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Jean Michel Basquiat Per Capita Analysis

Decent Essays

Artists who create artworks do so in response to cultural differences and social change. This is evident through the art of Jean Michel Basquiat and Ai Wei Wei, particularly their works “Per Capita” 1981 and “A study in Perspective: Tiananmen Square” 1995 Basquiat addresses cultural difference through his artwork “Per Capita”. He accomplishes this through the representation of his theme “Justice and Equality” via suggestive dichotomies. These suggestive dichotomies capture the issues of his time, particularly race and monetary distribution which include “equality vs inequality”, “Justice vs Injustice” and “wealth vs poverty”. These suggestive dichotomies are strengthened by the symbols in his artwork including the alphabetical states with …show more content…

Basquiat demonstrates his response to the issue of financial monetary inequality by providing the audience with the social differences of his time. It is noted that states with lower incomes resided a higher African American population whereas states with higher incomes resides a higher white American population. Basquiat uses this link of income and race to prove not only the opportunistic greed of others but also the disparity of income and how this is influenced by race. Basquiat addresses cultural difference/social change by allowing the audience to reflect upon their own standards in society to address the progress modern societies have taken in their respective actions to battle the issue of racism within Basquiat’s …show more content…

. . . . . . . . / The addressing of the need for social change is provided through the postmodern art of ai Wei Wei. This is demonstrated through the photographic series “A study in perspective: Tiananmen Square” 1995. Ai Wei Wei accomplishes this through his use of the postmodern form of the photograph itself, the middle finger gesture as the focal point and the location of the photograph: Tiananmen Square. Ai Wei Wei captures the effects of cultural differences and social change by addressing to his audiences of the actions of the Chinese Communist regime on the population to raise awareness. Ai Wei Wei demonstrates this awareness via the location of the photograph: Tiananmen Square. The location acts as a symbol of national power to the government, aided by the historical significance of the location to the Chinese Culture. Ai Wei Wei addresses/warns his audiences of the dangers that the power of the Chinese Communist Regime has attained. Ai Wei Wei references the events of June 4th 1989, also known as the Tiananmen Square massacre in which student protestors were targeted by the Chinese military from orders of the Communist government. Ai Wei Wei captures this social change to once again warn society and his audiences to the devastating power that the government has on the Chinese population and wishes to warn audiences of possible future possibilities to his

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