Film Review – The Bad Sleep Well
September 6th, 1998, Akira Kurosawa died at the age of 88 due to cause of a stroke in his home in Tokyo. He was classified as one of cinemas truly important directors. Mr. Kurosawa came across filmmaking after failing as a painter. He was seen as a domineering perfectionist. Kurosawa was noticed by dozens of directors of many generations. He had a major influence on many of them. This film resembling Hamlet, both feature a hero on a quest for revenge.
Kurosawa got the idea of this film from his nephew, Mike Y. Inoue. Inoue wanted to become a scriptwriter. Inoue ended up giving up all of his scripts to his uncle, for his use. Kurosawa gave suggestions to his nephew about the scripts. Inoue spent six months rewriting the scripts for his uncle. He had them named “Bad Men’s Prosperity”. After giving the scripts back to his uncle for a final time, Kurosawa and several others reworked and wrote the scripts even more. Thus making the final versions of these scripts. In doing so, Inoue was not given screen credits in the film “The Bad Sleep Well”. The Bad Sleep Well, shows an importance of an attack on the corrupt corporate culture of this time period. Acknowledging the similarities in the plot of this film and Hamlet, it is brought to the attention that true parallels don’t surface until the middle of the film.
The Bad Sleep Well happens to be the Kurosawa Production Company’s first film made. It was released January 22, 1963. Kurosawa decided on
During the dawn of the Second World War, a new era began for women across America. As men departed to fight the war, women were left to fill their void in the workplace. Familiar role models such as “Rosie the Riveter” radiated strength and know-how traits historically emphasized only in men. As woman’s role in society broadened, new visions of attractiveness developed to accommodate this unprecedented aspect of femininity. Raymond Chandler’s portrayal of women in The Big Sleep (1939) highlights these changes in social construction of female sexuality and appeal in the setting of a male dominated society.
In 1958, he was instantly offered a role in Touch of Evil, but the leading actor (Charlton Heston) thought he should direct the film, as John Grant elaborates in his book, A Comprehensive Encyclopedia of Film Noir: The Essential Reference Guide. “Welles got the job of directing Touch of Evil because of Heston, who, hearing Welles was to be his costar, urged Universal to make him director as well. Universal agreed, but only if the budget for the movie was kept artificially low and Welles himself worked for free. The actors thus had to work for a fraction of their normal rates; even so, Welles had no trouble finding his cast” (Gant 658).
Hamlet is a suspenseful play that introduces the topic of tragedy. Throughout the play, Hamlet displays anger, uncertainty, and obsession with death. Although Hamlet is unaware of it, these emotions cause the mishaps that occur throughout the play. These emotions combined with his unawareness are the leading basis for the tragic hero’s flaws. These flaws lead Hamlet not to be a bad man, but a regular form of imperfection that comes along with being human.
Hamlet is as much a story of emotional conflict, paranoia, and self-doubt as it is one of revenge and tragedy. The protagonist, Prince Hamlet of Denmark, is instructed by his slain father’s ghost to enact vengeance upon his uncle Claudius, whose treacherous murder of Hamlet’s father gave way to his rise to power. Overcome by anguish and obligation to avenge his father’s death, Hamlet ultimately commits a number of killings throughout the story. However, we are not to view the character Hamlet as a sick individual, but rather one who has been victimized by his own circumstances.
“The bad sleep well.” This quote is actually the name of a 1960’s Japanese film directed by the world renowned director Akira Kurosawa. There isn’t much to say about the movie, but it has a key role in the 2005 Pulitzer Prize winner for Drama play Doubt: A Parable. Out of all of the places that the author John Patrick Shanley puts this quote is right at the first page before chapter one and after the preface with two other quotes. The location of the quote and what the quotes say give the reader questions and what happened and maybe foreshadowing what will come in the book.
