Following the experiences of Jane Eyre, Charlotte Bronte, expresses many elements of gothic literature throughout her novel Jane Eyre. In her perfect understanding of gothic literature, she expresses the three types of evil commonly found in gothic literature, including the evil of the supernatural, the evil within or the instinctual evil motives of humans, and lastly, the evil because of societal influence. Jane Eyre experiences all of these three evils with her aunt and three cousins with her residency and return to Gateshead: Jane encounters the supernatural and the evil of societal influence as a child and she fully encounters the evil within upon her return.
As a child at Gateshead, one discovers the first form of evil in the novel with the negative interactions between Jane and her relatives, which sparks from both, “physical inferiority,” (Bronte 11) to her cousins, and as Bronte eventually states, her lack of money. Doing rather short work, the reader discovers Jane does not belong in Gateshead with her rich Aunt, Mrs. Reed, and her cousins, John, Georgina, and Eliza. Jane’s three cousins cluster, “around their mamma,” (Bronte 11) in the opening of the novel, but Jane sits in solitary. She leaves to ask her aunt, “What does Bessie say I have done?”(Bronte 11); her aunt responds she likes children, who do not take up their elders, and Bronte implies, she likes good children, which becomes surprising with Jane’s cousins later actions. As Mrs. Reed departs from the
Throughout the novel, Jane Eyre, Jane went through unbelievable hardships. She encountered many different antagonists that while giving her a better understanding of the real world and the aspects of life they certainly didn’t make it easy. The antagonists of this story had major impacts on Jane’s life. These antagonists consisted of Mrs. Reed at Gateshed, Mr. Brocklehurst at the Lowood School, and Bertha at Thornfield.
While Jane goes through a rollercoaster of romantic ideals, Charlotte Bronte reveals that her romanticism more fundamentally affect her own life in the future than even her religious ideals. This is to be expected, as Jane has a very depressing childhood while living with the Reeds and attending Lowood Institute. She makes the transition from Gateshead Hall, to Lowood, to Thornfield Hall, to Moor House, which equate to: Jane’s entrance to the real world (in Gateshead), the rock-bottom of Jane’s life (in Lowood), her encounter with young love (in Thornfield), and where Jane finds what she’s been after: a family (at the Moor House). All of these places come together to form the story of Jane Eyre and how she overcame her hardships to grow up to
Violence is the most recurrent gothic convention used in Jane Eyre, which is prominent in Charlotte Brontë's effective development of the novel and the character of Jane Eyre, who, throughout this novel, is searching for a home in which she would have a sense of belonging and love which would ultimately resolve this exact unfulfilled need she had as a child. The neglect she experienced in her childhood is manifested in the way she is treated by her aunt, Mrs. Reed, as in the first page of the novel Jane Eyre admits: ‘Me, she had dispensed from joining the group, saying, 'She regretted to be under the necessity of keeping me at a distance’’. This opening shows how there is a clear line of separation drawn between Jane and her relatives due to her complicated family background which consequently results in their reluctance to accept her into their environment. These complications lead to her maltreatment, which also adds on to the violence she experiences acting as a catalyst for the development of the character and her subconscious quest.
Those living in the Victorian period,consider it normal to treat people with cruelty. As a child, Jane constantly faces oppression. Jane faces constant abuse while living with her aunt at Gateshead. Bronte illustrates this point through Mrs. Reed, the Aunt Jane is sent to live with, who says, “Take her away
The Victorian Era encompassed a time of great discrepancy between the sexes, especially for women. The polarization of gender roles reflected on a basis of gender sexuality where men and women were granted certain advantages and disadvantages. Women were expected to realize a specific position in society based on morals of submission, passivity, and a complete lack of selfishness and independence. Constrictive notions such as these prevent individual expression and expansion. Therefore, while struggling to fill the pre-conceived expectancies of society, one forces true desires and happiness to pass as a scant priority. Charlotte Brontë's Victorian novel, Jane Eyre, explores the significance of individual fulfillment in an oppressive
In the early chapters of the novel Jane Eyre, our heroine resides at Gateshead and Lowood school; her character immediately inspires pity from the readers. She is an outcast within her own family, the Reeds, and is considered less than a servant. John Reed bullies her to the extent that she fears him, introducing weakness as one of her character flaws. Jane is somewhat jealous of her cousins’ lack of punishment and condemnation, although she believes they were “not fit to associate with [her]” (Bronte, 35). She feels wrongly accused, leading to a growing bitterness towards those who have treated her so harshly.
