Introduction:. “All The World’S A Stage” – Shakespeare

In this essay it will be discussed how the theme identity played its role in the film “The Sapphires”. It will also see why young people have difficulties when it comes to knowing who they are. There will also be a further discussion about why friends and family can help on deciding who you are and why even some older people have to ask themselves who they are.

of the play. I will also explore the role the common man plays in the

In “Presentations of Self in Everyday Life,” Goffman is constantly explaining how everyday life is a dramaturgy. A dramaturgy is the art of dramatic composition and essentially the production of a theatrical play. A social situation is much like a play. Every play has a stage, actors, a script, a set, rehearsals, and practices. In a social situation, the stage is where the encounter takes place, the actors are the people involved in the encounter, the script is the social norms of the social encounter, and the set is the environment where the encounter takes place. It takes practices and

Individuals begin to feel isolated when they pretend to be someone they are not. In the modern age, individuals feel the need to be someone they are not in order to fit into the mainstream. Turkle states, “After an evening of avatar-to-avatar talk in a networked game, we feel at one moment in possession of a full social life and, in the next, curiously isolated in tenuous complicity

In The Presentation of Everyday Life, Goffman lays out the seven elements that create a performance: belief in the role that is being played, the front or ‘mask’, dramatic realization, idealization, maintenance of expressive control, misrepresentation, and deception/mystification. Using the simple description of someone interviewing for a job, we can see that “As he seeks to assume the role of an ideal employee (idealization), he tries (in his performance) to convey a certain image about himself through his dress, his speech, and his expressions (his front), emphasizing those things that he wants the interviewers to know (dramatic realization). He has to maintain control over these expressions throughout the interview (maintenance of expressive control). Any lapse in his performance in that role (misrepresentation) may lead to him revealing those things that he has been trying to conceal (mystification).” (Corbin, 2012)

The people we see every day are not always who they appear to be. Our family, friends, peers, work associates, and even our own self’s change who we are sometimes to cope or to seem better off than we are. We put on “Mask” to show the person we want to be seen as and often times people wear more than just one. In Flannery O’ Connor’s, “Good Country People” many of her main characters wore mask. They each had their own reasons that they chose to conceal their real identity. Nevertheless, the characters in O’Connor’s short story wanted to hide their true persona’s or deceive other people. Sometimes it was merely done to cope with their tragic pain and in other cases it was done to deliberately take advantage

There is no denying that every person needs ti have a persona. One’s personality is developed through the different environments, cultures, and even obstacles faced in order to create the type of person we are. When going through the process of finding our identities, we are faced with aspects of ourselves that we do not wish to be defined as. According to the author, Jennifer M. Volland “Stay: The Archetypal Space of the Hotel,” she emphasizes psychologist Carl Jung’s idea that we each have two sides to ourselves that we are either accepting or unaccepting as she states, “the ‘persona’ which is the outward appearance a person presents to the world, and the ‘shadow,’ the subconscious aspects of that person’s personality — that is, the denied parts of one’s self.” We are able to see parallels of Jung’s argument of what are the components of a person’s identity throughout David Wallace’s work, “Shipping Out,” of how the cruise ship internally exploits workers and manipulates their passengers while externally trying to maintain a facade of what the Zenith stands for.

This proves Gergen’s thesis, “I doubt that people normally develop a coherent sense of identity, and believe that to the extent that they do, they may experience serve emotional distress” (172). By having several masks or selves, is how we are able to adapt to changing society. With these multiple masks we are able to achieve acceptance and know who we are as individuals. Throughout life we must adopt masks when facing different circumstances; it is through these masks that we see how we change as individuals. If we spend our lives trying to stick to one mask, we can find ourselves to feel lost, depressed, or invisible. Change is good; however we must still stay true to ourselves when using masks. They are a part of us as individuals but they are not us.

False identity can become so inherent to a person’s character, they can begin to forget where it stops and their true self begins. In Tobias Wolff’s novel Old School, the narrator and the literary review the Troubadour both are hiding behind a persona that is placed onto them by themselves or others. An aspirational vision of the characters is the basis of their personas. Wanting to be more then they already are, the characters end up believing in the lies told to persuade others of their importance. Placing the personas on themselves is a way to divert people from the true nature of their identity, which might not live up to their expectations. The identities taken on by the narrator and the Troubadour convey that what they are and what they want to be are not yet the same.

The focus of this paper will be to compare and contrast the works of two playwrights. The works that will be considered are Molière’s The Would-Be Gentleman and Beaumarchais’s The Marriage of Figaro. Both considered comedies, Moliere’s is a short play that tells the tale of Monsieur Jourdain, a tradesman who desires to become a gentleman. Beaumarchais’s play, second in the Figaro trilogy, follows the series of event prior to Figaro’s wedding. Figaro and his companions scheme to ensure that his marriage occurs smoothly. Furthermore, the plays are dated 100 years apart from each other, and they deal with the representation of social hierarchy, social mobility, and gender roles in various ways. With that in mind, they become good sources to compare and contrast the changes in society that occurred within those 100 years. This paper will compare both plays to examine how Molière further endorses the social values and ideas of his time, while Beaumarchais’s presents a shift in attitude towards those values and challenges them.

“One Self or Many Selves” givens a claim that: “In sort, change the situation and you change my

Although Shakespeare is not a physical character in the novel, Brave New World, Shakespeare’s plays and novels shape the title, help to express Johns emotions, and contribute to mold the readers opinions about the new world. The title of the novel ‘Brave New World’, was a quote taken from Shakespeare's play the Tempest. Aldous Huxley chose this title because he could link an occurring theme in both novels, ‘civilization vs. savages’. The two novels, ‘The Tempest’ and ‘Brave New World’ plots are somewhat similar. Like Miranda, John was introduced to a new type of society, and at first glimpse was intrigued by it.

The acquiring of this knowledge is what leads to us gaining our identity. Social action theorists suggest that there are three main parts to our identity. The first of these parts is the things that make us individual, such as name, signature and photograph. The second aspect is social identity, which is made up of the personality characteristics that are associated with our role in society. For example, I am seen as an older brother, which society may make me out to be annoying and protective of my younger sibling, but I am also seen as a student, who is perceived to be hard-working and well-behaved. The final part of our identity is the concept of ‘self’, or what we think of ourselves, and how we think we play our respective roles.

Some novels and plays seem to advocate changes in social or political attitudes or in traditions. Choose such a novel or play and note briefly the particular attitudes or traditions that the author apparently wishes to modify. Then analyze the techniques the author uses to influence the reader or audience’s views. Avoid plot summary.

Our identity can sometimes be shaped by the way others see us. As we have seen, the way in which others view us can have some sort of impact on how we see ourselves. There are also other contributing factors such as our years of adolescence, the basic human need of wanting to belong and maturing; all play an equally important part in the forming of our character and who we are. On balance it appears that there is not only one influence in the shaping of our identity, but there are many.