Film festivals are widely perceived as powerful tools of cultural diplomacy in the form of an intricate machine of global networks. They serve as a means of social connection and interaction on a product-based level between suppliers and the demand sector: the film industries and the audiences. These all interact on the basis of the exploration of cultural diversities. Film festivals have a participation in the political economy of cinema, therefore their cultural aspect also maintains to be an important factor in terms of diplomacy. The moving image holds a strong stance in the interactions of social, cultural and economic relations because it is supported by the constant development of our digital era. With this in mind, film festivals provide for a podium to organize, develop and spread content across different cultures of the world and therefore may be considered an effective tool of soft power on a mass institutional level.
Film festivals are social events that provide a wide audience with access to films that would generally be commercially unavailable – not mainstream. This brings an audience closer to the works of film industry professionals who also work outside of the dominant Hollywood. Their aim is to collaborate in creativity and speak out over social concerns through the filmmaking process. In that
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There is a physical communication between audiences and the creators of the film content, it allows for debate and dialogue between the two. This is unlike mainstream films, where there is little interaction involved what with direct access to television and the Internet. With said physical contact, individuals aim to communicate their artistic agendas on a more direct, human level. Moving images with their quality of engaging features allow for more profound, contradictory dialogue to be more widely
Strategically choosing content that people can identify with or that tells a particularly interesting or horrific true story can do just as well as the big Hollywood productions. Independent films are becoming increasingly more popular and often rival mainstream movies at the box office when they are coupled with decent funding and distribution.1 The Indie Film Movement of the 1990’s is still strong and many artists seek to escape from the control of studio production. This means more content is available than ever before and this means more choices for the exhibitor.
Although cinema is now a priority, some feel as if cinema is no longer the cinema when it was first established. Movies no longer have that special feeling like viewers once had. Today, films are not only shared within a theater, if one pleases they could always have the same experience elsewhere. Moreover, with technology expanding, it takes away the importance cinema once had. “The
This essay explores the popularity of Australian film, both locally and internationally and asks the question: Is there a crisis in the Australian Film Industry? This essay will go through the current issues the Australian Film Industry and will demonstrate examples of those problems.
Although the best reasons for “going to the movies” are to be entertained and eat popcorn, understanding a film is actually quite complex. Movies are not only a reflection of life, they also have the capability of shaping our norms, values, attitudes, and perception of life. Through the media of film, one can find stories of practically anything imaginable and some things unimaginable. Movie-makers use their art to entertain, to promote political agendas, to educate, and to present life as it is, was, or could be. They can present truth, truth as they interpret it, or simply ignore truth altogether. A movie can be a work of fiction, non-fiction, or anything in-between. A film is an artist’s interpretation. What one takes away from a film depends upon how one interprets what has been seen and heard. Understanding film is indeed difficult.
Film is one of the most distinct expressions of a culture and is simultaneously a medium of great cultural impact. From the fashion presented on screen (i.e. clothes worn by characters in The Breakfast Club (1985) that serve as an example of clothes worn in 1980’s America), to the featured artists used for their soundtracks (i.e. Kendrick Lamar’s contributions to the Black Panther (2017) soundtrack), film can influence the same culture from which it itself was influenced.
The Cinema has became one of America’s favorite past times. The artistry and the technology has captured American audiences, giving films influence over our culture. The film industry can easily change people’s opinions, without much work Hollywood can make us hate the villains and love the heroes. Through this we see the power that the cinema industry has grown to have, and the influence it has in our society. However it is also our society who possess even greater influence over the film industry.
Movies, being an influential factor in our society, make a great impact on our outlook on foreign and
The 1920s also known as the “Roaring Twenties”, “Jazz Age” or the “Golden Age” by North Americans and Europeans were the years of economic and artistic growth as well as social and cultural change. Whether in the 1920s or present day, films are a result of the public’s demand for entertainment. However, the production of films is an art that subtly delivers hidden messages to the public or as Kracauer suggests, coded references. After World War 1, despite the hardships each nation had dealt with and the frustration towards those in power, the public was happy it finally ended. Afterwards, America dealt with economic prosperity and a rise of interest in entertainment and enjoyable activities, specifically films, to in a way make up for the
It describes how documentary films can be used to explore new or ignored realities not seen in narrative films. This way of viewing documentary film draws on new cinematic perspectives and techniques which focus on real world events. Documentary films can also be viewed as confronting assumptions or altering opinions in which some films work to pursued the viewer to challenge conventions through offering a new perspective. Another way that these kinds of film’s can be viewed is as social, cultural or personal lenses such as one could view the two traditions of documentary cinema; the social documentary and the ethnographic film. The main goal of social documentaries is to authentically represent how people live and interact in certain societies, cultures, and situations. One could view The Stories We Tell as a social documentary. Ethnographic cinema, however, traces it’s roots back to early cinema and it focuses on cultural revelations by showing specific peoples, cultures, and rituals marginalized by mainstream culture. This form of filmmaking relies on cinéma vérité, or truthful cinema, meaning that documentary films must approach and report on these cultures with integrity. Mocumentary’s are humorous and comedic films presented in a documentary style which show a fictional
Nevertheless, it is true that the industry reacts depending on the steps taken by the audiences. The industry takes advantage of their power over both cultural personality and their receiving public; it takes control of the product and changes and re-changes it in regard of the different demands exerted by potential consumers and their reactions to these variations. In other words, as it has been argued, the movie business controlled its stars to obtain from them the biggest profit possible, and it continues doing so. Audiences and society play a game of two with the industry: none of them is anything without the other, then, cultural icons work perfectly in a capitalistic society as the American one. Social reactions trigger the creation of icons, which lately in response to this, are exploited by the industry, whose capitalization of the iconic figures perpetuates their presence in the cultural —and consumerist — sphere, prolonging connections and reactions on the side of audiences and consumers.
Movies have been used as a form of entertainment for many years. If you were to ask any individual to repeat a famous movie quote, most likely they would repeat a familiar phrase you have heard once before. That just goes to show how big the production of motion picture is embedded in society. Motion picture is just another term used for movie. The term movie can be defined as a recorded story or event that consist of moving images. These images can be played on multiple platforms, such as televisions, mobile devices, and in theaters. When motion pictures first arrived to the scene, it made a huge impact on society. And even still today, movies are still being created on a large scale. And it is a fantastic journey to observe how the success
Every movie or a short video is like a novel or essay that either tells a story or tries to make an argument. Like any novel or essay, a video also has its own rhetorical devices in the forms of camera angles and movements as well as lighting and organization. Camera angles and movements are quite useful to direct or inform audience to and about events in the video. For example, from the beginning to the 30-second mark we used an establishing shot to provide the location and to establish the main cast of the video. Then from the 55-second mark to the minute and five-second mark, a zoom is used to direct the audience toward what Joey is researching. Zoom is a good technique to easily guide the audience and ensure they are focused on the video,
This documentary features familiar, and credible, faces who provide detailed biographies, stories, and facts on film and art. Due to the relatively basic vocabulary used throughout, it is apparent that this film’s intended audience is very broad. It could be viewed by someone with a very fundamental knowledge
After a successful re-launch last year, the MIFF Traveling Film Festival will be returning to Ballarat for a weekend showcase at the Regent Cinemas from Friday 18th to Sunday 20th this month. It showcases some of the best in current cinema from around the world as well as providing a platform for talented local filmmakers.
The BBFC has commissioned me to undertake research as part of a project to ascertain to what degree films can be regarded as powerful within contemporary society. In this assignment, I will comprehensively explain the relationship between audiences and films with well explained examples. I refer to the different sectors relating to the topic that include the following: