Historians and scholars often overlook the part that women played in the Renaissance. Did women have a Renaissance? The period did not occur in a male only vacuum; women played an important part in the changes taking place across Europe. No matter a woman’s station in the class system, women, were still considered the sinful daughter of Eve, the downfall of man. Into this world stepped Isabella d’Este, one of the great women of the Renaissance.
Isabella d’Este left behind not only the great works of art that she collected and commissioned during her lifetime but a treasure trove “amounting to upwards of two thousand letters, which have fortunately been preserved.” Through these letters, scholars learn what kind of woman Isabella was,
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She and her sister Beatrice were given and education that was equal to that of her brothers. The young Isabella was engaged to Giovanni Francesco Gonzaga when she was six years old. Historian and Biographer Julia Cartwright Ady quotes Cosmio Tura, “I can assure you that her marvelous knowledge and intelligence are far more worthy of admiration [than her beauty].” Isabella was a stunning beauty but she impressed even diplomatic visitors to her father’s court with her keen intellect.
Her home in Ferrara was a center of culture and learning, and Isabella benefitted from this at an early age. Her parents were both classically educated and from her birth, Isabella was surrounded by scholars, poets, artists and the great works of art her parents had collected. To a young Isabella appreciation of art must have came naturally her father reportedly had three passions the love of building, of the theater and traveling. Her Mother collected art and decorated her private rooms as well with her husband their homes. Her father was also a collector of art and antiquities. Later in her life, their tastes would diverge and Isabella chose a more secular tract; she did not completely decorate or build a church. Isabella reflected both her parents in her patronage but she was mainly attracted to the works of European masters as was her mother.
At age sixteen, Isabella married Francesco Gonzaga, the
Women in Renaissance Italy faced rigid societal standards to which they were supposed to conform. They lived public lives, directed almost exclusively by other people in regards to significant decisions. However, this does not mean that a rise above the oppressive nature of the Renaissance was impossible. Several exceptional women were able to challenge their given positions in a society through their education, practices, seclusion, beauty, and roles. In an examination of several positions, through the Exhortations to Women and to Others If They Please by Lucrezia Marinella and the letters of Laura Cereta, a Renaissance feminist, women can be seen as accepting of their position in society or rebelling against it. Their lives and prescriptive writings show how one can either follow the role given to them or exceed beyond it and become an exceptional woman.
“ The belief that women were inherently inferior in intelligence, strength, and character was so persuasive that for men like Knox, a woman ruler was almost a contradiction in terms” (“Documents for Chapters 5&6”). In the 16th century, women were looked upon as a gender that should stay in the house and work, not have power and rule over a country. Discussing the govern of Queens during the 16th century, such as Mary Tudor, Lady Jane Grey, Mary, Queen of Scots, and Elizabeth I, allowed prejudices to be lessened but never completely be erased. No matter how these four notable ladies came into power, the accomplishments they overcame, achieved and wrote about proved to be great and substantial in making history as it is written today.
Women were also expected to maintain their social positivity and kindness by never speaking or listening to evil about other women. Men hearing these women speak evil would appear to “listen gladly” but ultimately “hold such women in small respect” and “esteem them so lightly as to despise their company” (177.) From the accounts held in The Courtier of women in the Renaissance, it can be said that women were almost considered to be “status symbols” during this time period. Some men aimed to treat women with courtesy and respect but never viewed them as true equals. Women were expected not to make a fuss, not to speak up too loudly, and to act positive and apolitical at every turn, resulting in a stifling lack of agency. As a whole, women were expected to be seen and not heard, ultimately having a scarce role in the era. Even still, misogyny and hatred was ubiquitous in this time period.
During the Renaissance period, sexuality impacted how people, both men and women, were treated and how they behaved. The lives of women were completely defined by the ideals of sexuality that were enforced during that time. Every area of a woman’s life from birth was influenced by outside influences rather than by they themselves. It took a particular type of woman to break past the clearly defined description of what a “Renaissance woman” should be.
In conclusion, Leonardo da Vinci was one of the most famous from the Renaissance period and is the example of the Renaissance man because he was a master of both the world of arts as well as the world of science. Isabella d’Este during her rule set an example for women to break away from the traditional role of what women were supposed to be like during the Renaissance period. By doing this and many other things she was known as the ‘’First Lady of the Renaissance’’. Catherine was a great patron of arts and being this,
A critical point in European history was the Renaissance period, which took place between 1300-1700. The term Renaissance stands for ‘rebirth’, and in this context refers to the increased interest that was taken in learning from Greek and Roman classical writing. Recent exploration by historians into the Renaissance period has seen a fixation on the discussion of the role of gender during the Renaissance. A variety of historians, such as Joan Kelly and Merry E. Weisner, believe that women didn’t experience any form of a Renaissance during this period. It can be widely acknowledged that during this period society did experience a ‘rebirth’, especially in terms of the role of the men in Europe. Women, on the other hand, weren’t as fortunate.
