of the theme. The theme also ties with the

“The strength of a family, like the strength of an army, is in its loyalty to each other.” - Mario Puzo. The play “Antigone” by Sophocles demonstrates the paramount significance of unconditional love and loyalty to family, including keeping one’s promises. It also implies the lesson of never taking the loved ones in our lives for granted. “Antigone” takes place in Ancient Greece, and is so well told that I felt as if I were experiencing this tale for myself in the city of Thebes. The tragedy focuses on a young girl named Antigone, who has heard the news of her two brothers killing one another in a battle for control of Thebes. Her younger sister, Ismene, however, is a fascinating individual who refuses to help her older sibling give one of

Antigone’s determination did not allow her be afraid to face Creon, instead she was courageous when he asked her “I am here to say no to you and die.” (A. 50). Also, Antigone’s determination is what is allowing her to believe that she has done the correct action even if others do not think so or think of her as a foolish woman as she states “think me a fool if you like; but it may well be that a fool convicts me of folly.” (A.49). Although Antigone did not obey Creon’s decree, she was very positive that she would not be called guilty as a traitor since she firmly stated that “no one will ever convict me for a traitor.” (A. 47). Throughout all of this, she remained courageous and determined so in the end she successfully reaches her goal in burying her brother’s body.

The line between bravery and recklessness is very thin, and sometimes the two are indistinguishable; however, there are times when one becomes the other. Throughout the Greek tragedy Antigone, Sophocles portrays Antigone as a bold and fearless character. Even after her uncle Creon, the king, forbids the burial of her disgraced brother Polyneices, she defies his orders to follow the gods’ commands. When her act is discovered, she makes no effort to defend herself, and readily accepts her fate: a penalty of death. At the end, she hangs herself in her last act of defiance. Although Antigone is hailed as a tragic hero with honorable intentions, it is her own foolishness that caused her demise and others’ misfortune. While her intentions are courageous and noble, Antigone’s fatal flaw of recklessness ultimately leads her and the people around her to tragedy.

This story is marked by tragedy after tragedy; Antigone and Ismene are presented with a father, that dare to killed his father to married his own mother. Two brother that followed the similar example, and consequently killed each other to for throne to have power. We don’t know what age they were when her parents died, but by inference we can argue that they were young. Although, Antigone and Ismene experience some life-hard moments together, their view on certain situation are shaped differently throughout the play. Antigone, see the situation with her brother Polynieces as outrageous offense to her and her family values, especially after being an active member of leadership in the city of Thebes. Antigone, experiences had made her a stronger than other women, she doesn’t fear man, and is

Not only is Antigone courageous and highly motivated by her morals by standing up for her political and religious beliefs, she also protects her personal ones when she buries her brother. Antigone places family above her own life, and she refuses to let a man stand in her way of maintaining her ideals. She buries Polynices out of her own loyalty to her brother even after her sister, Ismene, refuses. Antigone is cruel to her for not taking part in illegally burying their brother. Instead of being caring and considerate, she becomes irate and at the end of their conversation says, "Go away Ismene: I shall be hating you soon, and the dead will too, for your hateful words," Antigone's flaw was her headstrong behavior and her stubbornness, which ultimately brought about her downfall and the downfall of those around her. Her persistence of course, is what forces Antigone to rashly take matters in to her own hands. Creon then decides to take Antigone's life "Away with her at once, and close her up in her rock-vaulted tomb. Leave her and let her die". To everyone's surprise Antigone does not run from her death sentence suggesting a great trait of braveness, which the chorus recognizes before her exodus from life. The notion that a person has no say in the affairs of their loved ones and the fact that those laws were defied deserves

Furthermore, Oedipus Rex is another piece of work that demonstrates how madness plays the role of influencing characters in destructive decision making, however, it differs from, The Dark Knight because the characters are driven to madness by themselves, not by an external force like The Joker. To begin, both Jocasta and Oedipus display madness when they deny that their pre-determined fate will occur and disregard any evidence that proves their false conclusions. The madness that they display is denying the existence of an idea and disregarding the apparent facts given against those beliefs. Their obsessive denial of the truth is a symbol of their insanity. Since birth, Oedipus has been doomed to marry his mother and murder his father, a

Sophocles first displays the failure of love through the war and deaths of Polyneices and Eteocles. Polyneices, the brother of Antigone and Eteocles, has broken familial ties and gone against his own people, as he is a commander in the Argive army that attacked his home city of Thebes. With this background, Sophocles is able to reveal how anger can be a stronger emotion than even love as the two brothers met “face to face in a matchless rage” (195). Here it is emphasized that love can be overshadowed by rage and greed as both brothers neglected their shared blood and history and instead were motivated by a place of hate as they fought for power. Rage not only overtook filial love between Polyneices and Eteocles on the battlefield, but before this. Eteocles and Polyneices were unable to share the crown after their father Oedipus’ death. The fight for power ultimately led to Polyneices being exiled from Thebes. This fight for the crown functions as a smaller internal war between the two brothers. Both the internal and external wars allow for love to be exposed as fickle. Love is fickle as it can easily be transformed into hate and this is shown when to loving brothers are torn apart by a single quarrel. With love comes strong emotions and when these emotions are transformed to hate, such hate is unconquerable just as “love (is) unconquerable” (224).

In the trilogy of Oedipus, Sophocles constructed an enthralling family dynamic that induces central themes throughout the play. In numerous works of literature, family relationships engage in the central message of a piece of work. In Sophocles three plays, specifically interconnection between siblings and parent relationships create, refines, and complicates themes of power, love family, pride, and extreme fate.

In Sophocles’ Antigone, gender roles are a major conflicting theme throughout the entire play. The setting of the play was written during the Greek mythological days, around 442 B.C. During these days, men were dominant and held all of the power, so women were automatically treated as less. Antigone and Creon portray the conflicting sides between male and female, and Ismene and Haemon portray opposing sides to Antigone and Creon’s actions. Antigone, Ismene, Creon, and Haemon each show differences in behavior due to their sex versus the actions each character chooses to take. Antigone tells Ismene about her plans to bury their brother, Polynices, which is going against Creon’s orders. Antigone and Ismene, have contrasting perspectives on

Tragedy can either be the darkest part of life for one person or it can be a learning opportunity for the other person. Of all the tragedies written in the literate, “Oedipus the King” written by ‘Sophocles’ is one of the oldest and the most prominent tragedy written till date. It is the story of the king, who is brutally left to die by his own parents, luckily survived, unknowingly killed his own father and married his mother. Although this story was written 2000 years ago, but it still has a great significance in the modern world. Of the most powerful tragedies of the time, “Oedipus the king” discloses such values and situations as parental aggression, child abandonment, self-confidence, ability to handle trauma, and parent-child intimate relationship that people are struggling with in today’s world. Sophocles reveals these behaviours and incidents through the actions of Oedipus.