Tom Tykwer is a German film director, screenwriter, producer and composer who is most known for his film Run Lola Run. Run Lola Run was released in 1998, starring Franka Potente as Lola, and Moritz Bleibtreu as Manni. The editor of the film is Mathilde Bonnefoy, and the cinematographer is Frank Greibe. Run Lola Run is an intense, action film that shows the implications of time, choice, fate, chance and consequence. This film follows Lola, who needs to get 100,00 marks, in order to save her boyfriend Manni’s life. There are three different scenarios that Lola mentally goes through in order to get the money, in which results to different consequences. The opening sequence starts with the quote, ‘After the game is before the game.’ The …show more content…
The sequence then goes onto a cartoon sequence of a character with all focus given on her. It shows her running down an endless tunnel with dramatic music used to build tension and suspense within the sequence. The fact the character is again running seems to connote time is running out and the aim within the narrative that needs to be achieved. The main narrative is about a young woman in Germany named Lola who has twenty minutes to find and bring 100,000 Deutschmarks to her boyfriend before he robs a supermarket. Whilst this is the main narrative, there is also another narrative of the affair between Lola's dad and another woman.
At the start of the film there appears to be no problems and the narrative is balanced, but very quickly it is disrupted, when Manni, Lola's boyfriend tells her he is in trouble and needs her help. In the very opening of the movie, a close up shot is revealed to show Lola answer the phone to her boyfriend Manni. This shot helps to reveal her vivid red hair, however at the same time reveals a red telephone. The link between these two objects show that the color red connotes the relationship between Lola and Manni, through the connection of love. As the conversation becomes more intense between the characters Lola’s voice changes to a high pitched scream. This stops Manni from speaking through a sense of shock and shows that Lola is the dominant character.
Based off Charles Webb’s 1963 novel by the same name, The Graduate is an American romantic comedy/drama released in the United States on December 21, 1967 starring Dustin Hoffman, Anne Bancroft, Katharine Ross, and William Daniels. The film was directed by Mike Nichols, produced by Lawrence Turman and the screenplay written by Buck Henry and Calder Willingham. The film was produced by Lawrence Turman/Mike Nichols productions starting in March of 1967. Mike Nichols has also directed other well known films such as Catch-22 (1970), Working Girl (1988), and more recently Closer (2004). The film was distributed by AVCO Embassy Pictures nationally and United Artists internationally. AVCO Embassy Pictures studio, founded by Joseph E. Levine, the films executive producer, also claims production/distribution for other hit films such as Godzilla, King of Monsters! (1956), The Fog (1980), and Prom Night (1980). The movie was well received due to its $104 million dollar box office opening tab. The score was produced by Dave Grusin and the songs written by Paul Simon and Art Garfunkel.
Analytical Thesis: Get Out is a psychological thriller that analyzes the racial issues in modern America through the use of visual rhetoric: such as film noir, symbolism and metaphors.
The contrast of the large truck with the visually smaller Lola is used to show how close she came to being destroyed by this machine. This works to emphasise how luck gave her another chance to live and it was really because of chance that she is able to continue with her journey. This is similar to many occurrences in life such as death occurrences which people have no explanation for besides luck and chance. Another technique used is a long-distance shot of Lola in front of the big truck with the casino presents her a great opportunity to fulfil her journey to get the money she needs. This is used to show how chance is not always bad but may also lead to opportunities that will be beneficial in the future. Continuing on with the notion of chance and luck, Lola ends up at the casino and is completely oblivious on how to gamble. By chance again, she walks to a roulette table and bets on the number 20. The close-up shot of the roulette table, spinning and coming to a stop shows suspense when Lola was about to win. This works to place importance on the actual object of chance which in the real world is all casino games. The film is showing how just like Lola’s life afterwards depends on the small play of chance, many of our live depend on other games of chance. Life is essentially a ‘game’ of chance which affects an individual’s personal fate through our own actions as well as others.
The pivotal scene that will be thoroughly represented and analyzed is from the movie 8 Mile, directed by Curtis Hanson, and released in 2002. 8 Mile is a semiautobiographical film based on the life story of the iconic rapper Marshal Mathers, or better known by his stage name Eminem, and how he began his journey into the hip-hop industry. In this film, Eminem plays himself, as the main character named Jimmy Smith Jr.; however, throughout the course of the movie, he is referred to as Rabbit more than anything else. Rabbit lives in a very rough part of Detroit known as 8 Mile, in a mobile home with his single alcoholic of a mother. Their financial situation is dire and Rabbit decides he needs to find a different occupation. Rabbit works at a factory to barely make ends meet; however, the amount he makes is abysmal compared to what he needs. Rabbit has a passion for music, specifically rap. However, this is a challenge because at the time the rap genre was predominantly occupied by African-Americans. Despite this, Rabbit continues on in his pursuit of making a name for himself in the rap industry. He enters rap battle competitions in hopes of getting noticed. He runs into a group of local amateur rappers known as “Leadaz of tha Free World”. The leader of this group is named Papa Doc and he is portrayed to be Rabbits greatest adversary. Rabbit and Papa Doc both make it to the final round of the rap battle competition and that’s when the pivotal scene
The movie “Gone with the Wind” is about a rich southern girl named Scarlett O’Hara and her life hardships set during the time-period of the Civil War. In the story, Scarlett is forced to watch helplessly as her family’s wealth and lives fade as the confederacy loses the Civil War. Even though, the movie is mainly centered on the dilemmas of Scarlett’s love life, there are many historical accuracies that immerse the viewer in the southern mindset as well as the timeframe. The portrayal of class structures and the confederate attitudes before the Civil War are both accurate and engaging details that the movie successfully implements. In the film, these examples are displayed mainly through the dialogue and setting.
