Many people read for some sort emotion the words invoke. Whether it is joy, sadness, fear, or anticipation, readers love being able to feel the emotions the characters feel without actually going through the same experiences. This is especially true for horror and suspense stories. Elizabeth Bowen’s short story “The Demon Lover” is able to invoke a lot of emotion through different literary elements, which is why it is so popular. Elements such as point of view, suspense, and foreshadowing really put the readers on the edge of their seats.
The point of view of “The Demon Lover” plays a very important role in the emotional rollercoaster the reader takes with Mrs. Drover. The third-person omniscient point of view is where the narrator describes both the actions and feelings of one character. In this case the character is Mrs. Dover. The story states,
“The staircase window having been boarded up, no light came down into the hall. But one door, she could just see, stood ajar, so se went quickly through in to the room and unshuttered the big window in there.” (Bowen 143)
If this story had been told from a first person point of view, the reader my not have gotten this in depth of a description of the setting. Without the reader understanding that the house was boarded up and abandoned, to the point where it seems
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In the story Mrs. Dover finds a letter left for her in her abandoned home. It has today’s date, which means someone was in her home recently. Someone who knew Mrs. Dover was making a trip to her home in town, even though she told no one she was coming. The only clue as to who left the letter was the letter K signed at the bottom. At first the reader is only apprehensive about Mrs. Dover staying in her home. It was not until she has a flash back of her childhood that the reader becomes really nervous for
Night by Elie Wiesel is a memoir of one boy's time during the Holocaust and the horrors he and the other Jews endure. Many of the horrendous things he survives happen in the evening hours or nighttime. The narrator often repeats the word night to symbolize everything horrific that happens to him, which are equally important to the plot, making 'night' a perfect title.
In “The Fall of the House of Usher” the story starts with the narrator saying that he is overcome with a feeling of gloom upon first seeing the house. He compares the windows to vacant eyes. The narrator goes on to tell how the house appears to him but then tries to explain it away as his overactive imagination.
The mysterious mood and multiple points of tension in the short-story, “The Landlady,” are built through different literary devices. From beginning to end, something is just not right. The story is about Billy, the protagonist, who travels to Bath, England for his work. While looking for a place to stay, he finds a boarding house willing to take him in for a ridiculously cheap cost. Throughout the story, his landlady, the antagonist, seems a little odd and a bit suspicious. Because of his experiences at the boarding house, the reader learns that not everything is as it seems. The author’s clever use of literary devices in the story, “The Landlady,” creates suspense through foreshadowing and imagery.
The point of view within this short story is interesting; it shifts from third person to second, and then to first all in a short paragraph. This use puts the reader in some sort of “emotional chokehold” from this point of view strategy. The start with third person gives the reader time to take in the descriptions of everything and keep an image in their head, they can start to feel emotions. But, the abrupt second person point of view smacks the reader in the face, forcing them to feel bad for the wife and hate the husband. Once the reader is forced into this emotion, it changes to first person where the reader is now manipulated to side
Authors often write literature to have an emotional impact on the reader. These effects vary from work to work, and they may include happiness, sorrow, anger, or shock. Even authors who try to achieve the same effect may go about it in very different ways. This paper discusses three short stories written to shock the reader, but each uses a different method to achieve its effect. While Kate Chopin's "The Story of an Hour" uses a sudden shift in plot at the end of a short narrative, Shirley Jackson's "The Lottery" gives hints throughout the story preparing the reader for a shocking ending; in contrast, Charlotte Perkins Gilman's "The Yellow Wallpaper"
Although this story has evidence of being a Realistic writer’s work, some may portray the story as one from the Romanticism movement, a movement which is nearly the opposite of Realism. The writers of the Romanticism added supernatural ideas and events into their story in order to focus on imagination. In “The Boarded Window” Murlock’s house is seen as dismal and dreary by his fellow town members and it is rare that he receives a visit from a neighbor. When describing the house, Bierce says all the children were afraid of the house and would “run away to avoid the ghost” (17). This supernatural element allows the reader to think this story is Romantic and is solely of the imagination. In addition, after the passing of Murlock’s wife, he prepares for her burial, and decides to keep his lifeless wife in his house until the day of her final departure. One night,
Dracula is said to be one of the most classic gothic Literature in history. The story starts off fast and imettadiley takes a turn for the worst. The story started foreshadowing from the very beginning from wolves chasing him, the cab driver referring to him as a dead travel fast, the bars on the windows.As the story goes on Jonathan is naive and ignores the warning signs of why he should be afraid of the castle and Dracula.
