Identity In Esther Greenwood's The Bell Jar

Despite this initial attraction to, and appreciation of, Doreen’s messy, flirty lifestyle, Esther still remains stuck in a traditional mindset. She turns on Doreen after she witnesses what she perceives as Doreen’s whorish, sloppy behavior in the incident with Lenny, where in which Doreen had drunk herself sick and acted promiscuously with a man she had met on the street just a few hours before. Esther even states that “[d]eep down, I would be loyal to Betsey and her innocent friends. It was Betsey I resembled at heart” (22). Earlier in the novel, Doreen and Esther had made fun of Betsey’s wholesome, goody-goody personality, calling her “Pollyanna Cowgirl” (6) behind her back. Even though Esther was originally awed by Doreen’s boldness, she feels naturally compelled to stay true to the clean, innocent lifestyle preferred for women in the 1950s.

Early in the novel, Esther expresses her dissatisfaction with the nature of mentoring, observing that "all the old ladies I ever knew wanted to teach me something, but I suddenly didn't think they had anything to teach me" (5). Added to the list of problematic mentors and mothers could be Mrs. Willard, with all of her negative associations as potential mother-in-law. She, like those mentioned specifically by Esther, represent conformity to others' expectations. Esther's problem with mentoring and modeling is not limited to older women. It extends as well as Doreen and Betsy, who represent conflicting images of Esther. Doreen is referred to by the narrator as "one of my troubles" rather than one of her friends (4). Esther perceives Betsy as an attempted rescuer, saying she behaved "as if she were trying to save me in some way" (5). This resentment toward those women who try to help her can be read as a reflection of Esther's fear of conformity.

The pain and trauma that stem from Esther’s illness have warped her view of the world around her. However, this symbol also represents the pressures put on women in the 1950s to be what was considered ideal for women during this era. The bell jar “suggests more than Esther’s inner alienated world”, it also “signifies society which destroys Esther” and “symbolizes ‘scientific punishment’ for non-conformists” (Evans 105). She “must combat the additional alienation of being an aspiring woman in an era of strict limitations for women” which only hinders her further from her goals in life (Axelrod). While many women at the time planned on marrying and settling down, Esther does not view these expectations for women in the same way and instead wishes to be her own independent person. While working as the guest editor of Mademoiselle, a fashion magazine, Esther “suffocates under the bell jar forced on her by a competitive, male-oriented society”(Evans 105). During the fifties women were not expected to have successful careers in general and the male dominant world held a high level of competition; while trying to come out on top in this society Esther ends up cracking under the intense pressure. Representing both the stifling social limits set on women and the protagonist’s dismal mental state, the bell jar is a robust symbol in this novel.

The relationship gains the approval of both of the individuals parents and many expect them to settle down and start a family. While finding a life partner is what society of the time deemed a success for a woman, Esther resented Buddy's expectation of her to simply distance herself from her desire to be a poet and become a mother. “I also remembered Buddy Willard saying in a sinister, knowing way that after I had children I would feel differently, I wouldn't want to write poems any more. So I began to think maybe it was true that when you were married and had children it was like being brainwashed, and afterward you went about numb as a slave in some private, totalitarian state.” (Plath The Bell Jar). Buddy’s views become clear to Esther and lead her to finally decide that she is not willing to subside to them. Esther isn’t willing to let go of her creativity in exchange for motherhood, however she feels that she in unable to proclaim this as Buddy’s views correlate with those of her society. Her first escape from alienation, her first feelings of liberation from Buddy Willard and his views are illustrated when Esther asks her trusty doctor, Dr. Nolan to go for a ‘’fitting’’. Esther feels free as she climbs up onto the examination table: she feels both mentally and physically prepared to take on Buddy. Unfortunately, “Ever since I’d learned about

Esther’s abrupt shift in mood thoroughly captures how the tiniest conditions can have a lasting effect. In The Bell Jar, Plath consistently writes Esther’s character and being as independent, hence, leading Esther to be more on her own with tasks. She does not believe in having other people in her life, solving or controlling anything. Esther’s constant independent characteristic resulted in different desires, passions, and arrangements for her future, than most other people in her life. As Buddy attempted to talk to her about marriage and love, the two always had opposing viewpoints on the matter. “I wanted change and excitement and to shoot off in all directions myself, like the colored arrows from a fourth of July rocket”. Plath portrays Esther as wanting trepidation, solely by herself. Not married, or looking after a child. The achievement of having an eternal response on the readers part was high, because the comparison of a fierce independence woman to a rocket made an

Throughout the novel, Esther struggled with what she felt how a woman in her society should act. At times, she feels as if there is no point to college because most women only become secretaries anyway. She feels as if she should be learning short hand and other techniques she should be learning for the secretary roll, however she does not want to. Esther wants to be a writer, however, during the time of the novel, society gave women the role as housewife. Esther felt pressure to settle down and start a family. No matter what accomplishments Esther achieves in her life, it doesn’t matter too much because they will not do her much in her later life. Everyone expects Esther to marry buddy and start a family. Once she becomes a mother, it would be assumed that she would give up her passion for writing. This discourages Esther because she is not sure that is what she wants with her life.