“Good Night, and Good Luck” is not your typical Hollywood film full of conventional action, cliff hangers, and romance. It is however a masterpiece of its time, about an era that many Americans try to forget. George Clooney, an esteemed American Actor and director of this film tried to capture a period of time known as the McCarthy Era where the “red scare” or fear of communism allowed the Senator from Wisconsin to try and convict suspected traitors. Its historical accuracy with real footage, quotations, and individuals, along with the distinct characteristics of Edward R. Murrow by actor David Strathairn are remarkably accurate. The film takes place virtually entirely in
Macbeth Sleep is a time when our minds are at rest and the subconscious comes out to play. Sleep is oftentimes considered the place where we are able to see into our future and perhaps figure out how to solve our problems. Sleep is also what heals and cures our minds and bodies. Without sleep we slowly begin to disintegrate. Mind and body no longer cooperate without the healing force sleep brings with it. Shakespeare uses sleep both as a reward and as a consequence in his plays. If a character is innocent and pure, he is allowed restful, fulfilling sleep. If the character lacks these traits of goodness, he is condemned to a lifetime
Authority and Death in Hamlet and The Bad Sleep Well As in so many other works that have survived the test of time, authority and death are central themes in both William Shakespeare ’s play Hamlet and director Akira Kurosawa’s film revision of the former, The Bad Sleep Well.
No other film was as controlled in its production as The Big Sleep. Every aspect of the film is so precise, that the filmmakers left nothing to chance. Every set was built inside, with the exception of a few exterior shots. The Big Sleep is a very visually interesting film that uses quick and precise cutting, harsh lighting, and wonderfully framed shots.
Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.
The legendary drama, Hamlet, written by William Shakespeare is a play illustrating the theme of virtue vs. villainy. The 17th century tragedy is plagued with treachery and deceit as it opens with the news of a foul murder in the kingdom of Denmark. Prince Hamlet, by word of his late father's ghost, is informed that his uncle Claudius is to blame for his father's sudden demise. Prince Hamlet's mission is to uncover the secrets surrounding the murder and to avenge his father's death. Thus, the insidious web of disease and corruption is formed. The relationship between disease leading to the greater corruption of Denmark plays a significant role in the lives of the principle players.
In The Big Sleep, Chandler portrays Marlowe as the knight in shining armor. This establishes a motif of the stained glass window in General Stern wood’s home in the first chapter of the novel and is an appropriate motif in dictating Marlowe’s knightly role in the novel. The stained glass that is reflected in the novel places Marlowe in the position of the knight as it shows a knight who strives to reach a woman to set her free. The fact that he stares at the glass makes him develop the need to offer assistance. This motif is suitable because it sets the stage for what is to take place in the aftermath when Marlowe rescues Carmen. Secondly, Chandler tries to connect Marlowe with the knightly personality from the beginning of the novel that he intended to name his detective the modern knight and a brave man fighting for General Sternwood. He takes the role of the servant to Sternwood’s lord and therefore, in the knightly terms, it is sufficient to say that Marlowe is striving to find justice. Moreover, he is dedicated to rendering his services in the line of duty with much loyalty and honor despite the sexual and financial temptations that come his way. Like the ancient knights, Marlowe has deeply invested in his personal code of chivalry that contain among others, the need to overcome the sexual temptation of whatever magnitude that comes his way. Lastly, as a representation of the modern-day knight, Marlowe comes out in the novel as a tough detective and a brave individual
Deviance is the behavior and the standards of expectations of a group or society. It is also behavior that is considered dangerous, threatening or offensive. The people that are deviant are often labeled to be weirdos, oddballs, or creeps. In the United States, people with tattoos, drug addicts, alcoholics, and compulsive gamblers are all considered deviant. Sociologists believe that everybody is deviant from time to time. They believe each person will violate a social norm in certain situations. People are considered deviant if they don't stand for the national anthem at a sports event, dress casually to a fancy restaurant, or skip classes. One category of deviance is Crime. Crime is a violation of norms
Akira Kurosawa (Mar 23, 1910--Sep. 6, 1998) was a Japanese film director, screenwriter, producer, and editor. He directed 30 films in a career spanning 57 years. He was the surprise winner of the Golden Lion at the Venice Film Festival. In 1990, he accepted the Academy Award for Lifetime. Kuorosawa contributed Japanese history, culture, and society through this movie to audiences. (Film)
Based on Stephen King’s horror novel of the same name, Stanley Kubrick’s The Shining features hallways filled with butchered daughters, and their guts and blood splashed down the hall. Horror and realism fuel Kubrick’s notoriously disturbing films and The Shining stands clear-cut amongst them. Although in the case of this movie, Kubrick shifts emphasis from visual horror to psychological fear and instills mounting dread from the sequence of disturbing events. Kubrick states, “one of the things that horror stories can do is show us the archetypes of the unconscious; we can see the dark side without having to confront it directly.” Never falling flat, The Shining provides a psychological horror masterpiece complete with brilliant acting, tight camera angles, haunting score, and unanswered questions.