Artists who create artworks do so in response to cultural differences and social change. This is evident through the art of Jean Michel Basquiat and Ai Wei Wei, particularly their works “Per Capita” 1981 and “A study in Perspective: Tiananmen Square” 1995 Basquiat addresses cultural difference through his artwork “Per Capita”. He accomplishes this through the representation of his theme “Justice and Equality” via suggestive dichotomies. These suggestive dichotomies capture the issues of his time, particularly race and monetary distribution which include “equality vs inequality”, “Justice vs Injustice” and “wealth vs poverty”. These suggestive dichotomies are strengthened by the symbols in his artwork including the alphabetical states with …show more content…
Basquiat demonstrates his response to the issue of financial monetary inequality by providing the audience with the social differences of his time. It is noted that states with lower incomes resided a higher African American population whereas states with higher incomes resides a higher white American population. Basquiat uses this link of income and race to prove not only the opportunistic greed of others but also the disparity of income and how this is influenced by race. Basquiat addresses cultural difference/social change by allowing the audience to reflect upon their own standards in society to address the progress modern societies have taken in their respective actions to battle the issue of racism within Basquiat’s …show more content…
. . . . . . . . / The addressing of the need for social change is provided through the postmodern art of ai Wei Wei. This is demonstrated through the photographic series “A study in perspective: Tiananmen Square” 1995. Ai Wei Wei accomplishes this through his use of the postmodern form of the photograph itself, the middle finger gesture as the focal point and the location of the photograph: Tiananmen Square. Ai Wei Wei captures the effects of cultural differences and social change by addressing to his audiences of the actions of the Chinese Communist regime on the population to raise awareness. Ai Wei Wei demonstrates this awareness via the location of the photograph: Tiananmen Square. The location acts as a symbol of national power to the government, aided by the historical significance of the location to the Chinese Culture. Ai Wei Wei addresses/warns his audiences of the dangers that the power of the Chinese Communist Regime has attained. Ai Wei Wei references the events of June 4th 1989, also known as the Tiananmen Square massacre in which student protestors were targeted by the Chinese military from orders of the Communist government. Ai Wei Wei captures this social change to once again warn society and his audiences to the devastating power that the government has on the Chinese population and wishes to warn audiences of possible future possibilities to his
The Tiananmen Square massacre happened on June 4, 1989. Chinese troops arrested and killed many pro-democratic protesters at the Tiananmen Square in Beijing. Young students were the majority of the protesters and they wanted the Chinese Communist Party to stop corruption. The protests started in May and continued into June, where they became more violent. When the troops opened fire on the protesters, some fought back. Grace’s description of the massacre was very accurate. She described it as very violent and the troops ran over protesters with tanks. Grace and her Mom went to the
Overall, the Culture Revolution was in many ways a war on the Chinese people beliefs, sexuality, customs, gender, and view. Yang perfectly illustrates the ideological turmoil that people suffered from during this period. The revolution lead to Yang’s family’s disfranchisement, her blurred understanding of sexuality and gender roles, as well as, disillusionment of the communist party as a whole. Yang escaped the clutches of communism and the Great North Wilderness with the acceptance of her application to attend the University of
Even with her previous experiences at Beijing University and at Big Joy Farm, Wong still held some belief that the Chinese system wasn’t as bad as it was sometimes made out to be. This event proved to her that it was. “The enormity of the massacre hit home…Although it had been years since I was a Maoist, I still had harbored some small hope for China. Now even that was gone” (259). As a reporter Wong was able to view the progression of the protests in leading up to the massacre, and in viewing it understood that the Chinese people were much more independent than they had previously demonstrated over the past 50 years. She had continuously seen the Chinese people following what they were told between learning in school or with physical labor, yet this protest was one of the first large scale displays of the unacceptance of the regime by the people, and the government did not know what to do with it. But because of this, Wong was able to recognize that the people were not reliant on this way of life that they had previously been bound to, but truly could lead for themselves and take control. The massacre awakened Wong both to the reality that the government was not acting to benefit the people, and that the people were more than capable of acting for
The apex of Wong’s book is how she displays the emotional overtones in reciting her account of the Tiananmen Square Massacre of 1989. She tells of being holed up in a hotel across the street from the square and actually being able to see the violence between the protesting students and citizens, and the soldiers of the People’s Liberation Army. When she describes bodies falling from gunshot wounds, people being squashed by tanks, and the bullets ricocheting off their hotel walls, it produces multiple senses of horror, sorrow, and absolute terror. She further hammers this point across by displaying two images taken from the scene (245). The first is of a PLA platoon leader who was beaten, set afire, disemboweled, and to add further insult, positioned so that he would serve as an example of what the proletariats were capable of. The second, was of PLA soldiers examining the destruction of Tiananmen Square after they seized the square. Smoke and debris from the protestors are widely prevalent, and the image was even used in a propaganda brochure for the government.
