Intrinsic Like That: An Analysis of Shira Wolosky’s interpretation of Emily Dickinson Shira Wolosky critiques deeper meanings of Emily Dickinson’s poems in her article “Dickinson’s Emerson: A Critique of American Identity,” which originates out of The Emily Dickinson Journal. Thinking deeply in comparison, Wolosky argues that when Dickinson expresses independence and drive to be a part of the American identity Emerson articulates, that she still possesses anxieties over whether this individualism represents something truly beneficial for individuals. Emerson identifies individualism as something illimitable and self-sufficient (Wolosky 136). I agree with Wolosky that Dickinson writes with fervor in expressing that individualism in Emerson’s definition does not give people life worth living; but I do not think that Dickinson holds this opinion completely, rather she still grapples with her individualism. In the article, Wolosky claims that Dickinson echoes in her poetry the idea of possessing something in turn causes people to lose something else (139). Consistently, she uses direct quotes to boost her argument. Some striking examples of this are seen in her use of poems like, “Perception of an object costs.” From this poem, Wolosky divulges how Dickinson takes perception and brings out the blatant truth that people typically find the outcome does not match (139). Conforming to the male ideal causes women to lose something of themselves in the process, because they cannot
She claims, “How dreary to be somebody! How public like a frog” (Dickinson). Shunning away from the blind conformity of the masses and focusing on oneself a transcendentalist idea that Dickinson values. Both Emily Dickinson and Mr. Keating believe that individuality trumps conformity, and they both inspire others to view life in the same light.
Dickinson’s poem unfolds truth to society’s power over a woman’s identity. The poem has an angry tone read from the first line, “I’m ceded- I’ve stopped being Their’s-” (1). A defiant and condemning voice aimed at an ambiguous, authoritative figure who is embodied by the capitalized, plural pronoun “Their.” Dickinson’s refusal to exactly specify who “Their” is, demonstrates the power and relationship “Their” has over the speaker. Dickinson interchanges this pronoun with “They” (2) as the poem progresses on, and this larger entity is associated as the church, family, society, etc. because of Dickinson’s references to “church” (3) and “childhood” (6) within the opening stanza. Dickinson’s narrator is tired of being put aside or controlled by others. This angry tone begins to grow louder as Dickinson beings conveying this message and while the poem moves through stanzas uncovering the narrator’s identity.
Dickinson’s This is my Letter to the World raises tension between exclusion and the human conditions’ longing for belonging. Dickinson’s “letter to the world” is an extended metaphor of her deliberate attempt to establish an affinity with her society through art- her literature just like Grossman’s essay. Her vulnerability and isolation, is evident in her personal tone with “my letter” being exposed to the wider “world”. This disclosure juxtaposed with the next line “that never wrote to me” further emphasizes her reality filled with isolation. The juxtaposition encapsulates her position as an outsider, interplaying the themes of inclusion and exclusion, seen through her desire for her art to be reciprocated and appreciated by the open distant world. Furthermore, Dickinson covets for a sense of connection through the reoccurring motif of the natural world, personifying “her” as a feminine persona with a nurturing capacity emphasizes through the accumulation of endorsing imagery “tender majesty… hands I cannot see…for love of her”. Despite her lack of relationship with her environment, she elevates nature to be majestic further denigrating her own self status as her writing will still be “judged” no matter how “tenderly”. Thus Dickinson seeks a sense of belonging through nature deriving from the human condition, yet in this driving process towards inclusion is met by exclusion from her sense of identity
The last two lines of the poem are a timid reflection on what might happen “Had I the Art to stun myself/ With Bolts—of Melody!” (23-24). The idea that creation is a power that can get loose and injure even the creator illuminates why in this poem the artist positions herself firmly as a mere spectator. In these first two poems, we meet a Dickinson who is not entirely familiar to us—even though we are accustomed to her strong desire for privacy, these poems can be startling in the way they reveal the intensity of Dickinson’s fears. She is, after all, shrinking from what is dearest to her—nature, one of her favorite subjects, becomes a harsh judge, and poetry, her favored medium of communication, can suddenly render the reader “impotent” and the writer “stun[ned]” (19, 23). The extremity of her positions in shrinking from the small and beautiful things she loves creates the sense that this is just the beginning of a journey by leaving so much room for change.
The textbooks and history are surrounded with “Somebodies”. People who had it all: the fame, the recognition, the distinctions… Except they did not. Emily Dickinson never truly received praise or credit for all her work. In fact, out of the thousands of poems she is now remembered for, only about twelve poems were published ANONIMOUSLY throughout her entire lifetime. Perhaps this is the reason why during her years of reclusion from the outside world, Dickinson wrote “I’m nobody!
Before dissecting Dickinson’s poetry, there is necessary information about her life that needs to be known. Throughout her life, Dickinson was a very isolated and reclusive person. According to Janet Gray, she “no longer attended church, stopped visiting friends and relatives, and eventually refused to see people in her home.” In fact, she only associated with a small group of select friends and family members (Cull 38). This reclusiveness had a large effect on her poetry,
Born on December 10, 1830 in Amherst, Massachusetts (“A Timeline”), Emily Dickinson is a classic, female American poet most people are familiar with nowadays. However, if her name or works are unknown to some, they are missing out on poetry with a unique style and the ability to touch readers’ hearts by addressing themes about human nature. Since she was a keen observer of Amherst life, nature, and human passion (Byers and Bourgoin 541), it was easy for her to write about said themes. Besides that, Emily Dickinson’s use of themes such as death and mourning in her poetry is highly influenced by her own life experiences. Due to this, her poems become deeper and genuine, making it easier for readers to connect with her poetry.
