Motif 1: Gift of Food
Quote: Mikage travels from Izu and delivers a katsudon to Yuichi, telling him, “You see, Yuichi, how much I don’t want to lose you” (101).
Quote: As Eriko’s wife is dying, she urges Eriko to “take the pineapple home”, though he purchased it for her to keep in the hospital room (80).
Quote: Satsuki thanks Urara for gifting her with a new thermos and a variety of tea packets, saying, “You’ve made me as happy as a lover” (129).
Explication: In Kitchen, the gift of food is a symbol of love from one character to another. After Eriko’s death, Mikage plans and prepares a grand professional dinner of all of Yuichi’s favorite foods to comfort him (54). The cooking atmosphere builds a “warm, safe place” for “just the two of [them]” (62). Yoshimoto illustrates the healing quality of food to console an aching character during times of difficulty and grief. The gift of food acts to mend a broken heart in a demonstration of love, conveying the theme of affection taking many forms.
Motif 2: Company of the Kitchen
Quote: Mikage finds herself thunderstruck at the death of her last remaining blood-relative and seeks comfort from “the hum of the refrigerator[, which] kept [her] from thinking of [her] loneliness” (5).
Quote: Mikage and Yuichi awake to realize they have shared the same dream and decide to make ramen and juice, and “it didn’t seem so out of the ordinary” (41).
Quote: As Mikage is moving the last of her possessions, she looks at “the now-empty
Some say food is an exploration of culture, and taste evokes lush memories of the past. “ In An Island Passover” by Ethel G. Hofman, she described her life in the Shetland Islands. Every year, Hofman’s family celebrates Passover- a traditional Jewish holiday where time and effort to prepare a meal is like painting, and it takes months to reveal a masterpiece. While Hofman had a positive recollection of her family’s traditional cuisine, author of “Fish Cheeks”, Amy Tan did not share the same experience. Tan felt ashamed of sharing her traditional cuisine with a pastor's son whom she was in love with. Tan strived for her crush’s approval because she did not want to be deemed strange. Hofman and Tan had striking differences in
Dorothy Allison’s essay, Panacea, recalls the fond childhood memories about her favorite dish, gravy. Allison uses vivid imagery to cook up a warm feeling about family meals to those who may be a poor family or a young mother. Appeal to the senses shows this warm feeling, along with a peaceful diction.
In Jessica Harris’s “The Culinary Season of my Childhood” she peels away at the layers of how food and a food based atmosphere affected her life in a positive way. Food to her represented an extension of culture along with gatherings of family which built the basis for her cultural identity throughout her life. Harris shares various anecdotes that exemplify how certain memories regarding food as well as the varied characteristics of her cultures’ cuisine left a lasting imprint on how she began to view food and continued to proceeding forward. she stats “My family, like many others long separated from the south, raised me in ways that continued their eating traditions, so now I can head south and sop biscuits in gravy, suck chewy bits of fat from a pigs foot spattered with hot sauce, and yes’m and no’m with the best of ‘em,.” (Pg. 109 Para). Similarly, since I am Jamaican, food remains something that holds high importance in my life due to how my family prepared, flavored, and built a food-based atmosphere. They extended the same traditions from their country of origin within the new society they were thrusted into. The impact of food and how it has factors to comfort, heal, and bring people together holds high relevance in how my self-identity was shaped regarding food.
“A Family Supper” by Kazuo Ishiguro has an interesting twist on love and family, albeit grotesque to some, the literature is meaningful. The characters played a major role in how the family dynamics played against one another. The family home sets the reader up to understand the isolation the father felt. The conflicts the characters experience have shaped them into the people they are presently. The lack of an ending also plays a major role in the way love and family is portrayed by the author and will conclude how love and family relate to this piece of literature.
This film has many protagonists. The main protagonist is Martin Naranjo. He is an accomplished chef who is a widower. He lives with his three adult daughters who are very beautiful, but remain single. Naranjo lost his wife approximately ten years prior to the setting of the film. Since then he has assumed the role of father and mother. Naranjo works as a chef fulfilling is fatherly role and he also does all of the cooking, cleaning and laundry fulfilling his motherly role. Naranjo maintains that on every Sunday, the family shares a meal to share their life experiences of the week with each other. The meal seems to be a tradition in that family that has been a part of the family’s ritual prior to the passing of the mother. Some of the daughters find the meal to be more of a punishment than an enjoyment. Martin for most of the film has lost his ability to taste the flavor in the food he creates. He relies at work upon his best friend and fellow chef, Gomez played by Julio Mechoso, for taste. Martin is the main protagonist as he demonstrates the most change. He lets go of his adult daughters, one at a time while gaining two more daughters, Eden the daughter of his much younger bride than he and his unborn child with the same, Yolanda.
