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House Of Flying Daggers And Curse Of The Golden Flower By Zhang Yimou

Decent Essays

Zhang Yimou directed both the critically acclaimed House of Flying Daggers and the visual masterpiece Curse of the Golden Flower, movies with wuxia influences which are not only popular locally, but overseas as well. Yimou infuses his films with several themes that reinforce the Chinese tradition of upholding social, political, and natural norms. Despite their differences and due to their similarities, House of Flying Daggers and Curse of the Golden Flower emphasize the importance of obeying authority and maintaining harmony in Chinese culture.
The theme of desire, although different kinds, is evident in both films. A story about three ill-fated lovers, House of Flying Daggers begins with a beautiful performance by Zhang Ziyi. She flits back and forth lyrically in a show of dance and unmistakable talent. She is not what she seems. The melodic harmony of the instrumental accompaniment strikes a strong contrast against the phrases she sings softly, albeit slightly out of key. Zhang, the main love interest, croons about the pursuit of a single woman by two enemy states, paralleling the conflict of the story itself. The central conflict of House of Flying Daggers raises several issues. Can a person authentically love more than one person? What is the cost of romantic pursuits, and is that price worth the sacrifice made? Unfortunately, this desire that defies the “natural order of things,” an unconventional threesome, so to speak, ends only in pain and heartbreak. On the other

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