Gilgamesh Transformation

o Christopher Columbus called the Native Americans “Indios” because he thought that he had landed in India

These specific actions and events will later influence the reader on how the hero is transformed throughout the story. At the beginning of the Epic of Gilgamesh, the author emphasizes Gilgamesh’s miraculous birth from the goddess Ninsun, the goddess Belet-ili, and Lugalbanda. The story, however, mentions Gilgamesh already as a king of Uruk, as he built the cities’ walls by himself. Gilgamesh is portrayed as a mythic hero, but he comes off as haughty and deranged. He is physically fit and is well aware of his supremacy. This emphasis on his perfect physique foreshadows that he is a mythic hero. Gilgamesh is described when the author of the Epic of Gilgamesh writes, “In Uruk the sheepfold he would walk about, Show himself superior, his head held high like a wild bull.” In his short introduction as king, he mistreats his people by beating men and raping any woman he wants, even virgins on their wedding day. The people of Uruk have had enough of the cruelty and express this to readers as they pray to the gods for relief. Another example of Gilgamesh’s brutality is when he orders Shamhat to go into the woods so Enkidu could have sex with her. The author of the Epic of Gilgamesh writes, “Go, hunter, lead forth the harlot Shamhat, and when he approaches the cattle at the watering place, she must take off her clothes and reveal her attractions.” By ordering

Two understand how the gods influenced our hero, Gilgamesh, one must first look at the various ways the gods meddled into his life. The Epic of Gilgamesh is a tale of a half-mortal man whose quest to break his own boredom turns into a tale of friendship, immortality, and kingship. However, his tale would not have been able to happen if it was not for the influence of the various Sumerian deities. After the people of Uruk complained to the gods about Gilgamesh’s child-like behavior, the goddess Aruru creates the man that will become Gilgamesh’s closest friend, Enkidu. Enkidu was created as an equal to the king so that Gilgamesh would have a way to occupy his time. Unfortunately, after the two friends defeated the giant Humbaba, a terrible demon creature, the god Enlil becomes enraged, but despite Enlil’s best effort, he is unable to punish the two.

In The Epic of Gilgamesh it starts off talking about how Aruru forms a man named Enkidu out of clay that is supposed to be just like Gilgamesh. One day a hunter spots Enkidu in the woods and becomes terrified because of how wild he is. The hunters father tells him to go to Uruk and ask Gilgamesh for a prostitue to tame Enkidu. The hunter gets the prostitute and goes to a watering hole to wait for Enkidu, they waited for three days. Eventually Enkidu shows up and the hunter tells the prostitute to lay down and expose her breasts so that Enkidu will see them. Enkidu notices the naked woman and goes up to her and they have sex for six days and seven nights. After that Enkidu tries to go back to the animals and he noticeably is weaker. His mind seemed to be awakened and confused. He went back to the prostitute and she assures him that things will be fine. The first thing I noticed when I read this is that they never called the prostitute by her name which is pretty demeaning. Also did they have to use a woman to lure Enkidu into becoming less wild and more civilized? I feel as though they could have done it without using the prostitute. They only used her for her

The birth goddess Aruru pinched a piece of clay and threw it to the plains where Enkidu was created. Enkidu was a wild man, hairy and naked. He ate and drank with the other animals. The harlot Shamhatwas sent to tame Enkidu. She offered her body and showed him the luxuries of men. He was led to Uruk and met Gilgamesh attending a wedding where he would have the bride for his own before her husband. Enkidu thought this was inappropriate and took exception to the act. Gilgamesh and Enkidu clashed with each other in the streets but there was no winner. This shows the moral differences in the two though they were physical equals. Enkidu would come to be the moral compass to Gilgamesh’s brutality (W. W. Norton & Company Vol

Gilgamesh's friend Enkidu runs wild until he sleeps with a harlot, after which the wild beasts which were once his friends reject him, suggesting that femininity is also a source of male disempowerment. Although Aruru is the source of both the life of Gilgamesh and his beloved companion Enkidu, the two friends create a society between themselves that is essentially masculine. This masculine relationship is the most positive force in the epic. Gilgamesh is known for his sexual prowess amongst women, but his feelings for Enkidu run much deeper and are more profound. He is said to be drawn to Enkidu "as though to a woman" but no relationship Gilgamesh has with women parallels the one he has with Enkidu (2).

Gilgamesh struggled to establish moral principle. His personality at first was an arrogant, self-centered tyrant ; he was described by Enkidu "His teeth are dragon's fangs, his countenance is like a lion his charge is the rushing of the flood..." (pg. 16 line 3-6). But towards the end of this epic narrative Gilgamesh switched

In the Epic of Gilgamesh, Enkidu helps act as a catalyst for the transformation of Gilgamesh’s character from an undefeatable god-like brute into a complex thinker. In the eyes of Gilgamesh, he is unstoppable and is willing to challenge death itself so long as he is remembered as a hero by his subjects. With Enkidu’s help, Gilgamesh learns to become a better person as a ruler, not as a better warrior. Although not blood related, Enkidu was like a brother to Gilgamesh and the duo shared an inseparable bond. Throughout the epic, Enkidu teaches Gilgamesh that he is not unstoppable, being stubborn will not stop him from dying, and that there are no easy solutions to life.

