Gender And Sexuality In Ganymede By William Shakespeare

Throughout centuries men have been seen as the gender that have more rights than women. According to Diane Elizabeth Dreher’s 1986 book, Domination & Defiance: Fathers and Daughters in Shakespeare, she explains that a woman during renaissance England, “was to conform patiently and silently to the will of her father and, later, to that of her husband, accepting commands, correction, physical abuse, with sweetness and humility” (16). As a result of a renaissance society that promotes and even encourages this type of behavior, men believe that they have more power. When someone believes that they have more power than another person a pattern of disrespect, and in the most extreme cases, physical and emotional abuse are likely to follow. In Hamlet, Shakespeare contrasts two female leads of the play, Ophelia and Gertrude, through reduction to appearance, instrumentality, and silencing in order to show that during this time period, the objectification of women in the play was parallel to the objectification of women during renaissance England.

All throughout Illyria, there is romance, passion, royalty, and an immense amount of gender stereotypes. William Shakespeare imagines the kingdom of Illyria to have very traditional norms for both women and men in his play Twelfth Night. In Scene 2 of Act 1, Viola, recently rescued from a shipwreck, hears about a duke named Orsino and instantly comes up with a plan to get closer to him. Her plan is to disguise herself as a boy who she will name Cesario and become one of Orsino's’ attendants. Right off the bat, we begin to see gender stereotypes. Why must Viola become a man in order to work for the duke? Elizabethan society “molded women into the form of the dutiful wife and mother” (Elizabethan Women). Viola could not have served duke Orsino as a woman because as a woman she was expected to work at home and be either a “dutiful wife [or a] mother”. Scene two prepares the audience for the idea of gender throughout the rest of the play. Shakespeare's Twelfth Night is very traditional play due to its ideas of gender stereotypes in Elizabethan society.

Throughout Romeo and Juliet, by William Shakespeare, there is an overlaying presence of the typical roles that men and women were supposed to play. During Elizabethan times there was a major difference between the way men and women were supposed to act. Men typically were supposed to be masculine and powerful, and defend the honor. Women, on the other hand, were supposed to be subservient to their men in their lives and do as ever they wished. In Romeo and Juliet the typical gender roles that men and women were supposed to play had an influence on the fate of their lives.

Throughout William Shakespeare’s play, Romeo and Juliet, there is an overlaying presence of the typical gender roles that men and women were supposed to enact. These were the very roles that influenced the fate of their lives. Romeo and Juliet defy the rules placed upon themselves in both subtle and extreme ways. Juliet’s conflicted adherence and rebellion puts her in the position of deciding protagonist as every decision Juliet makes has a domino effect on the other characters in the play.

Gender roles play a major part in interpreting plays and poems. From the Early Modern English period to the 18th century and Enlightenment to present day gender roles and how they are viewed have changed. In the first piece woman were viewed as less than men and had to maneuver around to please men. As time progresses, the second piece shows how gender roles become more equal in life. This changes through time and is shown when you read Twelfth Night by Shakespeare and "A Nocturnal Reverie" by Anne Finch.

Some critics and other readers of Shakespeare's plays argue that he treats women with disrespect. However, he actually treats them with a great amount of respect. Shakespeare has been criticized by many modern writers for his portrayal of women.

Compare and contrast the presentation of gender in two films we have looked at on the course

In Shakespeare’s Romeo and Juliet, the Montagues and the Capulets have very different relationships with their children. A major reason for this, as well as much of the conflict in the tale, comes from the gender roles that Romeo and Juliet are expected to play into. Adding to that conflict is the fact that both Romeo and Juliet push the boundaries of these roles and struggle to fit into them. Romeo plays the over emotional lover, while Juliet is clever and dominant. Throughout the play we can see that both Romeo and Juliet have to struggle with the people around them because they are not acting within their respective gender roles.

