Tiffany Li Ms. Hall
ENG 4U1
December 13th, 2010
A Life Without Love, is No Life at All As the flawed in protagonists of Shakespeare’s Hamlet and T.S Eliot’s poem The Love Song of J. Alfred Prufrock, both Hamlet and Prufrock live in a times of disharmony. Feelings of passion are controlled by realistic tendencies and neither allows sensitivity to rule their order. This underlying journey or quest for female contact causes both characters to live meaningless lives eventually leading to harsh consequences. Eventually seeking the companionship of anyone that can fill their void of romance, they two are synced and remove themselves altogether from society. Both protagonists Hamlet and Prufrock embrace an anti-romantic outlook in their
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Prufrock similarly begins to see women as an object of status and not as people. Hamlet and Prufrock are joint in their harsh treatment of women as begin to lose their courteous and gracious identity as gentlemen; insulting and objectifying them.
While Hamlet pretends to be mad, he is allowing himself to speak as he honestly wishes and does not hide his thoughts as all those around him will not truly listen to him. As royalty, a prince would be expected to be well mannered and respectful of all those around him, especially to his mother and previous love interest. However after the lost of both his mother, to an incestuous relationship with his uncle, and his lover Ophelia, to the persuasions of her father and brother, Hamlet feels distaste towards women in general and see them as distractions to his life. They are of no real use and deserve no respect: Hamlet I could interpret between you and your loveif I could see the puppets dallying. Ophelia You are keen, my lord, you are keen.Hamlet It would cost you a groaning to take off mine edge. | | | | | |
(3.2.231-234)
A man of his status would not originally be able to speak to a woman like this, much less the woman he wanted to marry only two months previous. However fuelled with angry emotions, Hamlet’s puns insult Ophelia and ridicule her; no longer caring about her feelings as he begins his distrust of women and abuse towards them with language. This treatment of women in his life is similar to that of
During Act III, scene 1, when Ophelia is returning all of her old letters to Hamlet, he becomes furious and sends insults back at her. Hamlet tells Ophelia that she should not of believe that he loved her because humans are all naturally rotten at the core. Hamlet says to Ophelia, “You should not have believed me, for virtue cannot so (inoculate) our old stock but we shall relish of it. I loved you not” (III. 1, 127-129). In this scene Hamlet expresses false feelings only to upset Ophelia. By telling her that all humans have a naturally horrible nature, no matter how hard they try to be virtuous, he gets her to admit that she was deceived, thus proving her weak mental state. Due to Ophelia’s weakness and the fact that she lets people walk all over her, Hamlet is also able to tell Ophelia that he never really loved her. These comments made by Hamlet cause Ophelia to become upset proving the feminine stereotype of weakness. Due to the fact that Ophelia listens to Hamlet’s opinion in which he says that he never loved her, Ophelia does not get angry at him, showing that she is indecisive over how she feels about
Hamlet also shows anger towards the female character, Ophelia as they interact with each other on a daily basis. He tells her that he has “heard of [her] paintings too, well enough; God hath given [her] one face, and [she] make[s] [herself] another. [She] jig[s] and amble[s], and [she] lisp[s], and nickname[s] God’s creature, and make[s] [her] wantonness [her] ignorance…to a nunnery, go” (3.1.153-157,161). As a result of this quote, Hamlet demonstrates strong anger as he insults Ophelia for her cosmetics and tells her that her flirtatious affections is her excuse for her stupid behaviour. Not only does Hamlet insult her because of his anger, but she does not defend herself either, which makes the situation worse. In addition, Hamlet not only undergoes his father’s death, but no one seems to grief over the death which is surprising, as he was the King of Denmark. The new King, Claudius asks Hamlet, “How is it that the clouds still hang on you?” (1.2.67). This quote shows King Claudius’ lack of grief towards King Hamlet’s death, oppose to when Polonius dies, he immediately tells Laertes, Polonius’ son, “I must commune with your grief” (4.5.213), Which again leads for Hamlet through the anger stage.
