Fool King Lear

The Fool is ironically different from his title. While the fool is commonly an idiot, Lear's fool seems to understand the political situation better that the king himself. His jokes and songs seem to be aimed at teaching Lear about the errors he has made rather than at making

Shakespeare uses characterisation to show that his protagonist prides himself on being as respected as his younger self; others use this to manipulate and betray him. Lear divides his kingdom based on flattery rather than any logical sense. Lear banishes his youngest daughter, Cordelia, for refusing to flatter him like her sisters and Shakespeare uses animal imagery to show arrogant Lear is, ‘come not between a dragon [Lear] and his wrath [Cordelia]’. His pride ultimately allows him to be manipulated and betrayed by his other daughters, Goneril and Regan, who banish him. Shakespeare uses irony to show that through this betrayal allows his madness to give him an ironic insight into how his pride has blinded him from seeing the state of his kingdom, as Lear says ‘O’ I have ta’en too little care of this [the kingdom]’.

King Lear's fool is undoubtedly one of the wisest characters in the play. He is not only able to accurately analyze a situation which many other characters are blind to, but he is also able to foreshadow the actions of many characters and many other incidents to come. The main instruction the fool gives to the king is to beware of doing things that are unnatural, such as giving his inheritance, (splitting his kingdom among his daughters) to his daughters before he his dead. By doing this unnaturally, Lear must face many adverse consequences, such as losing his identity, self-worth, and respect from his daughters.

One example of how the Fool’s speeches and actions reflect this attitude is when he calls Lear a fool and making clear that he should value Cordelia above Goneril and Regan, who are bad seeds. Also, when the Fool mocks Lear for giving away the kingdom to Goneril and Regan, and for leaving his one good daughter, Cordelia, out of the

In the same way, both protagonists are mentally ill, and have psychological problems. This is evident throughout King Lear. King Lear foreshadows that he will develop psychological problems when he screams, “O, let me not be mad, not mad, sweet heaven!/Keep me in temper; I would not be mad!” (King Lear 2.1.43-44). The Fool tells Lear that he should be wise because he

Then Lear has an insight into the nature of his own transgressions. His attainment of self-awareness is a step forward despite the consequences. Dismissing his feelings at the end of this episode highlights the Fool’s function the play. For the first time, he obtains empathy and considers someone else’s feelings and puts their comfort in mind before his own. By the end of Act II the prime external causes of Lear’s madness have brought about a change in Lear’s thoughts and beliefs concerning man, the universe, a change in thought that is both a cause and a reinforcement of his

In working so hard to project this persona, Lear is untrue to himself, and loses sight of who he is. Even the scheming Goneril and Regan notice that their father “hath ever but/ slenderly known himself.” (I, i, 282-283) This makes Lear a very insecure person, which explains in part why he insists that his daughters stroke his ego before receiving any of his kingdom. His identity crisis is highlighted when he asks who can verify who he is, and the response by the Fool is: “Lear’s shadow.” (I, iv, 251) At this point in the play, Lear is sane and is still the monarch of the kingdom. Nevertheless, the Fool’s insightful comment insists that Lear is nothing more than a shadow of his true self. Plato would say that he is trapped in the shadow world of the cave, unable to grasp the true forms.[5] This self-imposed persona estranges Lear from his audience; his vulnerability as a human is masked by his rash behavior and unjust decisions. Bloom says that “before he goes mad, Lear’s consciousness is beyond ready understanding; his lack of self-knowledge, blended with his awesome authority, makes him unknowable by us.”[6] Without understanding a character, an audience is most definitely unable to sympathize with him, and here we run into a potentially problematic issue. Aristotle believes that

Although King Lear by Shakespeare and Candide by Voltaire are very different on the outside they share internal values. King Lear is a play written by William Shakespeare, who was an English poet and playwright who was widely regards as the greatest writer in the English language and the world pre-eminent dramatist (Shakespear, 1998). Candide by Voltaire is a satire, Voltaire was born Francois-Marie Arouet, he use his satirizing style of writing to make fun of the Powerful Frenchmen of his time (voltaire, 1991). The internal values of both books connect them with the Human Condition of man, His love of family in King Lear, with his

