The story of Tridib in ‘Shadow Lines’ remain incomplete without the influence, or rather we should say the contribution, of the women characters in the novel.
Main women characters in the novel namely Ila, May and the grandmother of the narrator, have a great influence on the coming-of-age of the narrator. It is important to understand their influence on the narrator first before that on Tridib, because Tridib is narrator’s mentor here, his alter-ego and mirror image.
Tridib’s correspondences had influenced the narrator’s heart and mind in his childhood days itself which did not leave their impressions even decades later. It was as if Tridib was the one who had helped make the narrator’s world for him. He had given him “worlds to
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She was a “loafer” according to her who was just living off his father’s money. Tridib wasted his time according to her, and wasted time “stinks”, though it never did so for Tridib according to the narrator. He was no use for the nation and the PhD in Archeology that he was doing brought no respect for him in Grandmother’s eyes, who was a teacher herself, principal of a school. She would tell narrator how much she pitied Tridib for he could do whatever he wanted to do with his connections and run the country like a “Lord”. But she feared him actually according to the narrator. She had seen him couple of times at the street corners where young men spent their time gossiping and she had a deep horror of the people who “wasted” their time.
In the beginning of the novel we get to see Tridib from the eyes of the Grandma. Narrator was a child, not big enough to form opinions of people, so we are introduced to his uncle Tridib from the spectacles of his Grandma. But the observations and insights into Tridib’s character that the narrator keeps providing us from the beginning till the end, helps in forming the contrast between that what the Grandma had shown and what in reality Tridib was.
The two other major female characters also help us in understanding the character of Tridib. Where the characters of the Grandmother and Ila reveal Tridb’s hidden core by constant comparison and contrast, May’s presence largely influences the course of
Trifles deals with gender roles by using a woman that feels trapped in her marriage. “The Story of an Hour” also uses a woman that feels trapped in her marriage to express woman’s position at that point in time. In “The Story of an Hour”, Mrs. Mallard feels trapped in her marriage. When she finds out that her husband has passed away, she goes through a sea of conflicting emotions. She feels more relieved than the overwhelming sadness that she should feel. She felt as though she was free. As she began to work through the emotions she was feeling, she began to feel a moment that she saw the years to come that she only had to live for herself. This just goes to show how trapped she felt in her marriage. She didn’t feel as if she could live for herself. With the death of her husband, she felt as there would be no one to live for in the coming years, but herself. This shows the submissiveness of women of that time. A time where women were expected to play the part and be housewives and care for the husband. In Trifles, the same message appears. You see a woman who is arrested for the murder of her own
In addition, the author helps the reader understand the selfishness of the mother when the reader finds out she have stole the Persian Carpet “several months before” (230) the divorce and puts the blame on Ilya, the poor blind man. Furthermore, the visit of the children is supposed to signal a fresh start for the family. The mother even emphasizes she wants the girls to come “live with [them]” (229). Yet again, even if they meet in order to reunite, characterized by a situational irony, they see themselves separated because of her mother selfish decisions.
The Portrayal of the Plight of Women by the Author, In Their Particular Period of Time
The reader is almost forced to look at the actions of the grandmother as being similar to that of a young child. There's not a quiet moment with her around and she never sits still. The reader tends to have a negative perception of the grandmother due to these personality traits. However, these traits are expressed in a comical way causing the reader to be annoyed by the grandmother, but also entertained.
The author agrees with the idea of women as victims through the characterisation of women in the short story. The women are portrayed as helpless to the torment inflicted upon them by the boy in the story. This positions readers to feel sympathy for the women but also think of the world outside the text in which women are also seen as inferior to men. “Each season provided him new ways of frightening the little girls who sat in front of him or behind him”. This statement shows that the boy’s primary target were the girls who sat next to him. This supports the tradition idea of women as the victims and compels readers to see that the women in the text are treated more or less the same as the women in the outside world. Characterisation has been used by the author to reinforce the traditional idea of women as the helpless victims.
