Essay on Irony in Hamlet

Have you ever been told something that has just shocked you but hurt you at the same time? In Hamlet, emotions are running high and people are getting worked up, just like Ophelia. Along with Ophelia, Hamlet is feeling the same way, just with a different problem. All throughout so far, you can see a pattern coming along. Shakespeare uses mood, tone, and irony to develop the themes of a unrequited shock and hurt to characters.

The Ghost’s appearance troubles Hamlet again in a different way at the end of Act Two, when Hamlet questions whether or not the apparition he has seen is really the ghost of his father. He believes that it is likely that what he saw was really an evil spirit trying to trick him into sinning, for, as he says, “the devil hath power / T’assume a pleasing shape; yea, and perhaps…abuses me to damn me” (2.2.628-32). His concern is legitimate; however, it causes him to delay further due to his worries about sin and what could happen to him should he decide to take action if the Ghost is in fact evil. When Hamlet attempts to work himself into a frenzy by insulting himself and climactically cursing Claudius with caustic epithets, he is incapable of maintaining his emotion and he orders his brains to turn about, bringing himself back down to logic and reason. He feels that he cannot act without some sort of proof of the truth of what the Ghost has said, and therefore he arranges to “catch the conscience

In the play by William Shakespeare, the ghost of King Hamlet approaches his mourning and depressed son, Hamlet, who is still affected by his death. The ghost explains to Hamlet how he died and demands that Hamlet avenge his death. Note how the ghost approaches Hamlet when he’s the weakest and still mourning to persuade and manipulate him into taking revenge for him. In Act one Scene 5 the ghost states, “If thou didst ever thy dear father love-/ Revenge his foul and most unnatural murder.” The way King Hamlet words his request is more as a challenge; in which Hamlet’s love for his dead father can only be proven by carrying out whatever his father wishes. The ghost influences most Hamlet’s behavior, which not only affects the plot, but also the relationships with other characters. The ghost influences the relationship between Hamlet and his mother, Gertrude. He becomes angry at Gertrude because of her fast marriage with his uncle Claudius. Through the use of innuendos, antic disposition, and metamorphic plays, Hamlet makes it his duty to get King Claudius back for killing his father. Hamlet agreed to avenge his father without second thought. As the play advances, Hamlet begins to doubt the apparition. In act 3 Hamlet begins to have second thoughts and states, “The spirit that I have seen/ May be a devil…” This shows Hamlet’s inner conflict between listening to his father and avenging his death or following his ethics. To be sure that Claudius

How does the use of comic relief best contrast the tragedy of Hamlet? In great works of literature a comic relief is used as contrast to a serious scene to intensify the overall tragic nature of the play or to relieve tension. As illustrated in Shakespeare’s tragedy Hamlet, intense scenes are joined with character’s banter and vacuous actions as to add a comic relief. In Hamlet, Polonius acts as a comic relief by his dull and windy personality, Hamlet uses his intelligence and his negativity toward the king and queen to create humor, while on the other hand Rosencrantz and Guildenstern are a comic relief by their senseless actions and naïve natures. Polonius, Hamlet, Rosencrantz and Guildenstern are all used as a comic relief to

Hamlet questions the true intentions of the ghost and whether it be “a spirit of health or goblin damn’d,” (1.4.669). The Ghost enlightens the Prince of the treason committed by his uncle Claudius, which Hamlet doubts the legitimacy for an instance. According to “Hamlet’s Precarious Emotional Balance,” “Hamlet conceives a way out of his uncertainty, a way to make certain that he has not, because of his melancholy, simply hallucinated the ghost's revelations or been tricked by an evil spirit,” (Lidz). Hamlet develops a scheme to “catch the conscience of the king” by staging a play that depicts the murder of King Hamlet precisely (2.2.581).

    The existence of considerable irony within the Shakespearean tragedy Hamlet is a fact recognized by most literary critics. This paper will examine the play for instances of irony and their interpretation by critics.

Hamlet sees something that is rotten in his kingdom and he knows it is his moral responsibility to resolve this issues however he finishes off by saying that in actual fact he is powerless “but break my heart, for I must hold my tongue” admitting his weakness. Hamlet begins to grapple with the nature of humanity and morality following the confrontation with the ghost. The appearance of the ghost triggers Hamlet’s existential struggle “All is not well… I doubt some foul play… foul deeds will rise” (Act 1 scene 2) through the use of foreshadowing, Shakespeare exposes the nature of humanity to audiences through the construction of Hamlet’s character. He emphasises that a strong sense of morality can cause conflicts in the decision to make noble choices.