Hamlet was deeply in love with the recently departed fair Ophelia, daughter of Polonious, who also sadly is not with us. He loved her much more than he expressed, and it is unfortunate that his inability to express his love for her could have been part of her downfall. Although he treated her scornfully and rudely I know that he loved her more than anyone could imagine. Hamlet, I remember, at the dear Ophelia’s funeral, you told the whole world of your love. “I loved Ophelia. 40 thousand brothers could not, with all their quantity of love make up my sum,” you said. I cannot help but think that if you had expressed your love for the fair maiden, both her and quite possibly you would still be with us today. He loved his mother, Queen Gertrude. Although he held her in disdain for her hasty marriage to Claudius, who he despised, he still loved her with all his heart
The women in Hamlet are affected greatly after being exploited by the men in the play. Ophelia goes mad – her nature is “indeed distract”- not only because of the exploitation, but also because of her Father’s death,
When reading the title of T.S Eliot’s “The Love Song of J. Alfred Prufrock” it is believed we are in store for a poem of romance and hope. A song that will inspire embrace and warmth of the heart, regretfully this is could not be further from the truth. This poem takes us into the depths of J. Alfred Prufrock, someone who holds faltering doubt and as a result may never come to understand real love. “The Love Song of J. Alfred Prufrock” takes us through Prufrock’s mindset and his self-doubting and self-defeating thoughts. With desolate imagery, a tone that is known through the ages and delicate diction we see a man who is insecure, tentative and completely fearful.
Hamlet's surrounding are increasingly affected by his flaw. Hamlet begins to forget all important obligations in his life and neglects his responsibilities, causing other problems. One very important commitment Hamlet has which he lets go is his relationship with Ophelia. Ophelia becomes very confused and hurt. Hamlet hurts her in a couple of ways. First, he neglects her, and second, he insults her. "Ha, ha! Are you honest??Are you fair??That if you be honest and fair, your honesty should admit no discourse to your beauty. ?I loved you not? Get thee to a nunnery." Then Hamlet kills Polonius, Ophelia's father, which in turn makes her go mad and in her madness she commits suicide. Hamlet loses objectivity. He does not respect the King nor his mother's feelings. Hamlet meets with his mother and insults her. He calls her a whore and a sinner for marrying a murderer. Since he knows that the King is a murderer, he attempts
Hamlet is not only angered with the fact of his father’s death, but also with his mother’s decision to marry Claudius. Devastated by his mother’s decision to marry so soon after her husband’s death, Hamlet becomes skeptical about women in general. He shows a particular obsession with what he perceives to be a connection with female sexuality and moral corruption. He almost develops hatred towards women because of his mother’s decision. This hatred occurs and is shown with his relationship with Ophelia. He urges Ophelia to go to a nunnery rather than experience the dishonesty of sexuality. This hinders Hamlet from experiencing a love that is really needed at this time of his loss. One can say that this is another flaw, which Hamlet is unaware of.
