In literature, the truly memorable characters are those special individuals that arouse powerful emotions in the reader. Herman Melville’s Moby-Dick presents a man who is undoubtedly among the unforgettable characters of literature: Ahab, sea-captain of the whaling ship the Pequod. At first, Ahab is a mysterious figure to Ishmael, the narrator of the tale. Despite the captain’s initial reclusiveness, Ishmael gradually comes to understand the kind of man that Ahab is and, most importantly, the singular obsession he possesses: finding the white whale, Moby Dick. The hunt for Moby Dick (and, correspondingly, the idea that Moby Dick represents) is the critical component of Ahab’s personality, and Melville makes that all-important idea known to …show more content…
Initially, Melville creates a metaphor to illustrate one of Ahab’s most prominent physical features: the scar along his face and neck. In Ishmael’s chapter describing his first impression of Ahab, he writes: “Threading its way out from among his grey hairs, and continuing right down one side of his tawny scorched face and neck…you saw a slender rod-like mark….It resembled that perpendicular seam sometimes made in the straight, lofty trunk of a great tree, when the upper lightning tearingly darts down it, and without wrenching a single twig, peels and grooves out the bark from top to bottom…leaving the tree still greenly alive, but branded” (108-109). Ishmael compares Ahab’s long, ropy scar to the mark left on a tree by a lightning strike, giving the reader a vivid image of the intensity of the mark on Ahab’s face. In contrast, a later simile is constructed to describe Ahab’s demeanor as opposed to his physical appearance. Ishmael likens Ahab’s presence to that of a regal sea-lion: “Over his ivory-inlaid table, Ahab presided like a mute, maned sea-lion on the white coral beach, surrounded by his war-like but deferential cubs” (128). The idea of Ahab as such a domineering character reinforces his ultimate dictatorial power on the Pequod. He rules the ship exactly as if he was a lion and the crew members were his physically strong but deferential cubs. Finally, Melville crafts a simile to convey Ahab’s passion for hunting the white whale: “‘…it was Moby Dick that dismasted me; Moby Dick that brought me to this dead stump I stand on now. Aye, aye,’ he shouted with a terrific, loud, animal sob, like that of a heart-stricken moose” (139). Melville expresses Ahab’s desire to find and kill Moby Dick by depicting how passionately Ahab displays his wishes to his crew. By comparing Ahab’s sob to that of a grieving moose, Melville
Even while Melville teases readers with hints of mental anguish to come, the first scene in which Ishmael and Ahab both appear is a remarkably agreeable one. As the Pequod sails into unseasonably spring-like weather, both men are caught up in the pleasantness. Ishmael describes the
Captain Ahab is obsessed with the idea of seeking revenge and killing the great white whale, Moby Dick. He boards the Pequod, a whaleboat ship and with only one mission in mind, to destruct Moby Dick. Ahab is a bad captain for the whaleboat because he is infiltrated with the obsession to kill Moby Dick which makes him manipulative, selfish, and quite dangerous. Even if the Pequod’s fate was to fail or succeed, Ahab made it inevitable to have a good success. Throughout the book, it can be argued that Ahab seems to portray not only the pequod’s ship caption but a dictator as well. The crew is deemed to risk their lives for the captain’s sake no matter the circumstances since their choices are limited to either dying by jumping off the boat or
One might say we are presented with two fish stories in looking at Ernest Hemingway's The Old Man and the Sea and Herman Melville's Moby-Dick, a marlin in the former and a whale in the latter. However, both of these animals are symbolic of the struggle their hunters face to find dignity and meaning in the face of a nihilistic universe in Hemingway and a fatalistic one in Melville. While both men will be unable to conquer the forces of the universe against them, neither will either man be conquered by them because of their refusal to yield to these insurmountable forces. However, Santiago gains a measure of peace and understanding about existence from his struggles, while Ahab leaves the
Throughout his novel, Moby Dick, Herman Melville will often devote entire chapters to the thoughts and actions of specific characters. Two specific examples of this type of chapter are Chapter 36, The Quarter-Deck, and Chapter 42, The Whiteness of the Whale. The first of these chapters depicts Ahab addressing his crew for the first time in order to convince them to hunt down Moby Dick. The second offers insight to the fear that is brought upon by the mere mention of Moby Dick The significance and effectiveness of each of these chapters are enhanced by Melville’s use of rhetoric and style respectively.
