How Was Political Grandeur And Dignity Articulated Through Early 19th Century Architecture?

The Arch of Titus has provided the general model for many of the triumphal arches erected since the 16th century—perhaps most famously it is the inspiration for the 1806 Arc de Triomphe in Paris, France, completed in 1836.

The People of France in the last part of the 18th century were experiencing severe food shortages, increasing the cost of living, and political leaders who were doing very little to fix the state of chaos in which most people found themselves. In both rural and

Still, the negative aspects of France’s rule under King Louis XIV far outweigh the positive ones. His reign can best be described by the statement “L’état, c’est moi,” (I am the state) that is attributed to him. King Louis XIV spent state money to pay for his own luxuries and monuments that glorified his image. It was also customary for the artists King Louis XIV sponsored to include direct or indirect allusions to him in their productions thus creating a god-like image of him. The Palace of Versailles alone used 5% of France’s income. This liberal

Architecture should not be separated from the political and social life of human-beings. On the contrary, “throughout the history, architects have always been involved to some extent in politics, and have a nearly always sought positions of power and influence’’. Communist ideology in the Soviet Union had a huge impact on the architectural development of many modern nations: Russia, Ukraine, Belorussia, Lithuania, Estonia, Latvia, Uzbekistan, Tadzhikistan, Kyrgyzstan, Bulgaria, Romania, Georgia, Armenia, Kazakhstan, Moldova and Azerbaijan. The amount of affected countries makes the topic of my analysis relevant and worth-discussing. My essay will be structured in a following way. I argue that communist ideology had an

Influenced by his readings of ancient and modern architectural writings, Jefferson gleaned the best from both his readings and from his observations in Europe, creating his own personal style of architecture, a mix of Neoclassicism’s Roman temples, and Palladian villa. Partly, because of Jefferson’s influence, our federal buildings set an American precedent for the neoclassical style. Jefferson’s admiration for neoclassical style went so far as to design

Question 1. Choose an architect or practice whose work is covered by or relevant to this course and discuss critically one or more of their design projects or drawings or urban proposals as precedent case-studies. Selectively situate this work in relation to their body of work, and against the practices and concerns of the period. Focus on the architectural qualities of a specific key aspect of the design of the projects. Selectively consider how they might relate to the historical situation, cultural values, theoretical concerns and design practices of the time. This may involve a selective analysis of compositional design practices, material fabrication production and the experiential reception of built outcomes of the projects.

In C. M. Harris’s journal article Washington's Gamble, L'Enfant's Dream: Politics, Design, and the Founding of the National Capital published in “The William and Mary Quarterly, Third Series, Vol. 56, No. 3 (Jul., 1999)”, Harris address the foundation of the national capital city and the political and economic issues it underwent. Indeed, throughout this historical timeline of the National City, Harris enounce main key moments that lead to establishment of Washington D. C’s urban plan. One of them that has been thoroughly discussed was the appointment of French-American architect and civil engineer Pierre Charles L'Enfant (who was also an artist of Baroque tradition) as the designer of the national city master plan in the winter of 1777-1778

The eighteenth-century city was a place in which actual physical space was subjected to a complex mental layering of conceptual spaces, focusing on the design theory of architects as Boullee and Durand, with his charts. Which legacy was continued later on through the architecture of Paul Philippe Cret, Frank Lloyd Wright and Louis Kahn, some of the most outstanding modern architects of 18th-19th century. Furthermore, distinctive features of neoclassicism and outlines

This book is divided into nine chapters, from the Ancien Regime to the Thermidor and the Director. There are essential maps with the years and the page number, such as France in 1789. France were divided between Pays D’états such Rennes or Toulouse and Pays d’élections such as Ile-de-France or Normandy. Also, there were seat of parlement all around the coast or borders. Neely gave us a list of important figures in the French Revolution such as the Jacobins Club or Robespierre.

Leon Krier was criticised for publishing a costly monograph on Albert Speer’s architecture (1985)in which, while acknowledging the crimes of the Nazis and the man, Krier nonetheless claimed the book’s only subject and sole justification was “Classical architecture and the passion of building” (cited by Jaskot, ‘Architecture of Oppression’, 2000). Discuss this claim, the controversy and the issues (historical, philosophical and ethical and possibly others) they raise. Can architecture, Classical, Modern or otherwise, be autonomous from politics and valued independently of the circumstances of politics and history that adhere to it?

In Charles Rearick’s book, Paris Dreams, Paris Memories, he describes the various ways in which Paris is “represented” through various images he identifies as the City of Light, Old Paris, the Capital of Pleasures, and Paname. Rearick further writes how and why these images of Paris came of importance and how they shaped the geographical layout of the city we know today. All of these images together have likewise produced the city of Paris while also providing the framework of Parisian events and experiences.

It is located in the center of Paris, France. The Arc de Triomphe was a significant arch because it celebrated France’s victories. During the time of the construction of Arc de Triomphe soldiers were at battle. Napoleon told the Grande Armee that when they would return they would they would return to a arch. The Grande Armee were the soldiers, that was their French name during the time of battle. The arch is dedicated to the 15,000,000 soldiers who died during the battle. Under the arch their in known to be a tomb of an unknown soldier who died in World War One. The Arc de Triomphe has a neoclassical style but the design was inspired on the design the Arch of Titus had. Unlike the Arch of Titus the Arc de Triomphe was taller it was approximately 50 meters high. The Arc de Triomphe had about 560 french generals names engraved. The Arc de Triomphe had four sculptures.One sculpture is known as La Marseillaise which is the departure of the volunteers. The other three sculpture are named Le Triomphe De which shows Napoleon being crowned, La Resistance de the French army resistance to their enemies army and last but not least is the La Paix de which commemorates the Treaty of Paris. The Arc de Triomphe was a great arc that was dedicated to the soldiers who lost their life in

“Wright and Le Corbusier seem predestined for comparison. Their ideal cities confront each other as two opposing variations on the same utopian theme” (Fishman, 163). Charles-Édouard Jeanneret-Gris, more commonly known as Le Corbusier (October 6, 1887 – August 27, 1965), was a Swiss-French architect, designer, painter, urban planner, and writer. Throughout his life, he was a pioneer of modern architecture and city planning (Frampton, 12). One of Le Corbusier’s contemporaries was also hugely influential but with a competing plan Frank

Paris today is known as a center of arts and rich culture both acclaimed and original. Famous moments pop up through the history of France’s art, such as the impressionistic artworks by Monet, the École des Beaux-Arts teachings of classicism, and the iconic Eiffel Tower by Stephen Sauvestre. Paris augments itself with numerous museums to catalog countless masterpieces and sculptures throughout France’s enduring, yet sometimes gritty, history. As a whole, Paris comprises of a mixture between historic architectural themes like rusticated brick clad, mansard roofs, striated columns, and a modern day architectural themes like engineered metalwork, and external program support machinery. The notion of classic French architecture, juxtaposed

The second major influence on Neoclassical architecture is that of the ancient Romans. Roman architecture that still stands today is a testament to the ability and knowledge of a once great civilization that at one time covered three continents. The Romans were the pioneers of modern architectural engineering, they learned from the Greeks and then developed and expanded those skills. A unified form of architecture gave the Roman empire a unique style. Roman ruins can be found