Essay Judgment in Anna Karenina

   Shakespeare's "Macbeth" holds many hidden themes within its already exuberant plot.  The first of these surrounds the murder of Duncan and the role that both Lady Macbeth and Macbeth himself played.  However, the true guilt of the murder can fall on either character.  Although Macbeth physically committed the crime, it was Lady Macbeth that pushed him to his limits of rational thought and essentially made fun of him to lower his esteem.  With Macbeth's defenses down, it was an easy task for Lady Macbeth to influence Duncan's murder and make up an excuse as to why she could not do it herself.  The guilt of Duncan's murder can be placed firmly on the head on Lady Macbeth.

Cinderella is a childhood fairytale that we all love and remember. It is a tragedy that turns into love and happily ever after in the end. In contrast to this popular story, Anne Sexton's version of Cinderella is a dark and twisted version of the classic fairy tale. It takes on a whole new perspective and is fairly different from the childhood fairytale that most of society knows. The poem takes less of a focus on the happy ever after in Cinderella and makes it into vivid bloody and violent images. She retreats more toward the pain and neglect. The poem is not based off the Disney version of Cinderella, but rather original dark version by Brothers Grimm. Sexton uses a very sarcastic and

This story’s general setting takes place in nineteenth century Russia. But, there are also many particular settings throughout this narrative that largely affect the characters and create many problems the narrator and Anna Sergeyevna have to face. In the beginning of the story Gurov and Anna find themselves taking vacations in the same city to get away from their other lives. But, when they have to part they realize how much they actually mean to each other. This can be seen in the following excerpt when Gurov realizes that Anna has not left his mind ever since they went home, “He would pace a long time about in his room, remembering it all and smiling; then his memories passed into dreams, and in his fancy the past was mingled with what was to come. Anna Sergeyevna did not visit him in his dreams, but followed him about everywhere like a shadow” (Chekhov 172). Therefore, the conflict that the setting creates is the distance between Gurov and

The next silence comes after a week of continued daily meetings and foretells the relationship’s passage from casual to physically intimate.  Before the silence is noted, Dmitri and Anna are at a jetty admiring the sea and watching the boats come and go, and Dmitri is watching Anna closely; as she chatters aimlessly, he notices her movements and the shining in her eyes, all of which are the backdrop for the rising tension that peaks during a moment of silence:  ‘“The weather’s improved towards evening,” he said.  “Where shall we go now?  Shall we take a drive somewhere?”  She made no answer.’  Anna’s failure to respond (her silence) marks the height of the tension and is immediately followed by a sudden embrace, a passionate and romantic kiss, laden with the nervousness that comes with public indiscretion, and finally, the suggestion from Dmitri that the two go to a private place to consummate the relationship:  “Let’s go to your place…” he said softly.  And they both walked quickly’.  Once again, after a silence, the relationship escalates.  Chekhov uses the device repeatedly as the two fracture over Anna’s guilt and go their separate ways; the extended

Although Chekhov emphasized in the beginning of the text that money holds power as shown by Anna and Modest Alexeich’s relationship, Chekhov shifts the power dynamic by introducing Anna’s beauty and sense of empowerment and now Anna has a new sense of awareness and power. Following the ball, His Excellency “[thanks Anna] for her part in the bazaar” and asked her permission to come again (283). After establishing herself and her influence at the ball, His Excellency’s visit to Anna truly places emphasis on her role at the ball. Having one of the highest member of society personally visit and thank Anna gave her the highest sense of empowerment as this moment proves to be significant. Most notably when her husband looks at her with the “cringingly respectful expression that she was accustomed to see on his face in the presence of the illustrious and the powerful,” and she confidently and clearly articulated the following statement, “Get out, you blockhead!” (283). Compared to the confined and powerless young lady Chekhov presented in the beginning of the plot,

In the familiar more traditional version, Cinderella is a poor maid girl that, with the help of fairy godmother, gets a chance to meet prince charming. They fall in love, get married, and live happily ever after, and then what? What is a happily ever after? Is this even a realistic thought? In the dark comedic poem Cinderella, Anne Sexton forces the reader to examine this question. Utilizing literary devices such as tone, imagery, and style, Sexton encourages the reader to think about how silly and unlikely a fairy tale ending actually is.