Moby Dick, a book about the voyages and pursuance of a white whale, was imagined by an incredible man. Herman Melville was a talented writer who wrote many fantasies and adventures, including Moby Dick. He’s most infamous for his work about the tale of the white whale and known less for his works of Typee: A Peep at Polynesian Life and Omoo: A Narrative of Adventures in the South Seas. (“Herman
In the book Moby Dick, there were numerous themes, symbols, motifs but the main one that was the basis of the book was revenge. The book is about Ishmael, the narrator, who goes whaling in a ship called the Pequod, with people that have a significance in the story especially the captain, Ahab. Ahab has an obsession with catching a white whale named Moby Dick that took his leg and this obsession of getting revenge takes a turn for the worst and the everyone on the Pequod, except Ishmael, died. One question we might what to ask ourselves is, what is Captain Ahab taking revenge for? Is it for his leg, For his anger, For his suffering or is it for something totally different? Maybe it's for all of them. Whatever it may be, sometimes the torment is so incredible, and the requirement for retribution becomes so strong, that it festers inside and starts to devour us. Captain Ahab exemplifies the idea of a determined desire for vengeance and shows how it can decimate a man.
Moby Dick is the most adapted and diversely depicted of American literature, and I attempt to work with the community to research the collective consciousness we all share that links itself to the various facet of the text. I will be continuing to create works that are related to Moby Dick during the Guttenberg residency, but mainly focusing on extending these imageries
Analysis: Returning to his theme of respecting, even revering whales, Melville gives an image of opulence when he references creamy milk and marble in connection with the white whale. The trunk was made of marble, not flesh or any less expensive stone. The imagery here is purposefully placed to make the reader see Moby Dick as more then just a whale or a monster. He wants to show the white whale as something great and almost beautiful. Ishmael’s image of the whale, in all of its glory, is shared with his audience. This helps readers to understand the greatness this whale in particular commands.
Aboard the Pequod, as the ship is bustling with activity, Melville describes the scene as the crew performs the grueling task of processing a whale. Large, bubbling try-pots of oil blubber fill the deck of the ship and a heavy smoke blankets the air as harpooners and sailors work regardless of the conditions. Through this familiar scene, Melville layers the setting and characters to build up a distinct mood for this passage. Specifically, he pulls dark romanticism into his writing by paralleling Ahab’s monomania and the deterioration of the crew. To establish an ominous atmosphere and describe the impending doom of the voyage, Herman Melville combines many forms of figurative language like sinister similes and the eerie personification of the Pequod with suspenseful imagery.
Moby-Dick is considered to be one of, if not the, best novels in American history. Harper & Brothers first published it in 1851 in New York. In England, it was published in the same year under the title, The Whale (“Moby Dick”). Melville explores topics and themes that were scarcely spoken of and never even seen in a novel. In the novel, the Pequod, which is the ship, is named after a Native American tribe that was exterminated when the white settlers arrived. It is a symbol of death and doom and foreshadows event that occur later in the novel. Melville brings some very controversial themes to light in the novel. Revenge is one of the main themes of Dark Romanticism and Melville uses it to drive every action taken by Ahab. This is seen early on in the novel as Ahab explains to the crew why he has a peg leg and that he wants to enact his revenge on Moby Dick (Melville 160-161). “Moby Dick is, fundamentally, a revenge tragedy. It’s about one man’s maniacal obsession with vengeance. It’s about finding an object on which to pin all you anger and fear and rage, not only about your own suffering, but also about the suffering of all mankind” (“Moby
His most famous book, Moby Dick, features the observant narrator, Ishmael, aboard the Pequot, a ship captained by the menacing one-legged Captain Ahab. Having lost his limb in a previous voyage to an enormous sperm whale named Moby Dick, Ahab scans the seven seas in manic search of revenge against the giant. Queequeg, Ishmael’s menacing best friend, and the rest of the crew are subjected to extreme jeopardy and later death due to Ahab’s monomaniacal disregard for bad omens and danger. The whale slices the boat clean in half and none survive to tells of its greatness except Ishmael.