Run Lola Run is a film not based in a particular place or country, more of a cityscape, although some audience members may recognize the scenes as ones representing Berlin, Germany. Throughout the film Tom Tykwer the film's director, shows a wide variety of editing and camera techniques giving the film an alternative feel rather than a commercialised one. A few of Tykers many technques include close ups, establishing shots accompanied with a bird's eye view, flash backs, fast paced editing and to counter flashbacks the use of flash forwards.
When the first interlude occurs, we have just finished watching Lola’s first run which turned out badly for her in that she gets shot. Consequently, it is Lola who expresses existential angst in her uncertainty about her attachment to Manny. The second run begins, with Lola having realized that she’ll need to commit to Manni if their love is to be for keeps, and in the end of this run Manni ends up dying. The following interlude now deals with Manni’s existential angst who is uncertain about their love and about dying. In the 3rd run through when both are confident in that love, all goes well and they end up living ‘happily ever after’. The different versions of the movie represent three alternatives that follow from three different states of the love relationship between these two individuals.
The Abolitionists shows a long journey of ending the slavery. How they fought for the freedom for slaves and how they scarify what they had in the way of the human being equality. This documentary helps people to think about the long process that some people toke and they put their life in danger everyday by speaking against slavery. They main point of this story is in these people: Frederick Douglass, William Lloyd Garrison, Angelina Grimke, Harriet Beecher Stowe, and John Brown. Angelina Grimke was from a famous family in South Carolina. Each member of her family had their own slave but Angelina broke slave owning from her family. She was thinking that slavery is sin and God will punish the person who has slave. In 1829 she moved to North and she
The film, the Untouchables, was directed by Brian De Palma. It was set in the prohibition era, which was right at the start of the 1920’s. Prohibition can be described as a law that made selling and manufacturing alcohol illegal. By putting this law into effect, it actually increased the amount of crime and violence throughout cities in the US. This was ultimately due to the rise in organized crime, also known as gangs. In the movie specifically, it was centered around the rise of the Mafia in Chicago. By looking at the production of the movie, we can see how during prohibition, the Mafia controls everything and the violence ultimately it leads to.
A motif that is used in the movie is the sequence of three. Lola and Manni have three different scenarios in the movie that they come across. The first scenario, Lola runs to her father’s Bank to ask him for money and he tells her he is not her father and to leave and go home without any money. This is the first of the three scenarios that are portrayed in the movie. The second scenario shows Lola again, running to her father’s bank and ends up robbing the bank.
Run Lola Run, is a German film about a twenty-something woman (Lola) who has 20 minutes to find $100,000 or her love (Manni) will be killed. The search for the money is played through once with a fatal ending and one would think the movie was over but then it is shown again as if it had happened ten seconds later and changed everything. It is then played out one last time. After the first and second sequence, there is a red hued, narrative bridge. There are several purposes of those bridges that affect the movie as a whole. The film Run Lola Run can be analyzed by using the four elements of mise-en scene. Mise-en-scene refers to the aspects of film that overlap with the art of the
Tom Tykwer’s Run Lola Run (1998) is truly a brilliant film. It is very seldom that a film manages to combine the high pace of an action thriller and a deep philosophical subtext without botching it, but Run Lola Run does an excellent job at striking a balance between both. Tackling the very abstract and philosophical concepts of chance and cause-effect, Run Lola Run is truly a modern foreign classic. Tykwer manages to postulate one simple theory through the film, that the simplest of choices can completely change everything. The film is supported by stellar performances from Franka Potente and Moritz Bleibtreu as the protagonist Lola and her boyfriend, Manni. The film’s use of cinematography to add to the narrative, clever use of the aspects of mise-en-scene and explosively-paced soundtrack add a whole new dimension to this film. One of the few German films to be both a critical and commercial success, Run Lola Run is a smart and stimulating film, which demands active watching in order to understand fully. I will now analyze the film comprehensively using three main parameters; the mise-en-scene, the cinematography and the sound.
Tom Tykwer's Run Lola Run is a change in the structure of narrative as we commonly see it. A standard narrative consists of a beginning-where there is a sense of normality, a disruption of that normality that transitions into the middle, and
Every movie has their own villain, but “To Kill a Mockingbird” creates a new perspective. As the movie begins, Bob Ewell is revealed to be a ruthless and drunken man. In the first scene Bob appears in, the camera catches certain aspects of his evil motives. The director plays no music in order for the watcher to carefully hear the antagonizing words of Bob Ewell. He clearly shows the watcher that Bob is the adversary of the movie. The positioning of the camera consists of close, crooked angles to represent his “crooked” views. Bob Ewell’s voice sounds rough and unclear, emphasizing his spiteful intentions.
In this paper, I will write about “Thelma and Louise” (1991) movie. I choose a last scene of the movie which the police came to arrest them in the Grand Canyon (from 122 to 125 minutes).