Human Limitations Exceeded, in Mary Shelley’s Frankenstein

adaptations, Mary Shelley’s Frankenstein has been virtually lost to pop culture references and mutations in story through film and other forms of media. All the different changed of the story has actually taken the original story of its As a result of so many different stories, all that is left is totally different version of the original creature. Shelley in her version of the book, looks at familial morality, man as God, and awareness that creator has responsibility for his own creation. Shelley’s does

gothic constitution. This to say that the gothic may also be thought of as a product of the revolutionary shock besetting 18th and 19th century Europe. These polysemous definitions for the term “gothic” can be used to examine how both Ann Radcliffe and Mary Shelley apply and take inspiration from these interconnected definitions and influences in their respective works. The genre of literature so-called the “gothic” developed through a type of artistic and intellectual osmosis. This to say that, while

Frankenstein, written by Mary Shelley, explores the theme of the pursuit of knowledge and scientific discovery through the main characters; Victor Frankenstein, the Creature and Robert Walton. This pursuit of knowledge drives the plot of the novel, leading Victor to create the Creature in his attempt to break down the mortal barriers that surround him and unlock the secret of life. Robert Walton’s quest for discovery leads him to the North Pole, far beyond the reach of Humans at that time. Ultimately

Mary Shelley’s Frankenstein, written in 1818, explores the dangers of scientific endeavours attempting to domineer the sacred realm of nature through ego driven pursuits of knowledge and discovery. This exploration also extends to the destruction caused when a man’s hubris overrides his moral and spiritual discourses, damaging the nature of humanity and society. Shelley adopts an ambivalent attitude towards man kind’s search for advancement through the quest for knowledge, scientific discovery and

grotesque, and the supernatural to convey points across to the readers. Many of these elements are incorporated in the novel Frankenstein. This novel is about a scientist named Frankenstein who creates a living being from dead body parts. The creature is hated by mankind and decides to take revenge upon Frankenstein and his loved ones. The novel Frankenstein written by Mary Shelley has qualities of a gothic novel as shown through the motifs of death, rejection, and dangerous knowledge. One of

constitution. This to say that the gothic may also be thought of as a product of the revolutionary shock besetting the whole of 18th and 19th century Europe. These polysemous definitions for the term “gothic” can be used to examine how both Ann Radcliffe and Mary Shelley apply and take inspiration from these interconnected definitions and influences in their respective works. The genre of literature so-called the “gothic” developed through a type of artistic and intellectual osmosis. This to say that, while

have proven to be a beneficial part to the way people could live and how they could approach life-threatening diseases. When similar studies are first discussed and publicized they appear to not only be impossible but immoral, similar to Victor Frankenstein and what he accomplished; giving life to a creature of his own. Though the creature was recognized as a horrendous monster, it revealed