In the book “Gender Trouble” (1990), feminist theorist Judith Butler explains “gender is not only a social construct, but also a kind of performance such as a show we put on, a costume or disguise we wear” (Butler). In other words, gender is a performance, an act, and costumes, not the main aspect of essential identity. By understanding this theory of gender as an act, performance, we can see how gender has greatly impacted the outcome of the play in William Shakespeare’s Othello. From a careful analysis of the story, tragedy in Othello is result of violating expected gender roles, gender performance by Desdemona and Othello, and the result of Iago’s inability to tolerate these violations.

Hamlet, a tragic play written by Shakespeare in the 1600s, portrays the struggle of young Hamlet in the face of avenging his father’s death. While major themes throughout this tragedy include death, loss, madness, revenge, and morality, another important theme to include in discussion is the theme of womanhood. The only two female characters in a cast of thirty-five include Queen Gertrude and Ophelia, both of whom die unfortunate deaths. The importance of womanhood and female sexuality is shown through several literary techniques; though, most importantly, the characters Queen Gertrude and Ophelia are both symbols for female sexuality. Both characters are developed as negative and positive sides to womanhood through dialogue as other characters approach them, their own actions, and most importantly, their individual deaths.

By examining Shakespeare’s treatment of familial ties in his plays The Life and Death of King John and The Winter’s Tale, we can see how his attitudes and opinions towards family relationships evolved. In King John (written between 1594 and 1596), Shakespeare adopts what was then a fairly conventional attitude towards family relationships: his characters never question the highly patriarchal family hierarchy. They also assume that the majority of wives will be unfaithful, simply because they are female—however, they take the charge of adultery rather lightly. By contrast, in The Winter’s Tale (written between 1610 and 1611), he adopts a much more progressive, feminist view of family

Author and civil rights activist Maya Angelou once said, “How important it is for us to recognize and celebrate our heroes and she-roes!”. When one thinks of comic books, it is very likely that the subjects that come to mind are Marvel’s Spiderman or DC’s Batman. Although comic books are stereotypically thought to be mainly about super heroes, there are a wide variety of subject matter they could be written about, such as romance. In the 1950s – 1960s, it was common for these romance comics to exploit the social norms of that time and emphasized the subject of gender roles. While the men in comic books were usually illustrated in a brave heroic manner, the women would be portrayed to be what would now be considered a stereotypical “trophy wife”. As a young child reading these comics and taking in these images, they are slowly molding their ideals to believe that what they are reading and seeing is what is accepted and normal in their society. By coding gender norms into the texts, authors are helping mold the ideology of its readers to believe that it is acceptable for both genders to follow specific rules that accommodate to the believed social norms of the time.

Shakespeare may be the most known playwright of all time, however, you may be surprised at how many unfair stereotypes this very famous writer incorporated into his plays. A Midsummer Night’s Dream is a comedy play written by William Shakespeare in the late 1500s that portrays events surrounding the marriage of Theseus, the Duke of Athens, to the extravagant Hippolyta, the former queen of the Amazons. Such events included Demetrius jilting Helena at the altar and falling in love with Helena’s rival instead, Hermia. However, Hermia is in love with Lysander, not a disdainful youth known as Demetrius. According to feminist theory, the theory that focuses on gender inequality. A Midsummer Night’s Dream would not be considered a feminist empowerment play because throughout the play Shakespeare portrays women as timid/easily frightened. He shows men having more power than women, and perpetuates the unfair stereotype that all women must act a certain way.

     Throughout history, men and women have been assigned specific roles to which society prescribes standards and qualifications. There are certain tasks that have been traditionally completed only by men, and others that have been assigned to women; most of which are separated by the realm of the domestic sphere. During the period of the Renaissance, men and women were assigned very different roles within society. The value, social expectations, legal status, and rights of citizenship differed greatly between the sexes as well as among the classes. Many of these gender roles can be identified through careful readings of the literature produced throughout the Renaissance.

Shakespeare and the members of the Elizabethan era would be appalled at the freedoms women experience today.  The docility of Elizabethan women is almost a forgotten way of life. What we see throughout Shakespeare’s plays is an insight into the female character as perceived by Elizabethan culture.  Shakespeare’s female characters reflect the Elizabethan era’s image of women; they were to be virtuous and obedient and those that were not were portrayed as undesirable and even evil.