Grief In Judith Guest's Ordinary People

Kubler-Ross, E and Kessler, D (2005). On Grief and Grieving, London: Simon & Schuster. p7-28.

Grief is a painful emotion that people experience through troubling times in life, such as losing a loved one. Swiss psychiatrist, Elisabeth Kubler Ross, introduced the five stages of grief: denial, anger, bargaining, depression, and acceptance, in the year of 1969. She explains that there is no correct way or time to grieve; the stages are used to familiarize people with the aspects of grief and grieving. Grief can over take someone’s life and lead to a negative downfall, such as Hamlet experiences in Hamlet, written by Williams Shakespeare. He undergoes a variety of barriers throughout the novel, such as his father is murdered, which leads to his downfall-death. Although Hamlet grieves, the denial stage is not present in the novel as it

Write a 750-1,000 word paper analyzing Woterstorff’s reflctions in Lament For a Son. In addition, address Kubler-Ross’ five stages of grief, as they are expressed throughout Lament for a Son, and respond to the following questions:

However, the characters in Ordinary People do not conform to the stereotypical gender grief scripts and instead reflect the different grieving styles captured in Martin and Doka’s (2011) grieving styles continuum. Martin and Doka (2011) conceptualizes grieving styles ranging on a continuum from intuitive to instrumental. Grieving styles reflect individuals’ ability to adapt to loss and are distinguished by their use of cognitive and affective domains to process grief.

The Death of Ivan Illych brings an excellent in-depth description of Elisabeth Kubler-Ross’s 5 cycles of grief theory. In the book, it shows how Ivan Illych goes through these cycles in their own individual way. The cycles that Kubler-Ross uses in her theory are: denial, anger, depression, bargaining, and acceptance. To get a better understanding of these cycles, this paper will describe each cycle and provide quotations that will help develop an idea of how someone going through these cycles may react.

Since the start of time, and the preceding generations, death has impacted people and the way they act. A sudden, or even an expected death of a loved one, takes a toll on a person. It’s human nature for people to process and want to make sense of death and the loss it leaves behind. The five stages of grief reflect this process of dealing with the loss of a loved one. Through these stage of grieving, people can get lost either searching for answers or trying to get past it. In Hamlet, William Shakespeare depicts the role human nature plays in the striving for answers and justice surrounding death. Even though Hamlet was written early in the seventeenth century, the depiction of death and human nature still rings true today; people and

The characters in Alice Sebold’s The Lovely Bones are faced with the difficult task of overcoming the loss of Susie, their daughter and sister. Jack, Abigail, Buckley, and Lindsey each deal with the loss differently. However, it is Susie who has the most difficulty accepting the loss of her own life. Several psychologists separate the grieving process into two main categories: intuitive and instrumental grievers. Intuitive grievers communicate their emotional distress and “experience, express, and adapt to grief on a very affective level” (Doka, par. 27). Instrumental grievers focus their attention towards an activity, whether it is into work or into a hobby, usually relating to the loss (Doka par. 28). Although each character deals with

He is definitely feels guilty for the accident even though he couldn't do anything to try and prevent his brother’s death. He definitely went through the bargain stage before everything and is now going through it once again. Conrad is really hard on himself. He punishes himself because he thinks that if he is punished enough, he won't feel bad. Conrad feels guilty and responsible for the death of his brother even though, there is nothing he could have done better to save him. He is similar to his father in that he feels responsible and

The emotional agony that Conrad experienced following the death of his brother almost led to his end. The conflict inside of Conrad is only the beginning of his suffering. The emotions that engulf one's mind can swallow them up and eat them from the inside out. They demand to be felt, but the management of the emotional conflict has been just as important. For example, when the Jannett family is together to take family photos, including the grandparents, the disconnect between Conrad and his mother are clearly visible to the naked eye. After being asked to take a picture with her son, Beth hesitates, violently insisting a different photo to be taken in order to avoid accepting and showing the increasing disconnect between her and her son. Siting and watching, Conrad struggles internally to decode the intentions of the scene depicted in front of him before he burst into an outrage. Initially, Conrad practiced silence in the form of withdrawal. Thus, he situated himself in the isolated window chair. The actions of his mother spoke to him in the sense that she hated him, wishing to have nothing to do with him. The silence remained silent until he burst with rage, projecting the instructions of his father for the camera to be given to his emotionally silent mother. Conrad rested on the assumptions he formed based not only on his mother’s current action, but passed actions as well, to reveal what he

