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How Does Japanese Theater Manipulate The Body With Create Effective Acting, And How Can Actors Apply Them?

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An imperative component of theatre for decades, countless countries regard realistic techniques with respect. Even though the non-realistic techniques have continued to remain prominent in numerous cultures, the majority of people neglect to implement these techniques into their own methods. However, embracing and adapting these techniques into realism would increase the effect that actors could have on the audience. Thus, the question follows: How does Japanese theatre manipulate the body to create effective acting, and how can actors apply them to realistic techniques? To determine how Japanese theatre employs the body, I first describe the myriad of components and techniques that Noh actors learn to utilize on the audience.…show more content…
This freedom is key to people such as Robert Wilson, who hate naturalism, and believe that.”to be natural on stage is to lie” (Janisheski). Unlike realistic techniques, which achieve their goals of realism through facial expressions, these Japanese methods send a message using their bodies, especially the feet. It consequently raises the question: How does Japanese theatre manipulate the body to create effective acting, and how can actors apply them to realistic techniques?
Additionally, it is paramount to examine this since innumerable, granted not all, modern theatre pieces lack a point of view, or fail to express it. This is why actors must follow the example set by these techniques and apply it to themselves. Actors who only focus on creating a realistic performance and showing emotion are only achieving their partial potential if they lack control over their bodies. Noticing how society changes is also key, for even though Japanese actors attempt to follow western methods, their theatrical culture is known primarily for Noh, Kabuki, and other ancient arts. Tadashi Suzuki, founder of the Suzuki Method, consequently tried to modernize these arts, bringing attention to the originals as its core. There is no one
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