Gilgamesh expresses sorrow to Ur-shanabi over losing the regenerative plant, truly opening up his human self at the end of the journey. Gilgamesh’s loss of his “bounty” to the “Lion of the Earth” brings out the main shift in his identity (XI 313-314). The key to understanding the shift is the symbolism of lions. Prior to this event, Gilgamesh had been dominant over the wild and once killed lions for clothing. Now, Gilgamesh lost his regenerative plant to a snake, the lion of the earth. The contrasting relationships with the wild highlight Gilgamesh’s changing status. His vulnerability to the wild becomes an aspect of himself that he must confront. A human side is breaking out of the prison that was once the godly Gilgamesh and taking over. Human Gilgamesh “ha[s] done a favour” to “the “Lion of the Earth”” which Gilgamesh hates and would take back (XI 314). However, in the end, the benefit may have been to Gilgamesh because he is now on the path to becoming wise by facing his mortality.

These actions define the king as despotic by Babylonian standards. Further, his entrapment of Enkidu shows Gilgamesh using sex to corrupt. Enkidu lived a life of ignorance and bliss in the wilderness. He did not know fear, age, and many human constructs that make life arduous. Gilgamesh weaponizes sex by sending a prostitute to Enkidu, in aims of domesticating him. This sex removes Enkidu from the natural world and forces him to adopt attributes of humanity (alcohol, clothing, shaving). The Mitchell translation of the scene shows Enkidu’s sudden loss of power and separation from his natural life, explaining “He set off towards his beasts. When they saw him, Enkidu, the gazelles shied off . . . he could not run as before” (Mitchell 13). Therefore the act of sex marks his irrevocable entrance into civil society; through sex, Enkidu desecrates his innocence and is barred from his pure life. In this sense, Gilgamesh begins with one man the abuser of sex, and the other the abused. As both men build their relationship, Gilgamesh begins to incorporate Enkidu’s mature understanding of compassion into his character and diverges from his initial status as a cruel tyrant.

The second significant change in Gilgamesh was caused by the loss of his brotherly companion, Enkidu. Gilgamesh couldn't bear the loss of a love so powerful. Despite his astonishing power and leadership, something in his life was missing. He wept for seven days and seven nights, in hope of bringing Enkidu back to him. Gilgamesh said, "I thought my friend would come back because of my weeping. Since he went, my life is nothing". It is in this stage of the epic that we see the truly sympathetic and compassionate side of Gilgamesh. The grief in his heart had far surpassed the magnificent pride that he had previously displayed so boldly.

In "The Epic of Gilgamesh" it seem like the women have all the power. The women have great influences on the men. In "Gilgamesh" sex plays an important role, and it also seems that sex has a hold on Gilgamesh and also Enkidu - not just a hold on them, but more of an addiction throughout the story of Gilgamesh. In the beginning of the story, Gilgamesh has a great lust that leaves "no virgin to her lover, neither the warrior's daughter nor the wife of noble men. To me, the lust in Gilgamesh's heart makes him a very selfish person. I think what makes Gilgamesh a selfish person is because the gods made him perfect, he was beautiful and strong as a savage bull and everyone feared Gilgamesh. Gilgamesh knew he had power so he abused it, because

he begins to realize he is not worthy to be a god or have everlasting

In the epic of gilgamesh, Gilgamesh is a man and a God. He built high walls and had orchid fields around his city. He also wasn’t respectful. He touched women whenever he wanted to, He never gave his servants any type of love. Enkidu is a man who was created to tame gilgamesh. He was created by the Gods. The Gods wanted to tame him so they sent an equal power which was enkidu. A wild man who becomes Gilgamesh 's best friend. After being visited by Shamhat, the prostitute, Enkidu is civilized and leaves the animal world behind to journey with Shamhat to Uruk. Enkidu accompanies Gilgamesh to defeat Humbaba before he passes away. Gilgamesh journeys to the Underworld to try to bring

Have you ever wanted something so badly that you would quite literally go to the end of the world to retrieve it? This is an attribute that perfectly describes the character of Gilgamesh. Gilgamesh is the main character of the ancient Uruk epic that is known as the epic of Gilgamesh. He experiences a lot of hardship and tribulations throughout the story. Some of the things are the loss of his “brother” Enkidu, which makes him want to become Immortal, the death of Humbaba This changes him in many different ways, like how he changes the way he acts from acting like a god to a noble and fair king. My goal in this paper is to show you how the events of the death of Humbaba, the death of Enkidu and his quest for his immortality