Franz Kafka Research Paper

People are consistently changing the way that they look, act, and even some of their beliefs just to fit in with society. There’s an invariably never-ending desire to want to feel accepted by others. Social pressure is what drives humans to do things that they know are wrong, but yet, they continue to do so. “The Rules about the Rules,” Stephen Carter describes a person of integrity would know right from wrong and would do right at all personally cost. Amy Tan Mother Tongue, was often embarrassed by the broken English her family spoke. She would conceal her accent whenever she could to avoid the embarrassment. Culture and gender play an immense role when it comes to trying to fit in. In America, you have to fit in as an American while keeping the roots of your

Many people in the world desire to possess characteristics about themselves that they do not own. Social masks allow people to change the way people view them. People attempt to put on social masks by lying. The novels 1984 and The Picture of Dorian Gray by George Orwell and Oscar Wilde create connections between the characters through the use of social masks to protect themselves from the dangers of their societies and their own self.

When something consumes you such as a society and tells you what you have to be, how do you avoid the mask? The poem “We Wear the Mask” by Paul Dunbar and the novel “Fahrenheit 451” by Ray Bradbury both use a mask as a symbol. The mask symbolizes how closed off people are, and how they hide themselves and their emotions from society. These “masks” are worn to protect yourself from the cruel and treacherous society that has been created. The new society has taught people how to cover up their true emotions with these fake smiles and shining eyes.

In the metamorphosis by Franz Kafka, there are significant actions and transformations which make the story sad, and strange with a happy ending. Explanations that are dramatic events that intensify the excitement of all these actions. Reality and reflection play an important role in this story because the events that happened could be applied and assimilated with modern society.

In our society everyone expects to be the same, however, no one is ever going to be the exact same. Everyone has different beliefs and different interests. Today people judge the nice stuff people can afford and the way people dress. In the story, “The Doll’s House”, there were two girls known as the Kelvey sisters and they were really poor. “They were dressed in “bits” given to her by the people for whom she worked” (Mansfield 203). Nowadays people judge you on appearance and if you are dressed sloppy you are more likely to be made fun of. If you cannot afford the up to date things people have a reason that they don’t want to talk to you. If you are wealthy you are more likely to be judgmental. Not all people are like this but it is known

The people we see every day are not always who they appear to be. Our family, friends, peers, work associates, and even our own self’s change who we are sometimes to cope or to seem better off than we are. We put on “Mask” to show the person we want to be seen as and often times people wear more than just one. In Flannery O’ Connor’s, “Good Country People” many of her main characters wore mask. They each had their own reasons that they chose to conceal their real identity. Nevertheless, the characters in O’Connor’s short story wanted to hide their true persona’s or deceive other people. Sometimes it was merely done to cope with their tragic pain and in other cases it was done to deliberately take advantage

This proves Gergen’s thesis, “I doubt that people normally develop a coherent sense of identity, and believe that to the extent that they do, they may experience serve emotional distress” (172). By having several masks or selves, is how we are able to adapt to changing society. With these multiple masks we are able to achieve acceptance and know who we are as individuals. Throughout life we must adopt masks when facing different circumstances; it is through these masks that we see how we change as individuals. If we spend our lives trying to stick to one mask, we can find ourselves to feel lost, depressed, or invisible. Change is good; however we must still stay true to ourselves when using masks. They are a part of us as individuals but they are not us.

Sometimes things are not as they seem. People often choose to hide their true self in hopes to protect themselves from the wrath of others.

In his novel The Metamorphosis, Franz Kafka describes his own life through the life of his protagonist Gregor Samsa.  Careful study of Franz Kafka's life shows that Kafka's family, workplace, and reaction to the adversity in his family and workplace are just like those of Gregor.  So we might ask why Gregor was transformed into a bug since Kafka obviously never turned into a bug.  The absurd image illustrates how Gregor lacks self-respect and feels like he's a bug in the eyes of his family and society.  Franz Kafka was unhappy and never found his place in life, either.  Therefore, he might have felt just like Gregor, like a bug.  Furthermore the novel describes Kafka's expectations of his own future and he was partially

Many things are important to us, one of these is being accepted by our society. We all hate to be the outsider or the new kid, because we feel alone and secluded . In “Who Am I This Time?';, Helene Shaw’s job kept her moving to a different town every eight weeks. She became very cold to her

In The Metamorphosis, Kafka establishes, through his religious imagery and gospel-esque episodic narration, the character of Gregor Samsa simultaneously as a kind of inverse Messianic figure and a god-like artist, relating the two and thus turning the conventional concept of the literary hero on its ear. The structure of the novel reflects that of the Gospel of Mark in that it is narrated in individual events, and in this it is something of a Künstlerroman - that is, the real metamorphosis is over the course of the novel, rather than just at the beginning, and that change is a heightened sensitivity to the world in an artistic sense. The motif of change is a rather theological one as well: we see it in a religious sense, in the form of

“The Hunger Artist” by Franz Kafka, is about a man who self mutilated by starvation in attempt to be recognized, honored, and accepted while gaining fame. As noted on The National Center for Biotechnology Information, https://www.ncbi.nlm.nih.gov/ self mutilation by starvation was a common form of suicide in concentration camps for prisoners who wished to remove themselves from the severely harsh environment. The irony of “The Hunger Artist” is that Kafka wrote the story in the year of 1922. However, the Holocaust did not begun until the year of 1933 and ended in 1945. Decades later, the message from “The Hunger Artist” is continuously being retold with the existence of vanity and peer pressure included.

Throughout literary history, certain authors are so unique and fresh in their approach to the written word that they come to embody a genre. Franz Kafka is one such author; “Die Verwandlung” or “The Metamorphosis” is one of his works that helped coin the term “Kafkaesque.” Through this novella, Kafka addresses the timeless theme of people exploit-ing others as a means to an end. He demonstrates this point through showing that a family’s unhealthy dependence on the main character results in that character’s dependence on the family.

Max Brod, arguably Kafka’s closest friend says Nietzsche marks exactly the opposite of Kafka. What must he have had in his mind as he wrote this – today one can only venture, yet his claim is one of authority. Indeed, one can find no explicit written reference of Nietzsche in Kafka’s published works.

Hunger is a term that is often defined as the physical feeling for the need to eat. However, the Hunger Artist in Kafka's A Hunger Artist places a different, more complex meaning to this word, making the Hunger Artist's name rather ironic. The hunger of the Hunger Artist is not for food. As described at the end of the essay, the Hunger Artist states that he was in fact never hungry, he just never found anything that he liked. So then, what does this man's hunger truly mean? What drives the Hunger Artist to fast for so long, if he is truly not hungry? The Hunger Artist salivates not for the food which he is teased with, nor does he even sneak food when he alone. The Hunger Artist has a