I have many main ideas for Shadow House that I believe is very important. One of them is how the author made the protagonist and the antagonist have something in common. This made it very important for later in the story because it causes conflict which creates a theme of if you take away someone's most valuable items, it can turn a person evil. Another one of my main ideas is when the main character thought someone was evil even though she was trying to save her throughout the whole story. This shows that you shouldn't judge a book by its cover. Also, when one of the characters kept having these visions, it was foreshadowing. This shows that it's okay to ask for help because if you share things in your life that are bothering
It was a distinguished neighborhood, stately houses with sprawling porches made for sipping cold drinks and entertaining guests. Fourteen thirty-seven Twain Street was nestled at the far end the street. The house actually looked out of place when compared to the neighborhood, if it could even be considered a part of the neighborhood. The house was located roughly a quarter mile up the street from the closest neighbor, undiscernible from the woods that surrounded it. I stopped at the gate and regarded the worn house. It was made in the same style as the others in the neighborhood, but something about it made it different. It had character. The paint wasn’t peeling, but it had weathered the long hot sun for many a day and it had begun to form lines, giving the house the impression of a wrinkled and withered old
Veronica Roth is mostly known for her books from The Divergent Series. All her books so far have been a success but the most controversial one so far is Allegiant. The issue with this book is that the plot has similar references to other topics and can be a very cliché story. Veronica Roth’s Allegiant details on how the protagonist ends up dying like other typical stories and how suspense is added to the story just to be disappointed.
In the story of the “The Demon Lover” Mrs. Dover’s character starts off as a normal prosaic woman struggling in the times and hardships of the second world war. Much like many of the English people, she had been shaken by the detriment that had been caused by this war. However, soon she discovers a letter embedded with the reminder of the sinful promise she had broken years ago. Upon reading the letter speaking of her promise, she is infected with a paralyzing fear that eventually devolves her into a paranoid, hallucinating woman. Her paranoia creates the story of “The Demon Lover” by cultivating the inner fear within herself. Her hallucinations create and control the surroundings and events that eventually take place. Thanks to her amassed fear of over twenty-five years, Mrs. Dover’s character almost completely controls the plot and the overall outcome of the story.
While walking in the woods they passed across a dark and gloomy house with all the windows
Horror is fiction that scares the audience or gives an eerie mood. Each short story develops horror is its own way. “The Tell Tale Heart” is about how an old man is murdered because of his evil vulture eye. “A Rose for Emily” is about how an old woman poisoned her lover to keep him from leaving. “The Lottery” is about how this town has a drawing to see who will be the sacrifice to the crops. Horror is developed in “The Tell Tale Heart,” “A Rose for Emily,” and “The Lottery” with many elements of horror.
In life, there are joys and sorrows and there is death and the springing up of new life. In the “Story of an Hour” Mrs. Mallard is overtaken with a bizarre emotional implosion when her husband is thought to have passed. It seems to be the despondency of jubilance and joy that engulf her. But should Mrs. Mallard allow herself to excite in the death of another?
Stories, whether oral or written down, have existed for millennia and across the world. Regardless of origin, all stories are created to incite emotion within the intended audience. The best authors have refined their skill of storytelling to an art, able to manipulate the reader’s mind to such an extent that can be inspiring and terrifying. One such virtuoso is Roald Dahl, one of the most famous authors of the twentieth century. In his short story “Poison,” Roald Dahl establishes a fearful mood through the use of sensory details of touch, vivid imagery, and diction.