People's lives are shaped through their success and failure in their personal relationships with each other. The author Sylvia Plath demonstrates this in the novel, The Bell Jar. This is the direct result of the loss of support from a loved one, the lack of support and encouragement, and lack of self confidence and insecurity in Esther's life in the The Bell Jar. It was shaped through her success and failures in her personal relationships between others and herself.

Esther refuses to allow society to control her life. Esther has a completely different approach to life than the rest of her peers do. The average woman during this time is supposed to be happy and full of joy. Esther, on the other hand, attempts to repress her natural gloom, cynicism, and dark humor. This eventually becomes too hard for her and causes her emotions to go crazy. She begins to have ideas

Three days later, she is found and placed in a mental hospital. First assigned to a rich psychiatrist named Dr. Gordon, Esther feels harassed by the doctors surrounding her. She feels that they do not really care about her; in a sense, they don’t. After seeing Esther three times, he states that she is not improving due to the fact that she has not been able to sleep, read, eat, or write in three weeks. She is moved to his mental asylum, where she suffers through electroshock therapy for the first time. The procedure is done incorrectly and she is shocked, literally.

Another common aspect of both the women’s lives is that they both dated Buddy Willard. When Esther began to have a relationship with Buddy, she thought that her relationship with him could go somewhere, that he could possibly be her husband one day. When she is in his room one night, they are talking and having wine, and Esther asks Buddy if he has ever had an “affair”. She expects him to say “no”, but he says, “Well, yes I have” (70). This is shocking to Esther. She thought Buddy was innocent, but he had been pretending the whole time. She tells Buddy to tell her about it, so he doesn’t think it bothered her that he said “yes”. He tells her that while working at this hotel in Cape Cod for the summer, one of the waitresses seduced him, and that’s how he lost his virginity. Esther and Buddy eventually part, but she doesn’t break up with him because he had slept with the waitress, it was the fact that he didn’t

Intimate apperal takes place in 1905 New York City. The main character is Esther lives in a boarding house and sews intimate apparel for her friends Mrs. Van Buren, a wealthy white lady, and Mayme, a black prostitute. Esther dreams of owning her own beauty parlor for black women and has be saving in a quilt she made over the years. One day she is contacted by a lonely Caribbean man named George Armstrong, who is working on the Panama Canal. Since Esther can’t read or write, she has Mrs. Van Buren and Mayme to help her reply to George. After six months of writing each other George asks Esther to marry him even though they have never seen each other. Throughout the play, Esther and Mr. Marks, who she buys her materials for her work from, seem to have feelings for each other but don’t seem to know how to go about it. Which is apparent in the many awkward moments they share during the play. Meanwhile, Esther and George get married and begin life together, but things quickly go downhill when George can’t find work. He begins to become agitated with Esther keeping the money she has been saving from him and also begins to have an affair with Mayme. At the time, Mayme doesn’t know that George is Esther’s husband but Esther finds out when she sees that the jacket Mayme’s new man is the exact jacket she made for George. Even after finding out

Esther evidently feels as if she is constantly being judged and tested, although in fact she is not. Her magnified sense of distrust is illustrated repeatedly throughout the course of the book, at once involving the reader and developing her own characteristic response to unique situations. Finally, one who views occurrences which can only be categorized as coincidental as being planned often experiences a suspicious response. When she finds out that an acquaintance from high school is at the same hospital, her first reaction is wariness: "It occurred to me that Joan, hearing where I was, had engaged the room at the asylum on pretence, simply as a joke." (Plath 207). Although the reader is incredulous of the protagonist's manner of thought, it is also possible to feel a connection to the situation. Such a

The events in New York introduce us to the beginning of Esther’s psychological transformation. The story first inaugurates with the

Esther’s mother and society’s expectation as a woman, which is to be a good wife and a mother, suffocate and demoralize Esther’s dream as a professional writer. Esther’s mother wants her to “...learn shorthand after college, so I’d have a practical skill as well as a college degree” (Plath 40). Her mother believes that Esther cannot further advance her education as a writer and simply wants her to be a secretary since professional career for women was uncommon and discouraged because it disturbs the role as a married woman. These pressures often obliged her to fall into the societal expectations, to give up her higher education, and to marry somebody. However, she knew that the marriage and the babies were not for her, “because cook and clean and wash were just about

Esther was constantly pushed around by men, which was a stereotype in the 1950’s that men controlled the women and were always in charge. Esther had a relationship with a man named Buddy Willard who was expecting that she was just going to marry him. Men believed that they had everything a woman may desire, but actually they did not. Women were forced to marry men because of their fortune or family relations.