Yimou Zhang's Hero

The same applies to a dramatic scene where the music may be deep and frantic to convey to the audience the feeling of anticipation. A scene i would like to focus on is the scene in which Garry and his father have a final ‘showdown’, if you will, at the front of the house. The scene consists of the father imposing himself on Garry and proceeding to continually beat him down time after time only for Garry to rise up and face his father on each occasion. This scene evoked a feeling of pride and admiration from the audience as to Garry’s courage and determination to convey the message to his father that he is ready to stand on his own two feet and defy him. This is a very powerful scene within the movie which initiated powerful emotions within the audience. All of this was accomplished with the notable absence of music of any form. The omission of music in this scene created an atmosphere in which the dramatic affect was amplified due to the silence.

     The music helped in elaborating this great film. As I mentioned in class different instruments helped create different moods for different scenes in the movie. We heard the cello and the violin to create sadness and remorse. The flute created eeriness and the trumpet created awareness. I thought these were instruments and tools that help make this film extraordinary.

The audio although normally overpowered by the visual aspect played a key role in defining and empowering the movie. The music was fast and uplifting during celebration and on

For example, in the film Charlie and the Chocolate Factory, Tim Burton uses non-diegetic music to point out emotions of the children when they are loose in the eatable room. By using music, Burton shows the children’s thoughts and emotion. Burton lets the viewer absorb a deeper understanding of each character. This also lets the viewer experience the candy room through each of the children perspective which creates a connection between the character and the viewers. Tim Burton also uses music and sound in the film Edward Scissorhands. When Peg makes her way into the garden of the mansion, Peg sees green and well design bushes of objects in the garden. This scene is companied by sounds of bells and strong presence of strings incorporated. These elements gives the viewer a childlike and romantic feeling. The music and sound playing the background can make the viewer feel warm in the inside and see Peg isn’t in danger. It can also make the reader why the garden is so nice and bright and the mansion looks dark and

While well-crafted sound design and sound effects are so very necessary in the creation of a film, music touches the emotion, the psyche, and the things you cannot see. Sound design and effects don’t do this nearly as efficiently and naturally. Without music it would be much more difficult to follow the emotional ups and downs of a film. (Freer)

In 2001 space odyssey, as formentioned, he uses light classical music juxtaposed with the dark mysteries that surround the mission and the spaceship Discovery One. The music provides a sense of serenity as well as discombobulated feel like one might feel in space. As with all of his films there was great attention to detail and it was visually stunning as well as aesthetically pleasing. One specific shot of beauty is in the beginning of the movie titled “dawn of man” after the apes jump around the monolith, the sun is setting behind a flat topped hill and the moon is juxtaposed right above it with golden clouds all around. Also in this movie, the reoccurring theme of an unsavory character that we are manipulated into sympathizing with is HAL during the

Women are not, therefore, as vulnerable and fool in these tales as many people believe. The main hero Cú Chulainn is multiple times beaten by women. Emer surpasses him in reasoning; Liban and Fann cast a spell on him, making him unable to move from bed; Morrigan, resentful toward him for having rejected her love also punished him so she tricked him and took part of his strength

Sound brings this movie to reality and most sound in the movie synchronizes with the action. The intensiveness of the earthquake is proven through sound and the tone of the scenes has been to let audience know when there is danger and tension. The sound of the water at 6:37 – 6:44 is loading and alarming just by hearing the sound I was able to understand that something bad is happening. Music is an atmosphere creating tool in a film the song sings here at 18:39 by the people on the streets shows the busy and lively nature of a day in LA. Finally, the failing of buildings, and objects here at 44:18 sounds like a naturally failing objects.

Over the years the star wars sound track has become very popular and well known. It’s an original composition made by John Williams and made just for this movie. They play certain pieces of the music at certain times so you can tell what is about to happen just by listening to the music. If there was a love scene between Padme and Anakin or Leia and Han Solo about to begin the music will be soothing and heartfelt. If something bad were to happen such as Darth Vader coming on the screen or the empire destroying a planet then it would play this dark music that really sets the mood for what had happened in the movie.

Music has played a major role through out the entire film. It is used as a

One would have to say that one of the most notable features of the film would have to be its soundtrack, which incorporates no music but only diegetic sound, from the preliminary noise of the river flowing under the bridge through the even louder sounds of the forthcoming American tanks to the quaking clamors of the ending battle scenes. A prodigious example of sound transpires within the middle of the film. It is when the boys are woken from their cots and called into combat; the sequence features electronically distorted sounds that together equally insinuate the boys’ disorientation as well as the disorientation of the viewers.

Zhang Yimou’s film To Live has a same general plot as Yu Hua’s original work To Live. It takes about the lives of Fugui and his family in twentieth century China. It explores a lot of aspects such as the filial piet, persona growth, political policies and personal life. It also talks about traditional Chinese culture and Communist policies in a criticism standing point. However, in some ways, the film is quite different from Yu Hua’s original work. And it is different from the plot and the themes of Yu Hua’s To Live, such as character’s developing, setting, disadvantages of Chinese Communist party, descripting life in China’s 20s century.

Zhang Yimou’s thrilling film Hero is both an emotional and exhilarating experience. Hero combines the use of action-packed scenes as well as a beautiful love story. Nameless, Broken Sword and Flying Snow, the main characters, team up to eventually kill the King of Qin who had murdered a number of people with the Qin army including both Flying Snow and Nameless’s father. Although the Qin army is an enemy of Broken Sword and Flying Snow’s people, it is a personal issue to assassinate the king. Throughout the film the audience is exposed to the developing love that forms between Broken Sword and Flying Snow. While their love unfolds, many battles of combat arise between enemies and allies. When Nameless joins Broken Sword and Flying Snow,

Though these aforementioned motifs are used quite extensively in Hollywood film music, the use of music to augment the cinematic scene in Hollywood films is seen most noticeably during instances of grandeur and opulence. To accompany these scenes, the film scorers elect to use large ensembles, with each family of instrument partaking in the production. This correlation has become a staple in Hollywood films, as “orchestral size not only indicated musical choice or financial well-being but became a status symbol for the music director” (Morcom 70). Such an implementation of emotional mimicry is found in the movie The Lord of the Rings: The Twin Towers, when Howard Shore’s “Helm’s Deep” played during the Helms Deep Charge. In the middle of the Rohirrim charge at Helms Deep, Gandalf the White presents himself at the top of the hill on a great white stallion. Gandalf is magnificence personified, so the choice in musical accompaniment simply strengthens the delivery of this fact to the audience. Therefore, as seen from all three previously discussed styles, there exists a pattern in the field of music, where an inherent sense of strategy and intention is employed when selecting the notes in a piece. In American culture, the general view of film music is that “song sequences, seen as distractions, cast doubt on a film's narrative authenticity by limiting creativity, plot development, and characterization, resulting in a genre that appears to lack cinematic realism as compared to

What drives a scene in a movie, television show, or video game is the music in the background. Movies and television shows often share the same element when using an orchestra score as background music. “Music adds to the emotional quality of the film. There is some empirical evidence to support this: fast and loud music arouses, slow and soft music calms. Motion and emotion are often entwined”. (Schaefer, 1998). The audience feel more emotional as you hear the sad melody of a violin during a dramatic scene. For some films that have