Hamlet Vs Hamlet

William Shakespeare’s Hamlet, is a timeless play which continues to remain relevant across all generations due to its presentation of ideas that are fundamental to humanity. The play highlights aspects that relate to the society of not only Elizabethan England but also that of our modern society. Hamlet, as a character, considers ideas from outside his time and is somewhat relatable to modern day man. By drawing from ideas of archetypes and the human psyche, it reveals that Hamlet relates deeply to the elements of humanity.

The purpose of this report is to compare and contrast two movies made about Hamlet. I will present and discuss different aspects of the version directed by Kenneth Branagh to that of Franco Zefirelli. During this paper you will be presented with my opinions in reference to determining which version of Hamlet best reflects the original text by Shakespeare. I will end this paper with my belief and explanation of which movie is true to the original play.

During the Elizabethan Era, there were a set of rules controlling which classes could wear which clothing called the Sumptuary Laws. The Sumptuary Laws controlled the colors and types of clothing a person could wear. This allowed an easy and immediate way to identify rank and privilege (Elizabethan Era | Clothing). Those found dressed in inappropriate clothing could be fined, lose property, lose rank, and even be killed (Elizabethan Dress

Kenneth Branagh’s interpretation of Hamlet emphasized different importance's of the play. His version differs from that of Zeffirelli’s because; he makes use of the entire text from Shakespeare’s original work. Branagh also does not hold the time period authentic. Although his version of the play was not altered as much as Zeffirelli’s, he is still able to hold the attention of modern critics and viewers. However, by transfiguring the play into a Victorian background, Branagh’s film completely alters the mindset and feel of a true Shakespearean play.

Hamlet’s “To be or not to be” soliloquy is conceivably the most prominent soliloquy in the archive of the theatre. Even now, more than 400 years after it was originally written there is still an air of familiarity that reaches others even if they do not know the play itself in detail. In act 3, scene 1, Hamlet’s “To be or not to be” Soliloquy is critical in developing the plot because this is when Hamlet discusses his most suicidal thoughts.

Many directors choose to make many different decisions when producing their version of Hamlet. Every actor portrays the character Hamlet in several ways making each version almost a new story. Mel Gibson's 1990 version and the 2009 David Tennant films are very different in style, scene omissions and several other aspects.

When comparing two different Hamlet movies I found that one scene in particular was obviously more different than the others. I compared Columbia pictures 1996 version with Kenneth Branagh playing the role of Hamlet versus BBC’s 2009 Hamlet in which David Tennant played the honorable role of Hamlet. When comparing both movies I found a lot of similarities but there was one major difference when I compared the “To be or not to be” scene. The scenes vary in multiple ways whether it is lighting, focus, camera movements, and even the actors that play Hamlet.

“Revenge his foul and most unnatural murder” (I.V.31). In Shakespeare's play titled Hamlet, Lies, deception, and foul play are all encompassed into an iconic tale of revenge. The tragedy takes place in Denmark, following the death of Hamlet’s father, King Hamlet. Shortly after his death, King Hamlet’s brother Claudius marries, the Queen, who is prince Hamlet’s mother. The ghost of the dead king later shows himself to Hamlet in order to reveal that he was actually murdered by his own brother Claudius. After the ghost instructs Hamlet to avenge his death, he composes a plan involving false insanity, to discover whether Claudius really did kill his father and how to avenge his father's death. In comparing the original Hamlet play, to movie

Hamlet is a very well-known play across the world. Many students have been required to read the play in school. Although the poem has been read by many students, student usually don’t further their experience with Hamlet by watching the movie. There are many remakes of the play in movie form, new movies have been evolved since the play was originally made. There are movies that follow the play and the time period of the play and then there are newer or more modern versions of the play. The comparison being made in this paper is, the originally play versus the 2009 movie version of Hamlet.

Over the course of the past fifty years there have been many cinematic productions of Shakespeare’s Hamlet, some of which remain true to the text while others take greater liberties with the original format. Director Kenneth Branagh’s 1996 production of Hamlet was true to Shakespeare’s work in that the film’s dialogue was delivered word or word as it is presented in the text. In contrast, Franco Zeffirelli conducted his 1990 production of Hamlet in a much more liberal direction in which lines, scenes and characters were omitted from the film. I argue that from the perspective of an individual with moderate knowledge in Shakespearian literature, that the best film versions of Hamlet are those that take the most liberties from the text. I

Shakespeare’s Hamlet has countlessly been formatted into film depictions of the play. Each film seemed to be on one end of the spectrum of either being closely interpreted or completely remodeled a different idea of what Hamlet is. The film version of Hamlet released in 2000 seems to follow closely to the play in some aspects, yet at the same time having its own unique identity Despite there being many differences with the play Hamlet and the film adaptation of Hamlet (2000) by Michael Almereyda there are three categories that really stand out, those are the character portrayal, interrelationship between the characters, and some of the essential themes differ as well. Although there are many differences, one aspect that remains the same is the dialogue of the characters which stays true to the Shakespearean dialect.

1. Does Gertrude tell Claudius the truth about what happened between her and Hamlet? Is she following Hamlet's advice at the end of 3.4? Why do you think this is?

William Shakespeare’s Hamlet is one of the most produced plays of all time. Written during the height of Shakespeare’s fame—1600—Hamlet has been read, produced, and researched by more individuals now than during Shakespeare’s own lifetime. It is has very few stage directions, because Shakespeare served as the director, even though no such official position existed at the time. Throughout its over 400 years of production history, Hamlet has seen several changes. Several textual cuts have been made, in addition to the liberties taken through each production. In recent years, Hamlet has seen character changes, plot changes, gender role reversals, alternate endings, time period shifts, and thematic alternations, to

Hamlet, one of the most intricate and influential plays by Shakespeare, debatably of all time. It has inspired not only appreciative readers and writing critiques but continuous generations of people. The inspiration led to the fabrication of many great movies, which wasn’t achievable until the 20th century. Before cinema was the prevalent method of sharing appreciation and spilling emotion for a specific subject, art portrayed what would fly through our minds such as the many interpretations of Ophelia’s death. With the imagery put into motion we can try and pick apart how certain people might view the play being portrayed and choose what best suits our expectation of this tragedy. Other things that only film has been able to present to

In William Shakespeare Hamlet and Othello, the author creates two similar yet vastly different protagonists. The major source of contrast lies within each characters approach to decision making and premeditated action. As David Nichol Smith puts it, Hamlet “is not a character marked by strength of will or even passion, but by refinement of thought and sentiment.”(Smith 288) This very refinement of thought is what characterizes both Hamlet’s indecision and forces him to act when he renounces indecision. In contrast