Gender Roles in "Their Eyes Were Watching God"

When Janie is about sixteen her grandmother finds her in the act of kissing a boy, and afraid for Janie, she arranges for Janie to be married to Logan Killicks, who is an older man with vast property to his name. Nanny, as Janie calls her, is unable to wrap her mind around the idea of marrying for love and mocks Janie saying, "So you don't want to marry off decent like, do yuh? You just wants to hug and kiss and feel around with first one man and then another, huh?" (Their Eyes Are Watching God, 13). Her grandmothers’ gift of life is different from the life that Janie wants to live. She tells Janie, “De nigger woman is de mule uh de world so fur as Ah can see.'” (Their Eyes Are Watching God, 11). Nanny doesn’t believe that trying to find love and make a better life for you will succeed, she tells Janie that marrying and older man with land to his name will bring security, and she shouldn’t want more than that. Because of this Janie agrees and goes along with the plan. She is depicted as very compliant and rarely speaks her mind, even saying “But Ah hates disagreement and confusion, so Ah better not talk. It makes it hard tuh git along” (Their Eyes Were Watching God, 90).

Zora Neale Hurston is considered one of the most unsurpassed writers of twentieth-century African-American literature. Published in 1937, Zora Neale Hurston’s Their Eyes Were Watching God depicts the life of Janie Crawford, an African-American woman, who is in search of true love and ultimately her true self. In the novel, Janie shows us that love comes in all shapes and forms, and love is different with each person you choose to love. In the opening of the novel, Hurston uses a metaphor to say that, while men can never reach for their dreams, women can direct their wills and chase their dreams. Hurston uses this metaphor to make a distinction of men and women gender roles, and Janie went against the norms that were expected of her.

Women, like black slaves, were treated unequally from the male before the nineteenth century. The role of the women played the part of their description, physically and emotionally weak, which during this time period all women did was took care of their household and husband, and followed their orders. Women were classified as the “weaker sex” or below the standards of men in the early part of the century. Soon after the decades unfolded, women gradually surfaced to breathe the air of freedom and self determination, when they were given specific freedoms such as the opportunity for an education, their voting rights, ownership of property, and being employed.

Janie, the main character, marries three times throughout the novel. Her marriages do not contain unconditional love and because of this, do not last. Her first husband, Joe Starks, belittles Janie as a person including her intellect. "Somebody got to think for women and chillun and chickens and cows. I god, they sho don’t think none theirselves." (119). Joe shows his dominance over Janie by being the breadwinner in the relationship. Janie’s next marriage is with a man named Joe Starks. He tries to show his dominance over Janie by controlling her. “Janie! "Come help me move dis manure pile befo’ de sun gits hot. You don’t take a bit of interest in dis place. ‘Tain’t no use in foolin’ round in dat kitchen all day long…" (42). Joe belittles the

Janie's attraction to Joe Starks' charisma quickly diminishes when his overdose of ambition and controlling personality get the best of him. Although he is a big voice in the town, Janie only sees him as a big voice. All his money and power have no effect on her when all he does is ridicule and control her. He makes it clear where Janie belongs: "Ah never married her for nothin' lak dat. She's uh woman and her place is in de home" (Hurston 43). This is ironic because when she is with Logan, she wants to be in the house doing her own thing, but Joe is making it sound like confinement. It's as if she has no choice in the matter and Joe intends to make his power over her known. People have different desires and sometimes when we get caught up in our success, we can end up hurting others. Joe's reply to Janie is a great example of the insensitivity that can form from the pride we can possibly inherit when we achieve success: "Ah told you in de first beginnin' dat Ah aimed tuh be uh big voice.