Gurov, dissatisfied with his monotonous life, goes to Anna because he needs the scandal to relieve a numbness that has taken effect, not because he loves her. She merely reciprocates his affection, not out of love, but to escape the entrapment she feels from her marriage. In a subtle climax during his return home to Moscow, Gurov feels the agonizing absence of anyone he can talk to meaningfully about the personal secrecies of his life, specifically Anna. This intolerable sensation sends him to “S—,“ to find her. Only when Gurov is standing outside Anna’s house does he actually relate to her situation and form some genuine connection. “Just opposite the house stretched a long grey fence adorned with nails…One would run away from a fence like that," thought Gurov, looking from the fence to the windows of the house and back again…He loathed the grey fence more and more, and by now he thought irritably that Anna Sergeyevna had forgotten him, and was perhaps already amusing herself with some one else, and that that was very natural in a young woman who had nothing to look at from morning till night but that confounded fence” (p.230). With Gurov’s realization, he actually escapes his fenced in world and partially enters her miserable one. In sharing a connection, their emotions and psychological needs start to blend together and they become entrapped by the same fence, where inside, the two of them are alone and vulnerable in a shared arena. This isolation

Although love is about sacrifice for the significant other, it can also a very selfish emotion. During the story the when Gurov and Anna are in their affair she starts to complain and he, “could not help feeling bored as he listened to her...she buried her face on his chest and clung close to him,” (Chekhov 269), showing that he is not willing to listen to her when

You and I live in a world were modernism is reaching new heights every day. One day that touchscreen phone is considered new, and then next week it’s old news. These two stories that I am going to compare are about the role of technology, science and how it affects me and you. Based on how it uses new technology and modern science A Sound of Thunder is a better sci-fiction story.

Heroes are brave, determined, courageous, and selfless people whop embark on a journey in order to fulfill a goal for the better good, every heroes journey is different. Some heroes fight dragons to save the castle and some like Westley steal the princess in order to protect her, Westley goes on a long journey where he faces many enemies and challenges but, he continues his journey to rescue his one true love. In The Princess Bride a novel by William Goldman, the character Westley is a hero because, he experiences all 6 stages of the heroic archetype structure including being called to action, crossing threshold, the road of tests, meeting the helpers, trip to the underworld, and the quest.

Westley, so he sets out to find his fortune so they can be married. A

Both Dade and Julian where fixated on proving themselves right and defending their beliefs about

As in the case of most, if not all, good allegorical stories, the primary impact of the tale is strongly influenced by the author’s detailed characterization of the setting, as well as the characters’ feelings and passions. Certainly such is the case in Susan Glaspell’s story “A Jury of Her Peers”. Here the reader sees a richness of characterization and setting that is elusive at first reading, but becomes clearer as the story evolves. In the final analysis, it becomes clear just who the jury is and the outcome of their collective verdict. It is by the use of allegorical and metaphorical rhetoric that the tension of the story is maintained so very well.

Critically analyzing stories based on the elements of fiction can give readers a more in-depth perspective on the authors true meaning to what is written. In Susan Glaspell's "A Jury of Her Peers", irony, theme, and plot and structure are applied well throughout. When analyzing this story, it can not be judged on how appealing or entertaining it is, but whether or not it fully achieves its central purpose and how significant that purpose is. In this story every element mentioned has worked together to bring this tale to life.

Snow White and the Huntsman is an adaptation of the Grimm fairy tale Snow White and the Seven Dwarfs. However the focus is not Snow White and her interaction with the seven dwarfs, much like the popular Disney portrayal of the fairytale that viewers have come to know. This version of the fairytale is dark and sinister, placing an emphasis on the evil Queen’s agenda and the Huntsman who is sent to hunt down Snow White. This new action-packed spin on the fairytale includes large battles and fight scenes, while keeping many elements from the original tale like the poison apple and “mirror, mirror on the wall”. The film is directed by Rupert Sanders and features a star-studded cast that includes, Academy