The book, Lament For a Son, written by Nicholas Wolterstorff talks about his pain and grief after losing his 25-year-old son (Joy, 2009). His son died while on a mountain-climbing expedition. Dr. Wolterstorff has several books published during his career as a philosophical theology professor in Yale Divinity. However, he wrote Lament for a Son with a different journal style since it is a personal thing for him. The book is similar to a journal as he narrates the events that happened before and after his son’s death. The emotions expressed in the book are common among people who lose close relatives. What matters is how a person handles the issue. Kubler-Ross invented the five stages of grief; denial, anger, bargaining, depression and acceptancethat explain the escalation of grief when stricken by bad news (Axelrod, 2004). The paper looks into the book and its relation to the five stages of grief.

The characters in Alice Sebold’s The Lovely Bones are faced with the difficult task of overcoming the loss of Susie, their daughter and sister. Jack, Abigail, Buckley, and Lindsey each deal with the loss differently. However, it is Susie who has the most difficulty accepting the loss of her own life. Several psychologists separate the grieving process into two main categories: intuitive and instrumental grievers. Intuitive grievers communicate their emotional distress and “experience, express, and adapt to grief on a very affective level” (Doka, par. 27). Instrumental grievers focus their attention towards an activity, whether it is into work or into a hobby, usually relating to the loss (Doka par. 28). Although each character deals with

Throughout Shakespeare’s play Hamlet, the characters clearly describe the grief they are experiencing through their poetic lines. Using the Kubler-Ross model, the audience can dissect the grief process to better understand Hamlet’s intentions. In the play, Hamlet experiences strong emotions concerning grief, including his examples of depression, anger, and finally, acceptance. The play shows that while the model was created in 1969, the

In a conversation with psychiatrist Dr. Berger Conrad is asked who does most of the worrying and he answers "My father, mostly. This is his idea." When asked about his mother he says "She's-I don't know, she's not a worrier." Clearly Conrad thinks that his mother doesn't care about him. Conrad also goes on later to say, "My mother and I do not connect."

In her seminal work on grief and grieving, Elisabeth Kubler-Ross introduced the concept now very well known as the Five (5) Stages of Grief, enumerated chronologically as follows: denial, anger, bargaining, depression, and acceptance. In this concept, Kubler-Ross explored and discussed the normative stages that people go through when they experience the loss of a loved one and feel grief as result of this loss. It is also through these stages that people are now more aware of their feelings and thoughts when experiencing grief and the loss of a loved one. While the stages of loss are mainly developed for grief experienced with the death of a loved one, it is a generally accepted framework in understanding feelings of grief when an individual experiences the loss of a significant individual in his/her life. The discussions that follow center on the discussion of Kubler-Ross' 5 Stages of Grief, applied in the context of the Story of Job in the Bible.

In Name of the Wind, Patrick Rothfuss gives life to The Four Corners of Civilization through his storytelling. Storytelling gives the author an opportunity to show their experiences and reflect their beliefs within the world they are creating. During the time this book was being written, there was the Iraq and Afghanistan War taking place which had been sending many soldiers back home with Post-Traumatic Stress Disorder (PTSD). Rothfuss parallels this disorder within his book through the main character, Kvothe, when he experiences trauma and he shows how Kvothe copes with the persisting trauma through grief theory, “four doors of the mind” (135) . His four doors of the mind is similar to the Kubler-Ross Model, which is widely accepted by practitioners, but challenges it by believing the mind copes with pain through the central idea of numbing. However, this mindset of categorizing emotions experienced within grief can be destructive behavior towards any griever rather than helping them cope; stages of post-loss grief do not exist.