In Hamlet, the female characters can be seen as being subservient to men. This goes on to show how Shakespeare, goes against the feminist theory by not creating equality between all the characters. One of the main character’s Ophelia can be seen as being weak and undermined in the play. She spends most of her time following the actions of her father, Polonius and boyfriend, Hamlet, with little to no say in her own opinion on topics. Polonius displays his dominance over Ophelia when he expresses his opinion on her relationship with Hamlet. He informs Ophelia on exactly what her next actions need to be when dealing with Hamlet. He even goes as far as warning her to not go against his wishes because it will “ tender [him] a fool”, showing his superiority over Ophelia’s actions (I . iii. 109). The inequality can also be shown when comparing Laertes’s life with Ophelia's. Laertes is left alone to travel France, while Ophelia is stuck to follow her father's orders. Hamlet also tries to show his
J Alfred Prufrock and Prince Hamlet overcome obstacles of the want and desire for happiness. Their pursuit of this shows how interrelated their two backgrounds are. It’s full of love, important decisions, and secrets and hidden things. William Shakespeare’s “Hamlet”, and T.S Eliot’s “The Love Song of J Alfred Prufrock” shows how reciprocally connected two stories with different backgrounds can
Yet to Hamlet, Ophelia is no better than another Gertrude: both are tender of heart but submissive to the will of importunate men, and so are forced into uncharacteristic vices. Both would be other than what they are, and both receive Hamlet’s exhortations
displaying acts of cruelty towards Ophelia, by using malicious sarcasm. He tells her to “Go thy
Overwhelmed by outside forces and her repressed love for Hamlet, Ophelia is truly a sad and remorseful character in this play, an innocent victim with little essence or depth. An evident victimized woman, ruled by her Renaissance sense of romantic love, it can further be argued that Ophelia was extremely ambiguous. She was too incompetent to decide what she really desired in life. Because she falls in love with Hamlet at a very young age she cannot truly comprehend what love is all about, even though there is strong evidence that Ophelia had sexual relations with Hamlet. Hamlet emphasizes the hypocrisy of his words
Ophelia describes Hamlet as 'the courtier's soldier, scholar's eye, tongue and sword, Th'expectancy and rose of fair state, the glass of fashion and the mould of form, Th'observed of all observers (Act 3 Scene 1) He is the ideal man. But, after his madness and the death of her father she sees him as 'a noble mind o'er thrown!' (Act 3 Scene 1). Ophelia suffers from Hamlet's disillusionment; his attitude to her in Act 3 Scene 1 is hard to explain. His faith in women was shattered by his mother's marriage and it is also possible that Hamlet knows that Ophelia has been ordered to seek him out- yet how strong could their love have been as there is little excuse for the
“Frailty, thy name is woman” (1.2. 150)! This controversial line, followed by several more from the play Hamlet, by William Shakespeare, displays a common view towards women that portrays them as being weak and reliant on men. Throughout the play, two women, Ophelia and Gertrude, are shown to be dependent on the men in their lives. They both take on a senselessly obedient state of mind. Even though they share this common characteristic, Ophelia and Gertrude are very different characters. Ophelia is a beautiful, young woman who is the love interest of the protagonist, Hamlet. Ophelia obeys her father, Polonius, without hesitation and has very little experience with making her own decisions. Gertrude was the wife of Old Hamlet, and is now the wife of Claudius, the current king and Old Hamlet’s brother. Gertrude desires affection and status more than she cares about the truth of what happened to her late husband. The men in this play have no sense of how they treat the females. This patriarchal way of life was prominent in the late 16th century and early 17th century which was about the time that Hamlet was written and performed. This relationship between the genders is interconnected within the play and with society during that particular time period. The characters of Ophelia and Gertrude were solid examples of how women were viewed as inferior to men during this time in history.
After a long meditation on the nature of being and death, Hamlet catches sight of Ophelia. As she attempts to return some of the remembrances that Hamlet gave when courting her, Hamlet caustically questions Ophelia’s honesty. He denies ever having given Ophelia anything and continues to erratically claim that he loved her once before declaring that he never loved her at all. The problem here is that no one knows the exact intent of Hamlet as he claims to love Ophelia amidst a number of happenings that questions how genuine his love towards Ophelia. Not only does he doubt her honesty because he knew about her plan with Polonius and Claudius to eavesdrop on him, he is unsure of her purity and her love for him and he tells her, “get thee to a nunnery” rather than give birth to sinners ( ). Increasingly agitated, Hamlet condemns marriage itself, saying that no more marriages should be allowed, before exiting the room and leaving Ophelia in shambles. Looking deeper into the behavior that Hamlet demonstrates in this scene, there is completely no love that he shares with Ophelia. In a way, Hamlet seems convinced that Ophelia is the love of her life, but yet he has the behavior of insulting her and not giving her the priority that she needs. His character portrays a man who cannot be connected to his self and this leads him to a number of problems as regards the way he treats Ophelia. It is not just the feelings that Hamlet has towards Ophelia that describes his love for her but his actions say a lot on the feeling that is in the inside. Reaching to an extent that he can