How Is Realism A Reaction Against Romanticism?

Though the start of the modernisation may trace back to the beginning of Industrial Revolution. “Modernism in the design world did not exist in a fully developed form, until well after First World War.” (Wilk, 2006) Causing the great loss of lives and other countless damage to the world, it reshaped many people’s way of thinking the world. With the inspiration of early avant-garde movement, the modernism began to emerge advocating an utopian future and shared certain core principles by various styles of modernists: rejecting the past and applied ornament; forms follow function, a preference for

Many artists used the idea of Realism to inspire them while painting. As a result of a reaction to this style, Realism emerged during the same time period. An example of an artist who experienced this time era and was famous for his paintings was Alex Colville. Colville was a famous Canadian painter and officer. He was part of the Royal Canadian Marines and also took a role as a war artist.

The way in which Bouguereau painted represents how passionate he was in depicting what he saw. The

Modernism is a set of cultural arrays and tendencies of associated cultural movements in a changing society. It is believed to originate from wide-scale and far-reaching changes to Western civilization in the late 19th and early 20th centuries the years following World War1. Modernism involves breaking from the past set of established rules, traditions and conventions in search of new forms of expression and man's functions. New ideas in politics, psychology and philosophical theories are the main factors that led to a search for new modes of expression. Characterized by social change, industrialization, and advance in science and fueled by metropolitans and technological developments.

Courbet's subjects were usually the mundane, "the everyday." And for this reason, he is generally thought to be a realist painter rather than an impressionalist painter. He rejected traditional political and moral dimensions of realism in favor of a more subjective approach, this new style of realist subject matter would lead the way and eventually dominate this new brand of realism (Sayer, 392).

The science of oil painting came to it's full fruition in the nineteenth century. The palette now included dazzling colors which could electrify a painting. First a student of Cabanel's and later influenced by Mariano Fortuny y Marshal, Regnault was one of the rising stars of the Romantic movement. He lived a passionate life, traveling to the Middle East even though he was broke, hanging out in Spain as it rose up against Queen Isabella the Second, he loved excitement and adventure.

c) The detail fades in some areas of the painting, quite similar to an actual

He tended to explore the darker aspects of life and death in his paintings. Rebelling against conventional ideas- divine intervention, Virgin Mary, and death- he came to create his own style, forcing civilization ahead, and forcing others to follow his path. His paintings show pleading through man's direct knowledge of God (Cunningham and Reich 1640). By revolting against the classical traditions, he created his own style, which other artists wished to portray also. Thus, he created a forward movement in the fashion of art and architecture.

Romanticism is a movement in the arts and literature that originated in the late 18th century, emphasizing inspiration, subjectivity, and the primacy of the individual. This particular movement focused on imagination and the interpretation of imagination by the individual. Romanticism primarily used symbolism to represent a much broader meaning than the object itself. In contrast, Realism attempts to describe life without idealization or romantic subjectivity, or in other words, it is fiction devoted to the accurate representations of American lives and shifts in culture. This particular movement focused on the criticisms of social conditions and used characters as the center of interests as opposed to a plot. In addition, Realism used objects or figures as impartial or objective representations in an honest, matter of fact style. Authors from both of these literary movements used observations of surroundings in societies, or the world as a whole, to convey messages in their works, that unify them.

Art has been a recurring part of history from the very beginning. As society changes so does the style of art. Each new style is known as a movement and one of the most prominent, long-lasting movements in recent centuries is known as Modernism. Modernism is characterized by its deviation from tradition. People who are a part of this movement found enjoyment in finding new mediums to use, creating art that revolves around feelings and emotions rather than reality. Abstract idealisms of modernism cause its viewers to need to think more critically about the art before them. In past movements, the meaning of the work was obvious as it was created to mimic reality.

Courbet (1819-1877) is a realistic painter, in that a majority of his work is about everyday scenes, often depicting peasants and working people in rural areas. Howerver, Courbet is also an artist who challenged the traditional painting in the middle of the 19th century. Courbet introduced a new kind of realism, which focused on a rugged depiction of nature and people rather than an idealized and artificial one. Most paintings of the time showed wealthy people, whereas Courbet who was politically involved in socialist causes, applied his political beliefs to art. (Crapo: 240-241) Crapo writes that for Courbet “realism posed a direct challenge to the aesthetic of the academic painters. It meant the unadorned depiction of everyday scenes and

Modernism was a movement that was developed during the late nineteenth century and early twentieth century. Modernism developed due to the changes happening in societies at the time. Around the late nineteenth century and early twentieth century there was a rise in the industrial society’s where there were advancements in technologies and machines, and a rapid growths in cities. This lead to a change in cultural trends and philosophies, which is known as modernism. Modernism was well known for the rejection on traditional way, such as the arts and beliefs. It rejected the idea of realism and religious beliefs. During these years modernism could be distinguished by two aspects, High and Low Modernism.

This is a painting in which the viewer finds themselves wondering about the life and circumstances of the working peasants. Gustave Courbet was born Jean Désiré Gustave Courbet on June 10, 1819, in Ornans, France. He began taking painting lessons at the age of 14 and eventually relocated to Besancon in 1837. Ultimately, he made his way to Paris where he would visit the Louvre to copy the works of artists such as Rembrandt, Caravaggio, and Peter Paul Rubens. He supported the Republican Paris Commune, but following its end in 1871, he was arrested for his involvement in the destruction of the Vendôme Column and served six months in prison.

Let’s first begins with who Jean Desire Gustave Courbet was. Gustave Courbet was a famous French painter. Courbet was born in Ornans, France on June 10th of 1819. Ornans, France is a filled with forests and pasture’s perfect for realist paintings. At the age of 14 Courbet was already in art training receiving lessons from Pere Baud a former student of a neo-classical painter named Baron Gros. Courbet’s parents hoped he would go off and study law when he moved out in 1837. To there misfortune he had enrolled in at the art academy. At the art academy Courbet received lessons from Flajoulot another famous neo-classicist. At twenty years old Gustave Courbet went to Paris, the European center for art, political,

El Greco was fascinated by the Italian Reinassance and by Mannerism, he uses art to express his religious fervor and devotion in paintings like "Burial of Count Orgaz" instead Courbet is living in a period of political instabily and fights for the civil rights so he found himself closer to Realism, an art movement that express these values and produce his masterpiece "Burial at Ornans" to show that common people have the same dignity and were not inferior to other social classes such as aristocracy and that art should focus more on the depiction of the common. The transition from what is pleasant and idealized to what is its opposite is abrupt and not gradual and it is caused by political events like the French reovolution where the painters, spokesman of the society along with writers, refused to represent what is good to be seen but the reality that still should be valued and this is why the Burial at Ornans had become more popular and appreciated over time even though at the beginning it was highly criticized instead The Burial of Count Orgaz can be clearly put in the category of religious art in this case intepreted according to the Mannerist convections. However nothing is removed to the creativity of these two artist that have interpreted the same theme to reach two completely different results that will remain unique in art