She uses food and memories to keep her anchored. “Food nourishes the soul. I believe that everyone deserves a hand prepared meal. People need to slow down and eat. Food is a blessing that helps build community in the sharing of well prepared food.”
Later in chapter two, Foster explains that the act of eating together symbolizes various types of communion. He uses many novels as examples to help prove this point. First, a meal’s description may take the place of describing sexual intercourse. In Tom Jones, a couple’s meal includes sucking on bones, licking fingers, and groaning, clearly demonstrating more than simply eating dinner. Additionally, a meal symbolizes an act of sharing and peace. The novel Cathedral tells of a discriminatory man who doesn’t gain respect for a blind man until he shares a meal with him. Finally, a failed meal has a negative connotation, bringing disappointment to the story. In Dinner at the Homesick Restaurant, a mother tries to have a family diner, but continues to fail. The family
Food and family tradition are important for this story, since the food is seen as a way of communication and family tradition as an obstacle within Tita’s life. Ever since she had been born, her closeness to food was seen from that very moment. In the first "scene" of the book, this can be seen. “Tita made her entrance into this world, prematurely, right there on the kitchen table amid the smells of simmering noodle soup, thyme, bay leaves, and cilantro, steamed milk, garlic, and of course, onion” (Esquivel, 5-6). This shows how she connects to food, and this connection only grows more throughout the story. Although, later on Tita is able to mix her own feelings within her food preparation helping her communicate what she feels. When she is cooking is also gets emotionally involved, therefore this lets her mix her feelings in the recipe as well.
Kitchen’s non-linear structure provides the reader with context on the foundation and depth of Mikage and Eriko’s relationship. Many flashbacks are added following Eriko’s death. Mikage’s time in the Tanabe residence is briefly described without many specifics, oddly enough it is pictured as her most prosperous. She then recounts her time in the house with a painful nostalgia. “But that was the summer of bliss. In that kitchen. I was not afraid of burns or scars.” ( 59) Memories exemplify Mikage’s acknowledgment of her happiness only after she loses it. The first part is only so brief because it skims over Mikage’s happiest moments, these memories are instead placed in the second part. The motive was to illustrate the abrupt reality of such bliss and how unsustainable it is. After the most intimate of the memories of Eriko, including
A soul in distress is always looking for a mean to escape through a difficult situation. In the story Like Water For Chocolate, Tita De La Garza who suffered like no other, isn’t the exception. This young woman since birth was instilled with a very deep love for cooking. When the people who she loved most betrayed her, cooking eased her pain. All of the intense emotions that she felt while preparing food, were unknowingly added to the recipes. The author, Laura Esquivel through the use of symbolism, she demonstrates that the role of food in the story isn’t there just to sustain life, it also transmits strong emotions such as desire, sorrow and healing felt by the
Have you ever read the cultural story “A Family Supper” by Japanese author, Kazuo Ishiguro? Generally, it’s the conflict between generations in changing Japan, one can understand that this story depicts a young Japanese man (the narrator) who lived in America and has come back to Japan, his motherland to attend the funeral of his mother. He had dinner with his family at the first time of the year. With emphasis on generational conflict, the three aspects that are relationship between the son and his father from their conservation, the cultural property mentioned in the story and how the father’s disappointment affects his son, the narrator of the story.
After the baker takes all the rage thrown on him by Ann, he in return begs for forgiveness and gives the parents what they were lacking, that is food. The baker does all this even though he is alone and virtually makes contact with anybody.
The motif of Kitchen is has an important value to novel as it resembles the title of the, hence connoting the significance of this motif. Mikage finds kitchens to be "best place in this world"(pg3). Alluding that her joy comes from cooking. This also underlines the impact families have, and one should be where they feel most loved, appreciated, and free to be themselves. Mikage suggests that she appreciates kitchens since they provide her with "a place where they make food"(pg3).
Perhaps the most prominent example of this idea occurs during Kitchen, following the death of Mikage’s grandmother. Following the death of her grandmother, Mikage spends a large amount of time in her kitchen, where she feels most comfortable. Mikage states that after her grandmother’s death, “the hum of the refrigerator kept me from thinking of my loneliness” (6). In order to help comfort herself after losing a close relative, Mikage decides to stay in the kitchen, where she feels most comfortable as it is the place in her home that provides her with fond memories of her
In a way, Mikage is essentially reborn; she is eliminating