Both Lear and Riggan are arrogant, egotistical and ultimately ignorant to the surrounding world. Iñárritu and Shakespeare utilise the dialogue of other characters towards the protagonists, in albeit different ways, to show this. Shakespeare utilises the Fool to provide commentary for the audience. In the court of the king, the Fool’s role was to provide entertainment through comedy, but Shakespeare portrays him as the only character telling Lear the truth and thus this is an example of dramatic irony. Through his anecdotes and commentary, the Fool reveals to Lear the truth, but in his ignorance the king does not acknowledge this. Iñárritu demonstrates this through the audial and visual manifestation of Riggan’s younger self. While Shakespeare uses the Fool to tell Lear and the audience the truth, Riggan’s subconscious furthers his disconnection from reality and self-absorption. Additionally, Shakespeare uses eyes as a motif to emphasise this fatal blindness, attributed to age. The plucking out of Gloucester’s eyes is also a direct link to this. Lear’s crown is also used as a symbol of Lear’s poor judgement; by splitting the kingdom between his daughters, Lear “clovest his crown i’ th’ middle”, which ultimately lead to the tragic consequences at the end of the play. Iñárritu explores a similar idea of a limited view of the world through

He gave the audience a little wisdom but he was mostly depicted as king Lear's old self. I say this because due to them having a role reversal, it should also mean the Lear was wise back in his day. A wise thing that the fool says is shown by this quote, "Lear's shadow"(Act 1, Scene 4, line 220). This is wise because he wants to remind Lear that he is not the powerful king still and that he is just a faded image of what King Lear use to be. He wants Lear to think about how much power he lost when he gave it all away.

The fool played a role of empathy with a sense of humor towards the realism of the situation with his words to the King in Act 1, Scene 4 he demonstrates that as he says, “give me an egg, d I’ll give thee two crowns. When gravest thy golden one away”. The fact that the King gave his kingdom to his two daughters and soon suffered the consequences of their irrational behavior is highlighted by the fool as the play progresses. Like the third daughter, his speech was true, for the King fell for his daughter’s high praise, rewarding them but in the end, he was cast away by those he though loved him the most. Similarly, he gave the King true hope with his compassionate expression of love through a smile that helped easy the King difficult situation as well as his care made the King’s life less miserable and rough.

King Lear an imprudent, old man symbolizes selfishness like no other. What is most daunting is the fact that he is adamantly loyal to appearances and ranking in life. He carries a title which most can not even dream of attaining, but wants to give up the position and all the responsibilities that follow it. “ Know that we have divided/ In three our kingdom, and `tis our fast intent/ To shake all cares and business from our age” (1.1.37-39). It is quite understandable if he just wanted to end his reign as king, but it’s another thing when he also wants to bask in the glory of the title and be treated like he still owns it. This egotistical attitude of his is more annoying than anything else, for he brought forth all his problems upon himself, and also unto others. His most arrogant moment is at the very beginning of the play, when he demands his daughters to profess their love for him openly, “which of you shall we say doth love us most?” (1.1.53). The use of his words in this quote is disgusting, it exudes pride, self-importance, and flattery. It’s because of these very words, that Cordelia denied him his right to the, all so selfish public display of love. Although Lear made costly mistakes throughout the play, his love to Cordelia rang

In William Shakespeare's comedy Twelfth Night, it is ironic how many times the fool is said to be dishonest, when, in fact, his role proves entirely opposite. Though sometimes the characters do not realize his hidden messages, the reader can instantly comprehend Feste's figurative language, which is evident in every scene in which the fool appears. Whether he is singing to Orsino, arguing with Malvolio, or playing around with Viola, Feste always manages to sneak in a few symbolic foretokens before his exit. His keen eye and fast wit help him to actively partake in the portrayal of the story, however, the fool is merely present to express that which cannot be fully expressed through the

Shakespeare’s King Lear fabricated a world of its own, in which distinct virtues and vices were personified by individuals with diverse points of view. With each conflict in the play, the characters’ actions and decisions were parallel to the integrity of their heart and mind, exhibiting the virtue or vice they represented. With this strategy, Shakespeare shares that with trust should come discretion.

Lear's entry into the play is similar to Gloucester's such that, through close analysis of the dialogue between the King and his daughters, the reader gains awful knowledge of the arrogance and ignorance that will soon become his downfall . The drama of his opening speech is at all points excessive; the reader discerns a man that is long accustomed to being listened to and indulged in every way. In a moral