Herman Meville’s novel Moby Dick delineates the audacious journey of Captain Ahab and his crew aboard the Pequod as they hunt for the infamous White Whale. With Ahab at the helm, the quest is one of revenge, as Ahab’s leg was taken by Moby Dick some years prior to this fateful voyage. However, throughout the journey, the crew of the Pequod questions the rationality of pursuing the most viciously lethal creature to ever inhabit the sea. Since Ahab knows fully well of his inability to slay Moby Dick without the help of a crew, he utilizes his immense rhetorical skill in order to convince them to continue on the path to their watery graves. His usage of hyperbole, diction, logical fallacies and personification allows the mad captain to reassure his crew that their journey will be a profitable one.
While Ahab was still the obedient captain he once was, he was one of the most successful and higher rewarding captains. Unexpectedly, in the midst of a whaling, Ahab and his crew encountered the whale he now refers to as “Moby Dick” or “the white whale.” The crew initiated in capturing the whale, but this whale was different. Rather than capturing the whale, the whale captured Ahab and though Ahab escaped, he did not escape entirely. Moby Dick had dismembered and consumed half of one of Ahab’s legs. Ever since this incident, Ahab’s one and only desire or, as stated in the text, “...his one unsleeping, ever-pacing thought” has been to kill Moby Dick; which soon turns him obsessive (Melville). Ahab would not let anyone or anything stop him from achieving his goal, “...’I’ll chase him ‘round Good Hope, and ‘round the Horn, and ‘round the Norway Maelstrom, and ‘round
Herman Melville, in his renowned novel Moby-Dick, presents the tale of the determined and insanely stubborn Captain Ahab as he leads his crew, the men of the Pequod, in revenge against the white whale. A crew mixed in age and origin, and a young, logical narrator named Ishmael sail with Ahab. Cut off from the rest of society, Ahab attempts to make justice for his personal loss of a leg to Moby Dick on a previous voyage, and fights against the injustice he perceived in the overwhelming forces that surround him. Melville uses a series of gams, social interactions or simple exchanges of information between whaling ships at sea, in order to more clearly present man’s situation as he faces an existence whose meaning he cannot fully grasp.
Ishmael, the narrator, announces his intent to ship aboard a whaling vessel. He has made several voyages as a sailor but none as a whaler. He travels to New Bedford, Massachusetts, where he stays in a whalers’ inn. Since the inn is rather full, he has to share a bed with a harpooner from the South Pacific named Queequeg. At first repulsed by Queequeg’s strange habits and shocking appearance, Ishmael eventually comes to appreciate the man’s generosity and kind spirit, and the two decide to seek work on a whaling vessel together. They take a ferry to Nantucket, the traditional capital of the whaling industry. There they secure berths on the Pequod, a savage-looking ship adorned with the bones and teeth of sperm whales. Peleg and Bildad, the Pequod’s Quaker owners, drive a hard bargain in terms of salary. They also mention the ship’s mysterious captain, Ahab, who is still recovering from losing his leg in an encounter with a sperm whale on his last voyage. The Pequod leaves Nantucket on a cold Christmas Day with a crew made up of men from many different countries and races. Soon the ship is in warmer waters, and Ahab makes his first appearance on deck, balancing gingerly on his false leg, which is made from a sperm whale’s jaw. He announces his desire to pursue and kill Moby Dick, the legendary great white whale who took his leg, because he sees this whale as the embodiment of evil. Ahab nails a gold doubloon to the mast and declares that it will be the prize for the first man