As she protests against her guardian Nanny’s decision, she says, “Ah wants things sweet wid my marriage…” (Hurston 24). Janie hesitantly expresses her true feelings about her current relationship to Nanny, and her guardian tells her that love isn’t important in the relationship. Nanny clearly wants Janie to have wealth and status in the society, something that Nanny never had for herself. But even after Nanny passed away months later, Janie is doubtful if she will ever get his love. And as she leaves Logan for Joe hoping for a fresh start, her desire for love in a relationship grows stronger. She always though“Husbands and wives always love each other, and that [is] what marriage mean[s].” (Hurston 21). Janie knows that in her society she will have to submit under her husband, but her dreams of acceptance and love overshadow the negative aspects of being tied into marriage.

Instead of treating Janie like the beautiful woman that she is, he uses her as an object. Joe was a man who “treasured [Janie] as a posession” (Berridge). Joe’s demanding nature suppresses Janie’s urge to grow and develop, thus causing her journey to self-realization to take steps backward rather than forward. In Janie’s opinion, “he needs to “have [his] way all [his] life, trample and mash down and then die ruther than tuh let [him]self heah 'bout it” (Hurston 122). It is almost as if Janie loses sense of her own self-consciousness due to the fact that she becomes like a puppy being told what to do by her master. The death of Jody is actually a positive thing. Joe’s controlling nature stifles Janie’s inner voice. While married to Jody, Janie became closer to others, however, she did not become closer to herself. Being on her own again gave her another chance to embark on her journey and realize who Janie Crawford really is.

     The plan for Janie’s future begins with her lack of having real parents. Hurston builds up a foundation for Janie that is bound to fall like a Roman Empire. Janie’s grandmother, whom she refers to as “Nanny” takes the position as Janie’s guardian. The problem begins here for Janie because her Nanny not only spoils her, but also makes life choices for her. Nanny is old, and she only wants the best for her grandchild, for she knows that the world is a cruel place. Nanny makes the mistake of not allowing Janie to learn anything on her own. When Janie was sixteen years old, Nanny wanted to see her get married. Although Janie argued at first, Nanny insisted that Janie get married. “’Yeah, Janie, youse got yo’ womanhood on yuh… Ah wants to see you married right away.’” (Page 12). Janie was not given a choice in this decision. Her Nanny even had a suitor picked out for her. Janie told herself that she would try to make the best of the situation and attempt to find love in her marriage to Logan Killicks. But, as time went by, Janie realized that she still did not have any feelings of what she had considered to be love in her husband.

On December 6, 1894 the short story “The Story of An Hour” was published in the weekly newspaper Vogue. The story features the protagonist, Louise Mallard who discovers her husband is dead. The story was instantly regarded as highly controversial because it went against the standards of the 1890’s and features a female protagonist that feels liberated by the news of her husband's death. Although the idea that women were able to survive without men was a foreign concept at the time, the story resonated with many women. In Zora Neale Hurston’s novel, Their Eyes Were Watching God, Janie the female protagonist also experiences liberation through the death of her husband and faces the stereotype of women needing men in order to survive. This stereotype along with many other gender roles/stereotypes are present in Their Eyes Were Watching God and requires Janie and the many other characters to either adhere or break free of the gender roles/stereotypes they come across. Some of these gender roles/sterotypes is that women need to be married in order to be seen as decent and woman should remain quiet and not be outspoken or attract attention. Jaine breaks free of the respective gender roles by her unwillingness to conform to man in her relationships and succeeding in breaking many of the conventional gender roles. Other characters like Jody, Logan, and Janie’s grandmother adhere to the gender roles/ stereotypes and enforce them.

Nanny’s idea of a marriage is “a haven from indiscriminate sexual exploitation and as a shelter from financial instability” (Jordan). Janie’s marriage to her first husband, Logan Killicks, is an unexpected grief and he disgusts her sexually. She tries to love him but their relationship lacks intimacy, romance, and fun. Throughout the novel, Janie is on a mission and she soon finds out “that marriage did not make love. Janie’s first dream was dead, so she became a woman” (24). Killicks think Janie is spoiled and “counts Janie among the livestock on his farm, estimating her value by her ability to produce greater surplus value” (Ha 33). It is when Janie realizes Killicks plans to put her to work on a mule because she does not bore him any heir that she runs off with Joe Starks.