Unlike the mother who questions “Whereon do you look?” (III.4.92) when the ghost appears, Hamlet is the only one who is believed to see the ghost. In such a case, it is suggested that Hamlet cannot even see the ghost himself. However, through his extreme emotion of grief and anger towards the death of his loved one, Hamlet confuses himself into believing his figment of imagination, for the ghost is his primary motivator in avenging his father’s death. Since the ghost is the only connector between Hamlet and his father, Hamlet becomes mentally insane to become close with his deceased dad to the point of actual madness.

• Hamlet does not murder Claudius because he thinks that he is praying, and that Claudius would go to heaven if he died while he was praying.

Hamlet is given three commands by the Ghost (his father) which are to revenge him, not to taint his mind while doing so and to leave his mother to heaven alone. What is clear is that Hamlet didn’t entirely trust the Ghost because he could have been a ‘spirit of health’ or a ‘goblin damned’ (I, iv, 40) and embarks on a plan to see if he is telling the truth about Claudius poisoning his father, the late king. He is guilty and Hamlet must now do what the Ghost of his father wishes but it becomes complicated throughout act 2 and 3.

Hamlet is justifiably enraged by this revelation, swearing to enact revenge, disregarding all possible consequences. It would only make sense, then, that the play would culminate with Hamlet’s demise, as well as the respective deaths of Ophelia, Gertrude, Claudius, and Laertes. All of which were caused, essentially, by not only Hamlet’s swift resolve to slay the “damned villain” that was Claudius, but the Ghost’s exhortation, his insistence that Hamlet not let Denmark become a “couch for luxury and … incest” (61). The departed King Hamlet did not have anyone’s interests in mind but his very own. He did not consider the grave (most literally) repercussions this revenge would have on his son, nor the pain and strife to be encountered by any others. Rather, the Ghost merely wanted his revenge at whatever cost, classifying any mishap as collateral damage. Although Hamlet could have used this information as an excuse to inflict his wrath upon his slovenly, grotesque uncle, he himself was used – the Ghost treated him as a breathing instrument, a means to enact his desires. As Horatio so aptly phrased and prophesized, Hamlet was “deprive[d]” of his wits because of the dread spirit (53). His passion, his love and respect for his father, were

In the book Hamlet by Shakespeare, irony is used numerous times in order to give the reader insight on what is going on. As stated in the Merriam-Webster dictionary, irony is an action that is understood by the audience but not by the characters in the play. If this strategy were not included in this drama, it would take away the whole purpose. This play would consist of no suspense and would be extremely boring to the reader because the characters would know as much as the readers know. This allows for incite to what can happen in the future or what has happened in the past. The irony in this play ultimately revolves around Hamlet and his plan to achieve revenge with Claudius. From the play that Hamlet organizes

  Well aware that several hours of unrelenting angst would be a bit much for his audience to take, William Shakespeare strategically placed several humorous scenes throughout his masterpiece, Hamlet.  In particular, the character of Polonius fills the role of the comic fool; he is in two essential comedic scenes, one with his own children and then one with Hamlet.  Shakespeare's acute ability to weave humor into this very heavy play is noteworthy, as his use of comedy goes beyond merely providing much-needed comic relief.   In fact, the rather numerous comedic scenes serve as a foils to, as well as reflections of, the intense action of the play.   In every case where humor is used in Hamlet, it is

Hamlet says "the spirit that I have seen may be a devil, and the devil hath power t’assume a pleasing shape; yea, and perhaps, out of my weakness and my melancholy, as he is very potent with such spirits, abuses me to damn me" (2.2.627-632). Fearing deception, Hamlet has doubts, which initiate his inaction. His hesitation is somewhat resolved in the form of a play. In order to test the truth of the ghost, Hamlet devises a scheme to perform a play to "catch the conscience of the King"(2.2.634), by reenacting a scene similar to the events recounted by the ghost about King Hamlet’s murder, in order to prove Claudius’ guilt. Here, Hamlet’s inaction results not only from his distrust of his father’s apparition, but from his distrust of his own senses. Had Hamlet trusted his father in death as he had in life, Hamlet’s life would never have resulted in such a tragic end.

will.” ( III I, 179-181) The fear of what will happen after death deters him.