Female Representations Between American Psycho And Misery

contrast, are coded as passive and weak, and media texts tend to represent women as the

Madeleine, the fully fetishized and unflawed, fabricated object of male desire and design, is portrayed in the film as strong, sophisticated, and sexy, but it is imperative to remember that she is not real. This is a subtle comment, from Hitchcock to the women of the 1950’s, that because she is powerful, and most importantly, imaginary, a real women like this is inconceivable. Contrary to Madeleine is Judy, who is exceedingly weak and submissive. She is the complete opposite of Madeleine, and how Hitchcock represents an actual woman. In the end of the film, it is Judy who receives the ultimate punishment of death for her double-crossing actions. Her fall from the window can literally be illustrated as women being the downfall of men. Finally, Midge represents the mother-like figure that all women were expected to be. She is everything the ideal woman of the 1950’s should have been, gentle, tender, compliant, and loyal. Though she did have a career, she would have happily given it up with no questions if Scottie would have asked that of her. Ironically, Midge does everything a man could ever want but does not end up with Scottie in the end of the film. Vertigo displays the loss of masculinity or the helpless male because of a lack of female obedience and Hitchcock exemplifies the idea of women as man’s downfall, which is stressed throughout the

Correspondingly, Barbra’s character shrieks the stereotype of a hysterical housewife, a helpless, naïve blonde woman. She is weak and reliant on the others, incompetent and oblivious to the concerns at hand. Her lack of prowess when the ghouls infiltrated the farmhouse consequently led to her death. While others were pitching in to devise a plan to combat the slew of ghouls drawing near the farmhouse, Barbra was in a state of bewilderment due to Johnny’s death and was unmindful of the plan to defeat the ghouls; therefore, she became a hindrance to the others. Robert Hass’s film criticism of Carol J. Clover’s work in Men, Women, and Chain Saws: Gender in the Modern Horror Film, declares, “Women are usually helpless victims in the horror genre” (Haas 67). This essentially summarized Barbra’s character in such a manner that the viewer would infer that Barbra enacts the stereotypical female role of a horror film.

Mass media not only reflects gender stereotypes but also plays a role in changing them. Females used to be portrayed as less brave and more dependent. Now there are strong, independent female characters like Katniss Everdeen from The Hunger Games and intelligent, brave female characters like Hermione Granger from Harry Potter. Like women’s changing positions in society, more aggressive and dominant females are being featured. Mass media molds new stereotypes but not all the ideas that are communicated are positive.

Many horror films provide their audiences with scares and screams.  Not many viewers follow what kind of model the films follow to appease their viewers.  However, after reading film theorist Carol Clover’s essay, watching one of the films she associates in the novel “Halloween”, and also watching the movie “Nightmare on Elm Street” I say almost every “slasher” or horror film follows a model similar to Clover’s.  The model that is a female is featured as a primary character and that the female tends to always overcome a situation at some point throughout the film to become victorious.

In the media we see today, and movies that are continually coming out all have a central idea in common. They all show and represent the idealistic perspective of male versus female in society. From cartoons to chick flicks to romances and comedies we notice identifiable differences and trends represented between the two genders. In the movie I watched, “Clueless,” there are many examples illustrating male superiority over female, ideas of what femininity should be, and female appeal towards the male figures in the film.

Media portrays femininity on a daily, in our lives. Femininity are the qualities that traditionally associate with females. In movies femininity are strongly showed. People of all ages are exposed to the expectations of femininity which affects our views on female. In the media such as movies like “Cinderella” the portrayal reinforces gender stereotypes to their audience.

Women in the media are constantly hypersexualized, but when they choose to express their own sexuality they are called names and put down, while men are praised for expressing their sexuality. Also, many famous women are asked blatantly sexist questions that a man would never be asked but they are expected to smile and answer the questions even though these questions demean and invalidate them. From a young age, it becomes imbedded into a girl’s brain that she is inferior, weak, and fragile; seemingly harmless princess movies are teaching young girls that they need a prince to save them and that they are incapable of being their own hero. Also, young boys are taught from a young age that they should be the strong hero and if they are not strong, they are not manly. I would love to research the negative effects of subtle sexism through the outlet of media and how it affects all individuals, female and

Moving onto gender roles and ideas, these characteristics in genders are needed in any sort of story to suit the values and attitudes of the people of that time. Gender stereotypes are a major piece to the puzzle of a film. Women are generally seen as less dominant, pushovers, the cares of everyone and that they have no independence. Whist men are seen as the more dominant, masculine, heroes, brave and courageous. This is across all genres of movies, the girl is the damsel in distress and the boy ends up saving her at the end of it.

Horror movies throughout history have been known to have their cheesy storylines or continuous bad acting. Especially horror movies. People nowadays could easily spot the flaws in a film and judge them drastically in reviews. Yet, little do people notice the ongoing discrimination between genders. Horror films tend to portray males and females substantially differently because of stereotypical views. There seems to be a pattern in which each gender takes a certain role in a movie continuously. Females are shown to be “objects” such as sex and emotional symbols, while males are shown as strong or powerful and moreover as the main bad guy. Although some of the newer edition films of the horror genre are displaying each gender more and more equal throughout the ongoing years, the gender discrimination dilemma still exists and can be seen by the statistics in the movie industry in general.

The film industry has created the conventional gender roles of society into their movies. A majority of films have supported some of the male and female stereotypes. In the history of the film industry, the role of men is primarily that of the stereotypical working class man or hero, while the roles of women are primarily portrayed as being somewhat inferior to men. In the 1930s through the 1970s, men held the leading roles in films while women played smaller roles. In terms of jobs, women were given mostly family roles and rarely were shown outside of their homes, while men had successful careers and did many activities outside of home. “Women were shown doing housework and men were the beneficiaries of their work” (“Women’s roles in the

Since the inventions of television and film, media influences have become extremely important in modern society with people constantly being inundated by images and messages that come from film, television, magazines, internet and advertising. Researchers and theorists such as Carol J. Clover and Jean Kilborne believe that the fact that people are going to be affected by the media is absolutely unavoidable. Films can act as guides to how people, particularly women, should act and look. Women in horror are typically shown as the ‘damsel in distress’ and are usually attacked by the killer after committing a sinful act like having sex or misusing drugs or alcohol. The females are

Frequently, most superheroes in cinema are portrayed by male characters rather than women, creating a distinction between gender roles. Indeed, through the passage, “These results may suggest to viewers that women are less important, knowledgeable, and capable than men – and less likely to be a hero” (Miller et. al) women are much less likely to be featured as the hero within the film, and more likely to be featured as the “damsel in distress” of the story. Furthermore, women are much more likely to be depicted in a sexualized fashion, even when displayed in the role of hero. This feature of women with a lack of dominance defies feminism, as they lack roles in superhero films and they are portrayed with the sole purpose of boasting

Filmmakers use traditional gender stereotypes to produce characters audiences can easily identify with by portraying conventional images of a person with identifiable characteristics. In previous years, the dominant representation of a women in film has been the passive, subjugated protagonist. However, through the development of female empowerment and added feminist representations of film, the female heroine transformed to become strong and independent women in her own right, as an individual character.

Studies regarding gender roles in media show that the feminine essence tends to be depicted as inferior, with women often being marginalized, disempowered and humiliated through a status that is based on their youth and looks; whilst men tend to be portrayed as superior with higher and longer lasting careers