The setting is in Muji, China during the Cultural Revolution in the 1960s. The leader of the communist party at the time is Chairman Mao and ruled based on a Marxist model by the story mentioning the concrete statue of him in the center of the square. The author states that “the Cultural Revolution was over already, and recently the Party has been propagating the idea that all citizens were
Some of the most redefining and revolutionary moments in the history of man socially, have been catalyzed by use of art. Throughout the age’s music, imagery and poetry have been a fundamental tool in reaching out to the masses to condemn vices, motivate people and bring awareness. One cannot underestimate the impact that art has in influencing and communicating an idea to the people. Art is an integral ingredient in the cohesion and integration of any society. Through poetry, the poet is able to put across a message that resonates in the minds of the reader in an artistic manner that ultimately triggers a response. Art is therefore a force to reckon with in the transformation of a society or a regime.
In Thomas Shapiro’s “The Hidden Cost of Being African American”, Shapiro goes in depth on how wealth in America is disproportionately dispersed between different nationalities. Mainly between Caucasians and African Americans. Shapiro has helped paint the image of wealth inequality and has shown how this is even more staggering than the wage gap between African Americans and Caucasians. Some of the theories he indirectly uses in his book and that I will be exemplifying are generational wealth and support systems, education, and the idea of how poverty only begets more poverty.
This piece was created during a time of political and social change. Increased political awareness and a focus on celebrity demanded art that was more
The genocide of the Aboriginal peoples and enslavement of black people resulted in a massive influx of natural resources and cheap labor, greatly profiting the white class and securing an influential position of power in the imposed capitalist structure (Reich, 1974). Such economic stratifications are still visible in contemporary society, and are defended by democratic racism which permits the coexistence of liberal and non-egalitarian beliefs (Tepperman& Curtis, 2009). Through this vein of thought, the free market is excused as providing everyone an indiscriminately equal chance of financial success, illustrating poverty as a consequence of laziness and inadequacy instead of a product of systemic oppression and exclusion of those historically disadvantaged within capitalist society. (Tepperman& Curtis, 2009) Visible minorities, in particular blacks, are stereotyped as a financial burden to society, and are depicted as problematic, untrustworthy, and dishonest, increasing negative attitudes towards visible minorities out of the white class’s fear of losing their own
Racial discrimination is the main and ongoing problem in the social life of Americans. When we look at the gap of incomes between White and African Americans, we can see the inequality between these two groups. In general, whites have more annual earnings than their black counterparts in America. Lori Ann Campbell and Robert L. Kaufman emphasized that the wealth determinants, which are the indicators of socio-economic status, have effected more on Whites than Blacks. And even when society is organized, there is still some disparities on account of race and ethnicity. (Campbell and Kaufman, 2006). And income disparities between African and White Americans have definitely effected the peace of the social life. According to Campell and
Despite beliefs to the contrary, the increasing disparity in real wealth between white and black Americans during the past half century shows that the economic system is unjust. Considering factors such as less intergenerational inheritance, higher unemployment and lower incomes serve as key components in economic disparity. Disparity can be viewed as a systematic design to keep a specific group of people continually oppressed through a mixture of inequality, injustice and power. When there is an inequality that is also an injustice (Wright, 2009).
The Shanghai (Xinjiang) Riots and Tiananmen Square Massacre were a direct result from government corruption. The Shanghai (Xinjiang) riots developed around 1994. It began with about 10,000 “incidents” with 730,000 participants, it grew to 74,000 “incidents” with 3.8 million participants. There have been many casualties or as referred to by the government “incidents” by these riots, in 2000, there were 5,500 and in 2003 there were 58,000. These riots are due to overworked textile workers striking, villagers trying to keep their land from being taking over, but mostly because of poor victims of the transition to a market economy. This was directly a cause of government corruption due to unequal distribution of wealth and police abuse. A rioter stated “people can see who corrupt the government is while they barely have enough to eat.” However, this problem originated before those riots occurred. 5 years before that happened; a more famous incident took place, the Tiananmen Square Massacre. July 4th, 1989, thousands of students gathered outside Tiananmen Square to protest for a more democratic government. Chinese government sent officials
Cultural Revolution, refers to a political movement that leads by Mao Zedong during May 1966 to October 1976. The original intention for Cultural Revolution is to prevent the restoration of capitalism. Mao want to clean the force who block the development. However, because of the failure leadership, this movement goes to a wrong way and become out of control. This ten years revolution seriously impact Chinese economic and development, it gives Communist Party and its people a big damage: school closed, factories shut down; students recruit for the “Red Guard”, they took to the streets to against democracy; millions of people involved into this revolution. It is a painful memories to Chinese. Today, some people prefer to call this revolution “Civil War”. Its influence until now. It is a war between Mao Zedong and Liu Shaoqi. Their struggle for power makes Chinese culture remains stagnant and fell far behind the world, and even go backwards.
The Toilet of Venus whereby for this work of art, several questions including the fundamental motivation for the visual art and the styles used in the paintings will arise. Art has always held an influential position in the social, economic, and political lives of humankind. Examining the relationship will open eyes for more studies on the specific implications of each style used in the life.
Art is a catalyst of change. It can confront both social and political issues as well as providing people with a creative outlet in which they can express their innermost thoughts and feelings - but what effect can art have on our society as a whole? Artists today have the unique ability to connect with people in a creative, innovative way that they can understand and interpret themselves. With this ability, artists are able to express their own views as well as influencing the views of others. Art is an immense part of our world – so much so that we barely even consider its impact upon us – but just how significant is the work of artists in our modern day society?