Gregorian Era

Because the National Convention wanted to break away from the Roman Catholic Church and a new era had begun, they decided to adopt a new calendar in revolutionary France. Gilbert Rommne, head of the calendar reform committee, believed the Gregorian calendar served to mark the progress of motivated or characterized by an extreme zeal, persecution, and bad experiences by talent, virtue, and philosophy under cruel despots (Doc. 2). He states that a new era is upon them and it is time for a change. Another reason that changed the calendar was the Cahier de doléances, also known as the list of grievances, which was written by the Three Estates. These grievances overall stated that in the new calendar they would like Sunday to be more holy and the

Two ancient contributions that influence our culture today is the Gregorian Calendar and the transportation system of ancient Romans. The first contribution is the transportation system of the ancient Romans was very useful for the Romans. Roads were used to link far-away provinces with Rome (Doc. 3). They were very helpful for drainage (OI). The army used them to move soldiers quickly from area to area (Doc. 3). Traders used the roads to sell goods and food throughout the empire (Doc. 3) Another contribution is the Gregorian Calendar. Today we use the calendar invented by Pope Gregory (Doc. 4). These are just two contributions that influence our culture today.

   music was so much a part of life that they did not consider it a separate activity.

5.  Most of the music that was notated during the middle ages was sacred or secular? sacred

Two composers about this period are: (Hildegregard of Bingen What's more Leonin-ca. ). - those primary 500 quite some time from claiming this period, those pre-dominate kind of music might have been alluded should as Gregorian chant, a monophonic vocal music that might have been sung Previously, church. Those stayed of the time saw a bit by bit evolving unpredictability in the music from serenade comprising of a absolute melodic line will two part composing called organum, Furthermore At last should polyphonic consecrated (religiously based) compositions known as motets (often setting of prayers) Furthermore massenet (settings for specific writings from the custom move fact Mass). A large portion

2. Ordo Virtutum has a modal formulaic structure that works by an alternating solo and choral response, which is considered to be distinct to Hildegard’s compositions.

From the beginning of times, music has played an important role in everyone’s life. At first, it started with drum-based and percussion instruments made out of what was available as rocks and sticks. Our ancestors proved that human beings have an innate need of music. Nowadays, no one teaches a baby to follow the beat of a song, he just naturally lets his body get involved with the rhythm. Since the prehistoric era to Christian times, several forms of music have developed leaving a trail to new genres of music. For Christianity, hymns and plainchants were the first forms of music considered as a worship to God. As time passed by, Christian music has evolved giving way to new and fresh sounds.

​ Life in the Middle Ages revolved around the Church, which was the Roman Catholic. So, we can imagine early music was pretty much from church. Every morning at 9 o’clock was Mass, a significant ceremony done to commemorate the Last Supper. At this church service, the music was the Gregorian Chant. The Gregorian chant is performed in the Latin language, unison voice and accompanied by no instruments which was believed that the text of the song which carried the divine message from God was more important. The music was just to help you get to a spiritual place (Wright, 4-1a).

During the middle Ages, the Catholic Church was the sole contributor to musical development. The music of the early church was monophonic, and had nonmetric melodies set in one of the church modes, or scales. The rise or development of polyphony came about during the Renaissance period; the Council of Trent wanted polyphonic church music to be created and Palestrina composed the Pope

Music was a very important asset to the peoples’ society. According to historians, the medieval period was the beginning of the unbroken tradition of notated Western music. Music was the one thing that all classes could enjoy, royals, nobles, women, slaves, anyone could listen to music being played out on the streets. Music was used in cathedrals and abbeys, dances and was even part of poetry. Most of the poetry from the Medieval Period known today were sung in front of crowds during events and festivals. Vocal music was very important in churches and worshipping. Back in the medieval time, there weren’t any radios, so all of the music was played live. Festivals, celebrations and the holiday season were very popular times for music. During an important holiday, Mayday, the dancers danced to high

Music has evolved too many different forms that we recognize today. We trace this development throughout time. Beginning in the middle ages, we have seen advancement from the Gregorian chant all the way to the Jazz of the 20th century. The current events, politics, religion, technology and composers can shape musical eras during time. Here I will look at the middle ages, renaissance, baroque, classical, romantic and twentieth century periods. I hope that a better understanding can be reached to why, when, where and who are the reasons for musical evolution.

Music not only has issues in discrimination and racism but also in religion. In an article by Lake State Publications (2002), the transformation of music started during the early Christian era. It said that only Gregorian Chants were recognized in sacred ceremonies. However, secular and non-religious songs became rampant when the church had an unlikely encounter with the French Nobles called troubadours causing them to write the very first secular songs and ask the ministers to sing them to the public. Secular music continued to gain importance to the masses and vocal music became more important

The Medieval period began in 500 A.D. and ended in 1450 A.D. During this time in particular, the Catholic Church had significant influence on how music was used and created. Sacred music, for example, was most prevalent because of this. Due to the religious nature of this period, music in the church had to adhere to very specific regulations, some of which included prayers such as plainchants or Gregorian chants. A single melody without harmony, or one musical part sung together in unison, is called a Monophonic melody, which was sung primarily by monks. Some time later, around 900 A.D., the using of two melodic lines was permitted by the church, this music was called organum. A low, continuous note called a drone, was sung at the same time as the main melody. The two melodies were often moving in contrasting motion to each other. By the Late-Medieval period, 1100 A.D., the music of the church had shifted from monophonic to more polyphonic, often two or more varying parts.

3. Medieval and Renaissance culture varied in many ways, aside from the differing music. In the Medieval age (the time between the 5th and 15th century), the church controlled many things, not only music. The church was in charge of education, the church also dominated politics. People very much feared God. Whereas in the Renaissance (15th and 17th century) the state ruled over the church. People in the Renaissance believed that God wasn’t some fearsome being, instead they believed more in logical and practical thinking.

Beginning at around 476 AD, the medieval era is mostly related to the church as most music from this era is sacred. The style of this era, the Gregorian chant is monophonic only comprising of the plainchant (or the single- line melodies of early church music) in texture only comprising of the plainchant (or the single- line melodies of early church music). It is not until the arrival of the French composers Léonin and Pèrotin in 1100 and 1200 respectively that polyphony would be incorporated into musical worship with the “decoration” of Gregorian chant with one or more simultaneous musical lines, thus transitioning from Gregorian chant to Organum. During this era, most of the music and roles for musicians belonged to the church except for the troubadours of southern France and the trouvères of northern France. The music was responsorial between the mass and the father during church and was