Emily Dickinson, recognized as one of the greatest American poets of the nineteenth century, was born December 10, 1830 in Amherst, Massachusetts (Benfey, 1). Dickinson’s greatness and accomplishments were not always recognized. In her time, women were not recognized as serious writers and her talents were often ignored. Only seven of her 1800 poems were ever published. Dickinson’s life was relatively simple, but behind the scenes she worked as a creative and talented poet. Her work was influenced by poets of the seventeenth century in England, and by her puritan upbringing. Dickinson was an obsessively private writer. Dickinson withdrew herself from the social contract around the age of thirty and devoted herself, in secret, to writing.
Emily Dickinson’s reclusive life was arguably a result of her proposed bi-polar disorder. This life and disorder unduly influenced the themes of her poetry. She chose not to associate herself with society and volumes of her poems, published posthumously, examine this idea as well as the themes of nature and death. The clearest examples of these themes are presented in the following analysis of just of few of her
Emily Dickinson’s “The Soul Selects her Own Society” presents herself as absolute and her rights as unchallengeable. The poem puts forward the idea of “friendship or love” which means choosing a significant person and excluding other people. Dickinson reveals that she was shutting people from her life, but because it had been so long, they are no longer interested in taking part of her life. Dickinson’s actions imply that the ability to create and construct a world for oneself, such as choosing your own actions, provides an example of a god-like achievement. Overall, Dickson asserts the importance of “the Self” theme which is shown my just speaking and writing as a ratification of the will to explore and express “the Self” to others.
Emily Dickinson was an exceptional writer through the mid-late 1800’s. She never published any of her writings and it wasn’t until after her death that they were even discovered. The complexity of understanding her poems is made prevalent because of the fact that she, the author, cannot expound on what her writing meant. This causes others to have to speculate and decide for themselves the meaning of any of her poems. There are several ways that people can interpret Emily Dickinson’s poems; readers often give their opinion on which of her poems present human understanding as something boundless and unlimited or something small and limited, and people always speculate Dickinson’s view of the individual self.
Dickinson carried on a forlorn and segregated life where she lost numerous critical individuals throughout her life. The sonnet, "The Soul selects her own Society" conveys thoughtfulness regarding the Western culture where separation gets to be distinctly common and the way of life begins to open up to independence and flexibility which prompts to real social relations being supplanted with nonexistent
Walt Whitman and Emily Dickinson are two of the most read and influential poets of the nineteenth century. Both use nature symbols and metaphors to explain motifs of the human soul. However, they differ in their conclusions. Whitman prefers a crowd, or a common human experience, while Dickinson cherishes solitude and independence. Through the first five lines of Whitman’s poem, Song of Myself, and through Dickinson’s poem 409, or The Soul Selects Her Own Society, the differences in these two poet’s assertions of the soul and society, and ultimately their views on public and private life stemming from their own experiences is apparent through their connections to nature.
The controversy surrounding Emily Dickinson is her odd lifestyle and her tendencies to be somewhat of a recluse. She is sometimes considered abnormal because she does things differently from most others. She spends much of her life dressed in white and withdrawn from much of society. Of course, her peers take this negatively, but what they do not understand is that her being so private is more of a meditation to her, instead of a hiding. She just wants to escape the pressures she feels are normally required of women. She does not want to be a servant to sick and elderly. She feels she has more potential for her mind to grow, and those obligations would just be hindrances to her writing (McQuade 1255). Her childhood and her staying out of society as an adult, along with many other aspects known and not known, influence her poems and the style in which she goes about writing the works. Her techniques of writing are completely different from any other writer, whether prose or poetry. Dickinson composes her phrases by marking them off with a dash, placing a space before and after. This small maneuver places more emphasis on her “impress of the mind in its analysis of experience” (McQuade 1256). Her slant thymes and unique form of expression produces more of an oddness to the audience.
The meaning and impact of Dickinson’s work hinges on her employment of a single personification which extends throughout “The Soul Selects Her Own Society”. The personification begins on the first line with “The Soul selects her own Society —”. A soul, on its own, is not something that can select anything, or even have a society. Since it is immaterial, it certainly cannot “shut the Door —” as is stated in line two. This personification continues with lines such as, “she notes the Chariots —”, “Upon her Mat —”, and “close the Valves of her attention —”. The personification of “The Soul” immediately makes the poem feel more intimate. The word “soul” infers a deeper, more authentic, and closely guarded part of oneself. By personifying a soul, having it perform actions and make decisions, it is communicated that the events of this poem are neither an intellectual nor surface level matter. The decision to select those with whom you will be close with, and subsequently shut others out, is one which is based highly on feeling, emotion, and deep personal desires. Dickinson’s decision to write “The Soul Selects Her Own Society” in the context of a soul rather than the whole person allows the reader to pick up on the intended intimacy and depth the poem intends.