Born in 1474, Isabella d’Este’s family shaped her into who she became later on in her successful life. Isabellas parents taught her the important lessons of politics and government starting at a young age and that women can be leaders just like men,“Her parents believed in schooling their daughters equally to their sons, and she received an education not frequently afforded women”.(Brooklyn Museum,1). The important lessons Isabella was taught impacted her in a large way later in her life. This time
The emergence of the Renaissance throughout Italy gave rise to the philosophy of humanism; rather than submitting to tradition, those situated lower on the social hierarchy began to question their situations. This lead to an increase in educational pursuits coupled with social and political upheaval. Early Renaissance feminists began to voice their concerns regarding the rights and equality of women in a heavily patriarchal society using literature, art, and politics. Laura Cetera’s Defense of Liberal Instruction for Women and Lucrezia Marinella’s The Nobility and Excellence of Women are both feminist pieces of the time. While both authors advocate for the political and social advancement for women, Cereta and Marinella’s differing experiences
Isabella I of Castile’s Life During the late middle ages to the r enaissance, Isabella I of Castile was a powerful queen of Spain. Have you ever thought of what it would be like to reconstruct a country? Studying this important historical figure, I had uncovered many important and interesting facts about Isabella I of Castile.
The Renaissance, a term coined by Giorgio Vasari in 1550 , is used to describe the period of cultural and intellectual change which started in Italy and then spread across the rest of Europe. This development in society led to Europe stepping out of the medieval era and becoming a powerhouse on a global scale. The Italian Renaissance is what the majority of people think of when thinking about the Renaissance period but that was just the starting point. The Italian Renaissance changed as it spread across Europe, creating a French Renaissance, an English Renaissance and a Northern Renaissance. The focus of this essay is the Northern Renaissance, discussing why it arrived later to northern Europe and what distinguishes it from the Italian Renaissance.
The Renaissance was a time of enlightenment and discovery around the world. There were many advancements in culture, art, and science. An interesting area to look at for this period would be the advancements made based on gender. Historically, women do not always have a significant impact on their culture, and they do not always have the same standing as their male counterparts. Margaret L. King and Joan Kelly-Gadol delve deeper into the issue of gender advancements during the Renaissance when they analyze the issue of whether women and men benefitted equally during this period.
The purpose of the book Women of the Renaissance by Margaret King is to explain the various roles of that women occupied during the renaissance. She mainly focusses on women of western Europe between 1350 and 1650. In the chapter titled “Daughters of Eve: Women in the Family” King writes about the positions of women in the family. In the part of the chapter that we were assigned, she depicts the role of mother. She explains the importance having children, the differences between healthy and lower class mothers, and the relationship between these mothers and their children. During the renaissance, motherhood was an extremely important job, and many women were defined by it.
At the age of six he lost his mother due to a prolonged sickness. After her death he was to live with a stonecutter and his family, in Settignano where his father also owned a marble quarry and a small farm. From very young Michelangelo was sent away to study grammar with Francesco da Urbino. Although he was sent to study at a young age it didn’t mean he had to like it, Michelangelo didn’t like school he always said he prefered to be copying paintings from churches. He was apprenticed by Domencio Ghirlandio in painting and sculptor Bertoldo di Giovanni who was convinced by Michelangelo's father to pay the fourteen year old boy.
The Mona Lisa has to be one of my favorite paintings of all time and has lead me to use this specific painting as a topic for this paper. Not to mention the love I have for Leonardo da Vinci. I, myself have always been drawn to da Vinci’s paintings and all of his other achievements that he has given us during his life. I, like Leonardo da Vinci love art and science just as much as it seems he did. He shares a love of art and a fondness for science. It also seems that he loves a good mystery, and the Mona Lisa just happens to be one clouded in mystery. And I too love a good mystery.
Only with the use of social history did the issues of class and gender begin to be debated by scholars. Numerous articles have done a great job of analysing particularly men of high status. In the traditional political history of Italy the lower classes of the society are rarely studied. In this paper I will shed more light on the lower classes of Renaissance Florence. More specifically, I will focus on the lives of women in the lower classes during this era, how they were treated and viewed by the upper classes and how they were treated in the eyes of the law.