Charlotte Bronte created one of the first feminist novels--Jane Eyre--of her time period when she created the unique and feminist female heroine, Jane Eyre. Throughout the novel, Jane becomes stronger as she speaks out against antagonists. She presses to find happiness whether she is single or married and disregards society’s rules. The novel begins as Jane is a small, orphan child living with her aunt and cousins due to the death of her parents and her uncle. Jane 's aunt--Mrs. Reed--degrades her as she favors her biological children. Jane 's aunt--Mrs. Reed--degrades her as she favors her biological children. Her cousin--John Reed--hits her and then Mrs. Reed chooses to punish her instead and sends her to the room in which her uncle
Throughout volume one of Jane Eyre, Jane finds an outlet to a difficult childhood in Gateshead, Lowood, and her recent move to Thornfield through reading and painting. The books she reads represents her desires, and emotions that would otherwise be difficult to express. She also finds sanctity from her difficult life though painting landscapes with watercolors. Charlotte Bronte uses art and literature to show the readers Jane’s subconscious desires that on occasion even she might not understand.
While living at Gateshead, Jane is treated poorly not only by Mrs. Reed, but also by her eldest son John Reed. Jane shows Mrs. Reed Christian humility by being compassionate to her, despite how she treats Jane. When she is older, Jane reflects on her childhood and her aunt’s harsh treatment with a calm and fair view. “Yes Mrs. Reed, to you I owe some fearful pangs of mental
Jane’s quest begins at Gateshead with her aunt, Mrs. Reed, and her cousins. Gateshead is a cruel place with cruel people. John Reed, one of Jane’s cousins, taunts her and engages in physical attacks on Jane. The day on which the novel opens is described as having a “cold winter wind [that] had brought with it [sombre clouds] and [penetrating rain]” (Bronte 9). Through the use of the fire and ice symbol, Bronte foreshadows a “cold” unloving situation for Jane. The coldness of the weather corresponds with the cold heartedness of the Reed family. One day, Jane gets into a fight initiated by John, Mrs. Reed fails to see what her child has done wrong. Jane knows that she is worthy of a better family than this but is unable to leave due to the fact that she cannot survive on her own. Luckily Jane is
Brontë explores childhood feelings of hurt and loss, focusing on a solitary, suffering child. In these first nine chapters we see Jane at 'Gateshead', where she is the
Independence, the capacity to manage ones own affairs, make one’s own judgments, and provide for one’s self. Jane Eyre herself is a very independent woman. Throughout her life she has depended on very few people for very little. Charlotte Brontë wants the reader to learn that independence can open many doors of possibilities.
Charlotte Bronte’s Jane Eyre emerges with a unique voice in the Victorian period for the work posits itself as a sentimental novel; however, it deliberately becomes unable to fulfill the genre, and then, it creates an altogether divergent novel that demonstrates its superiority by adding depth of structure in narration and character portrayal. Joan D. Peters’ essay, Finding a Voice: Towards a Woman’s Discourse of Dialogue in the Narration of Jane Eyre positions Gerard Genette’s theory of convergence, which is that the movement of the fiction towards a confluence of protagonist and narrator, is limited as the argument does not fully flesh out the parodies that Charlotte Bronte incorporates into her work. I will argue that in the novel
An obscure orphan governess, perceived to be too young, too penniless, too insignificant to control her own life, defied societal conventions of her time, and remains relevant to this day. Why does this poor, plain governess with no financial prospects or social standing matter in a modern feminist perspective? If she could speak, a modern feminist’s beliefs would likely shock her, so to interpret this novel as feminist, one must see it through the lens of the time and place Brontë wrote it. Charlotte Brontë’s Jane Eyre was a feminist work in that Bronte expressed disdain for oppressive gender structures through the voice of Jane Eyre, and the actions of Bertha Mason.
I saw a light", "I thought a ghost would come. " This is a very significant moment at Gateshead, and Bronte uses descriptive language to build up the suspense and tension, "My heart beat thick", also "I was oppressed, suffocated." The next location Jane goes to is Lowood. The school is described as "a large and irregular building," It is very run-down and decrepit, and far away from any village or town. Bronte describes it to have a very "dreary silence," with "great low-ceiled, gloomy rooms" It is also described as "grey and old" with "a church-like aspect."