James D. Thorne Grand Ballroom

In the essay “How It Feels to Be Colored Me”, author Zora Neale Hurston writes to an American audience about having maturity and self-conscious identity while being an African American during the early 1900’s through the 1920’s Harlem Renaissance. Hurston expresses and informs her audience about how she does not see herself as a color, and instead sees herself as all she is made up of on the inside. Her primary claim is that she is not “tragically colored” and she should not have a single care about how the world reminds her of how she should act about her race. Her essay chronicles her personal experiences in being an unapologetically colored woman and creates the argument that she should not ever feel self-pity for being black. She utilizes her personal anecdotes and weaves them with metaphors, analogies, and rhetorical questions in order to create an immersive experience for the reader. Furthermore, Hurston engages the reader with her slightly sarcastic, strong, and blissfully positive tone effectively creates a way with words that communicate her claims in an entertaining way.

The memoir “How It Feels to Be Colored Me” by Zora Neale Hurston, was first published in 1928, and recounts the situation of racial discrimination and prejudice at the time in the United States. The author was born into an all-black community, but was later sent to a boarding school in Jacksonville, where she experienced “race” for the first time. Hurston not only informs the reader how she managed to stay true to herself and her race, but also inspires the reader to abandon any form of racism in their life. Especially by including Humor, Imagery, and Metaphors, the author makes her message very clear: Everyone is equal.

In 1971, William E. Cross, Jr., Ph.D., a Black psychologist and prominent researcher (specializing in Black psychology) developed a framework for assessing how black Americans come to understand what it means to be Black. Dr. Cross introduced his ideologies as the “Nigrescence Model of Racial Identity Development“. He asserts that every black American must undergo a series of identity stages to develop a healthy and balanced understanding of the Black experience and become well-rounded in our global society. This model encompasses five stages of identity development, which Dr. Cross emphasizes, must be performed in order to successfully accomplish this goal.

In his essay, “As Black as We Wish to be,” author Thomas Chatterton Williams tries to paint a picture of a world where the sight of interracial families was still considered an oddity and shows how, over the decades, society has slowly became more acceptable towards the idea. He begins the essay briefly discussing the ignorance of people during the late 1980’s while also elaborating what hardships African Americans have dealt with over the past century. He explains that even with the progression of interracial families and equality of African Americans, a new problem has now risen for interracial children of the future. While either being multiracial, African American, or White, what do they decide to identify themselves as? This is the major question that arises throughout Williams’s argument. While Williams’s supports his argument with unreliable environmental evidence, as well with other statistical evidence. His argument is weakened by an abundance of facts, disorganization, and an excessive use of diluted information.

A lack of self-awareness tended the narrator’s life to seem frustrating and compelling to the reader. This lack often led him to offer generalizations about ““colored” people” without seeing them as human beings. He would often forget his own “colored” roots when doing so. He vacillated between intelligence and naivete, weak and strong will, identification with other African-Americans and a complete disavowal of them. He had a very difficult time making a decision for his life without hesitating and wondering if it would be the right one.

Growing up, I was considered “too white” to be Latina, and I constantly tried to prove my identity to others, but in the end, I realized that I never had to prove myself. Like Rae, I was accused of being “too white” to be considered a person of color. In her essay, she discussed how people needed to look past stereotypes when thinking about marginalized communities. Their actions alone do not make them black.

In James W. Johnson “The Autobiography of an Ex- colored man” he recounts the story of a nameless young boy who lives a more comfortable, aristocratic life than most African Americans at this time. While cultivating his interest in music and art throughout the years, suddenly he has an identity crisis and comes to terms that he’s not viewed the same by society as white. He has a self-revelation that he’s different. He shares the skin tone of white people but he doesn’t share a strong cultural connection to other African Americans. This since of loneliness thus causes him to delve into this studies and flourish into a well-rounded young man. The Narrator of this story, is at first a tad bit mysterious.” I am divulging the great secret of my life, the secret for which for some years.

John Howard Griffin, the author of Black Like Me, writes an autobiographical account what he passed through for a period of about 10 months. Howard has an idea that has been haunting him for a long duration of time; he wondered the various kinds of life changes that a white man would need to be labeled a Negro in the southern region of the United States. Howard wanted to acquire first hand information of the daily experiences of the African Americans in the Deep South. Black Like Me offers an account of the bad and good things that Howard went through because of the vivid makeover from being white to being black. This paper reviews John Howard Griffin’s Black like me, the paper provides a summary of the book,

Image five on the Propaganda WWII slide document is an example of fear propaganda. The choice of words on the image, “If you talk too much, this man may die” causes the audience to fear their own voice and opinion. The words chosen to represent the picture, demonstrates a threat. Since this poster was made during the time of World War II, it might have a governmental message behind it. It could be that maybe some government secrets have been said and they government doesn’t want anyone to say anything or they will take matters into their own hands- by killing .

One of Beverly Tatum’s most popular works, Why Are All the Black Kids Sitting Together in the Cafeteria?, outlines racial identity development and shows us what it means to be Black in today’s society. Tatum uses reasonable examples of her experience both as a parent and as a college professor. She is able to get readers to think in ways that might not be comfortable but are necessary and compelling. Recognizing understanding and embracing

Through the writings of James Baldwin, WEB Du Bois, and Caryl Phillips several issues are revealed to the black community. These distinct authors address key concepts such as the veil, double-consciousness, the color line, masculinity, and identity. While at the same time endorsing feelings of closeness, belonging, and a desire to be accepted. Historically, people of color face considerable and unique challenges. Despite internal obstacles, the writers personalize and depict the social and psychological pressures amid 20th century America.

In her book “Why Are All the Black Kids Sitting Together in the Cafeteria?” , Beverly Daniel Tatum, explores the identity of racial development in the United States. She analyzes the definition of racism as well as the development of racial identity. Along with these topics she in turn offers possible solutions to racial problems that plague us today.

When studying the black diaspora within the United States, the story typically starts with the classic slave narratives including those of Frederick Douglass and Mary Price and ends with the affirmative action decisions of the late 1990s. History tells the story of an internal racial identity struggle through the institutions of slavery and oppression, resistance and rebellion, cultural reawakening and civil rights which evokes the question: what does it mean to be African American? Aaron McGruder’s animated series The Boondocks creates a context to consider the question of what it means to be an African American today and discusses the institutions that are now molding the African American identity. McGruder criticizes the idea of a

In exploring the problem of identity in Black literature we find no simple or definite explanation. Nevertheless, it is generally accepted that it is rooted in the reality of the discriminatory social system in America with its historic origins in the institution of slavery. One can discern that this slavery system imposes a double burden on the Negro through severe social and economic inequalities and through the heavy psychological consequences suffered by the Negro who is forced to play an inferior role, 1 the latter relates to the low self-estimate, feeling of helplessness and basic identity conflict. Thus, in some form or the other, every Negro American is confronted with the

explained what it was like to be African American in a certain time and place.”