Logan simply amplifies the negative effect Nanny has on Janie. Rather than showing affection or love towards Janie, as a husband should, Logan is constantly passing judgment on Janie, and mistreating her. He accuses Janie of having an entitled attitude, and says to Janie, “You think youse white folks by de way you act…Ah’m too honest and hard-workin’ for anybody in yo’ family.” (Hurston 32) Not only does Logan insult Janie and her family, but he provides no compassion towards Janie, nor encouragement for her to try to become a better person. In her relationship with Logan Killicks, Janie is constantly unappreciated and looked down upon. Rather than being offered constructive criticism, she is constantly surrounded by negativity and recognition of her faults rather than her strong points, thus preventing her from developing into a better person or finding happiness.

Nanny makes Janie believe that marriage makes love and forces her to wed a much older man, Logan Killicks. Jones believes that Janie?s first efforts at marriage show her as an ?enslaved and semi-literate? figure restrained to Nanny?s traditional beliefs about money, happiness and love (372). Unfortunately Janie?s dream of escasty does not involve Killicks. Her first dream is dead. Janie utters, ?Ah wants things sweet wid mah marriage lak when you sit under a pear tree and think? (Hurston 23). Logan began to slap Janie for control over

Brutal beatings that resulted in bruises, broken bones, and even death. Rape that haunted women until their last breath. Being caged and unable to go “tuh de horizon and back”. These are all things that Zora Neale Hurston tried to combat when composing Their Eyes Were Watching God. Through her novel, she tries to show the American people that women can choose the roles that they long for. In all, women have the right to pursue their desires.

While Janie yearns for “idyllic union” and emotional fulfillment, Nanny maintains the “prevailing sexual and racial milieu” by arranging her marriage with wealthy landowner Logan Killicks (Meese 264). Hurston purposefully compares Janie’s progressive ideals to those of feminists who were coined as “New Women” who sought marriages based on equality. She directly relates this contrast in beliefs to feminist’s dreams of and efforts towards success and equality through female autonomy rather than material wealth and security under a man’s control. Furthermore, as Janie settles in her second marriage with Jody Starks, she becomes increasingly dissatisfied. Janie’s feelings of confinement and entrapment steadily rise as Jody orders her to remain introverted and shuttle between the general store and home (Moss and Wilson 3). He forces Janie to play the role of a beautiful and submissive wife and “does not allow her to articulate her feelings or ideas [although she] longs to participate in everyday town life” (Moss and Wilson 3). Accordingly, Hurston scorns Jody for believing “She’s uh woman and her place is in de home” (43) and utilizes his chauvinistic outlook to promote women to establish importance outside of homemaking and caregiving. Hurston’s proposal directly reflects and supports Catharine Beecher’s influential efforts to “reconcile women to the limitations of the domestic sphere” (Cott 40) and expand women’s ability to excel in a multitude of different

Janie's grandmother was one of the most important influences in her life, raising her since from an infant and passing on her dreams to Janie. Janie's mother ran away from home soon after Janie was born. With her father also gone, the task of raising Janie fell to her grandmother, Nanny. Nanny tells Janie "Fact uh de matter, Ah loves yuh a whole heap more'n Ah do yo' mama, de one Ah did birth" (Hurston 31). Nanny's dream is for Janie to attain a position of security in society, "high ground" as she puts it (32). As the person who raised her, Nanny feels that it is both her right and obligation to impose her dreams and her ideas of what is important in life on Janie. The strong relationship between mother and child is important in the African-American community, and the conflict between Janie's idyllic view of marriage and Nanny's wish for her to marry for stability and position is a good illustration of just how deep the respect and trust runs. Janie has a very romantic notion of what marriage should be. "She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace . . . so this was a marriage," is how the narrator describes it (24). Nanny's idea of a good marriage is someone who has some standing in the community, someone who will get Janie to that higher ground. Nanny wants Janie to marry Logan Killicks, but according to her "he look like some ole