In fact, most of them are unidentified and the reader may not identify a specific person that speaks in the different chapters. Thus, the audience may understand it is an embodiment of females focusing on structuring the major theme of the book, which is gender inequality. Additionally, the description of the female characters is equivocal such that the reader has to picture the image of the women. Although the author provides various photos in the book, there is absence of an explanation. Before this, the writer only concentrates on telling the story (Kim,165). Additionally, the author uses poetic approach to explain the setting in the book, which gives the novel distinct styles of writing. In fact, the poems are only meant to provide the reader with a description of the mothers and daughters, and this creates a distinction in the narrative. Resultantly, the audience perceives that when a poem appears in the reading, the author is probably narrating the plight of women. Notwithstanding, the novel uses visual art technique to communicate to the audience. in many instances, the author does not provide a description of an individual such that the reader has to imagine the person. In doing so, the readers are in suspense but the author offers a drawing that may be used to demystify the situation. in support of this style, it is apparent that the visual art may have
The simplistic plot of the novel and the overall theme of love allows the author to span the lives of the main characters. The reader sees the span of the life of two of the main characters, Sidda and her mother Vivi, as
The character grandmother in O’Connor’s story has grounds the reality of the events and drives the family into tragedy. She is a central character in O’Connor’s story and is depicted to be a dynamic character stuck in the old ways. Through her actions and the idea of being stuck in the old ways of thinking, she leads her family into tragedy. Being the main character in the story, Grandmother significantly adds to the development of the plot. The author manages to win the attention of the reader from this character owing to the manner in which she shapes the storyline. Grandmother’s reminiscing of the old ways claims a distinctive curiosity from the reader and helps in
2. Grandfather is a man that is very religious and an extremist. For him religion and God are everything and if you hadn’t respected those two you were a terrible person. His wife was a woman who thought that marriage wasn’t necessarily for love and just for being a good housewife. I think that in a way she feared him. She was also twenty-five years younger than him. They did have two sons together, but at the end it didn’t work out for he killed her.
Along in with the author’s use of metaphors is the frequent use of imagery. In this reading, it is simple to envision the scenes as the different scenarios are explained and the audience can easily picture Staples in the places he is describing and also the people he comes across. Perhaps the most powerful and memorable imagery is provided in the author’s description of people’s different reactions and faces when they come into contact with him. Actions speak volumes and an immediate change of facial expression is possibly one of the
In the beginning stages of his life Tayo lives with his mother who spends her time getting drunk and sleeping with various men. His mom did not care for his physical or mental health and eventually sends Tayo to live with his “Auntie.” Although Auntie takes care of Tayo physically she does not make an effort to provide a nurturing environment for him emotionally. Auntie fed Tayo and gave him a place to sleep, however, she also made it clear to him that he was excluded from the family, always keeping him close enough to watch but not including him. Silko proved Tayo’s alienation in this depiction of Auntie and Tayo’s relationship, “She wanted him close enough to feel excluded, to be aware of the distance between them.” Auntie was not true to herself or her roots. She was constantly torn between maintaining a pure image and staying true to her Indian roots. She was a devout Christian and looked down on Tayo for not being full Native American. Auntie and Tayo’s mom themselves were not stable and therefore they were unable to provide stability for Tayo. His mom left the reservation but instead of making a life for herself she ended up spending all her money on alcohol and sleeping with lots of men. Tayo did not know his dad but his dad was a white man, because of this Auntie looked down on
The narrator is totally crushed by the gender discrimination. She longed to be seen by her mother and her grandma. The narrator is heartbroken that her mother loved her brother more than her and failed to notice her. “When she went into Nonso’s room to say good night, she always came out laughing that laugh. Most times, you pressed your palms to your ears to keep the sound out, and kept your palms pressed to your ears, even when she came into your room to say Good night, darling, sleep well. She never left your room with that laugh” (190). Her agony can be easily seen by the way of her narrating. She does not get the affection that she deserves. She really needs the affection from her own mother, but she is not getting it. She compares the love which her mother shows to his brother and herself. This is gender discrimination can be seen with her grandmother too. She hated her grandma as she would always support her brother and find fault with her. Even though what the brother did, no matter what crime. Her mother and grandmother always supported her brother and never supported or showed interest towards
On the other hand, it could be articulated that the female characters in both the novels have proved their mental instabilities, individualisms and rebelliousness have disturbed the lives of others. Moreover, it could be analyzed in the novels that both the author in their social context has explained the dark secrets of the life of individuals.
The simplistic plot of the novel and the overall theme of love allows the author to span the lives of the main characters. The reader sees the span of the life of two of the main characters, Sidda and her mother
The resentment within the young girl’s family is essential to the novel because one can understand the young girl better as she makes her decision.