Katherine Mansfield And Sexuality Essay

The novel Jane Eyre is predominantly a bildungsroman, Jane’s development throughout the novel is one of the most important aspects of the narrative. During Jane’s time at Thornfield she makes huge emotional progress through her relationship with Rochester and the discovery of Bertha Mason, eventually resulting in her departure from Thornfield.

Through a close reading of the selected passage of Charlotte Brontë’s Jane Eyre: An Autobiography, a reader can see that Jane attempts to separate herself from her decisions by personifying her emotions and giving them a specific voice, which strongly reflects the societal views of the time. At this point in the story, Jane has discovered, on her wedding day, that Mr. Rochester is still married to a woman named Bertha, and that woman still lives in his house. Distraught, Jane locks herself in her room and tries to decide what she should do. When she wakes up the next day, she is again confronted with what she needs to do in the wake of her discovery.

Secondly, promiscuity has obliviously changed the outlook of relationships. Every relationship in the book has been some form of interactions that would be considered immoral in our world. When talking about Henry, Linda surprisingly said to Lenina, “’Only 4 months!’... Fanny went on, pointing an accusing finger” (Huxley 29) explaining to the reader how absurd it is to have any kind of intimate relationship. We now know that any type of long-lasting relationship is not only absurd but unheard of. Continuing the lifestyle of the new world, elementary sex was being taught to children of London as an aspect to strive for. The activity gives kids in school time to play around with other girls and boys naked in a courtyard to become more familiar with bodies of the opposite sex. Tying together all these changes their world had made, family had been changed as well. “… families, no conditioning, monstrous…” (Huxley 69). Given the last aspect that not only love, but family, as well, faded away from this society as well.

While Bertha’s is most obviously apparent, Jane hides her wildness inside of her. However, both women face this unkempt part of them. For example, Jane says ‘‘They have a worth- so I have always believed; and if I cannot believe it now, it is because I am insane- quite insane; with my veins running fire and my heart beating faster than I can count its throbs’’ (Brontë, 606). When leaving Thornfield, Jane feels as though she is crazy, just as Bertha is described simply a chapter ago. This wanton feeling pervades her body. Bertha is insane, and Jane feels just as uncontrolled. Jane also says that ‘‘I could not help it; the restlessness was in my nature; it agitated me to pain at times’’ (Brontë, 206). Jane’s need for adventure and change is reminiscent of young, beautiful Bertha who also wanted adventure with her new wealthy husband. Finally, ‘‘I lived with that woman upstairs four years, and before that time she had tried me indeed: her character ripened and developed with frightful rapidity; her vices sprang up fast and rank: they were so strong, only cruelty could check them, and I would not use cruelty’’ (Brontë, 584-5) . Bertha’s mental illness made her inhuman and society made her appear as a monster rather than a woman. Bertha’s disability is her wildness through and through, and though she cannot control it it will always be in her no matter what she does, just as Jane’s unrestrained

Throughout the novel of ‘Jane Eyre’ a colonialism and isolation are reflected throughout the novel, mainly through the treatment of Bertha Mason in Jane Eyre as she is cruelly locked in the attic due to her husband, Mr Rochester deeming her as insane. Bertha is described in a demon like manner whereas Jane represents a rebellious young woman who can be closely linked to a modern woman with the values and independence the contemporary readers possess. Jane does not represent any of the desired values by Victorians as Jane stands up to Rochester and acts as his equal rather than his lesser half. The presentation of Bertha being demonic was also highlighted by Solomon as she ‘represent[s] the flames of hell fire’¹ showing the devilish manner Bertha is presented in and the mistreatment of her as an individual, however, it also shows the historical views towards the mentally ill as Bertha isn’t seen to have a sickness but rather she is possessed. Fire is also associated with heat like Bertha as she is aligned with the ‘hot’ West Indies. Bertha is seen as villain as she constantly jeopardises Jane and Rochester’s future, however she can be seem to catalyse Janes personal development and self-awareness due to the positions Jane is left in due to Berthas presence.

In “Miss Brill,” Katherine Mansfield utilizes Miss Brill’s thoughts and actions and the surroundings to characterize Miss Brill as a lonely character. Mansfield immediately introduces Miss Brill with a very odd scene that shows her conversation with the fur coat. This quickly and effectively establishes the type of person Miss Brill is. As a result, Mansfield suggests that Miss Brill is a lonely and an “abnormal” person to illustrate to the audience how society treats those who are not considered “normal” through the later actions of a young couple.

“Jane Eyre” is a book centred around female duality. In a time when females were still expected to fulfill their “womanly duties,” Charlotte Bronte wrote a novel dealing with a woman’s view on morality & sexuality, passion & sensibility, and conformity & insanity, among other themes. This motif of duality plays a strong part in the dynamism that makes up the book, and is not limited to the themes, but is also used to relate many of the characters to the titular Jane. In “The Mystery at Thornfield,” Valerie Beattie makes claims that the character Bertha Mason’s insanity is a representation of rebellion toward the limitations of Victorian women. Not only is

Contrary to some of her characters Kate was not an independent woman. She was only twenty years old when she got married, and in a period of seven years she had six children. In her early years Kate was always known as a "bright student and a great story teller", but her writing years did not came until the 1880's. (Wyatt) Kate had a hard life, and it is assumable that she wrote about her personal frustrations. Through her characters, Kate represented the idealisms of feminism.

Mansfield created the story with the intention of allowing it to be open for various interpretations; though she includes specific detail concerning the characters Mansfield does not elucidate them in a manner that clearly defines their personalities. The story, like the budding rose, is one that never peaks to maturity, but rather remains in the developing stage because of its ambiguities which cause it to be discussed and interpreted in many varying ways.

Fanny Price, Mary Crawford, and Edmund Bertram are an ongoing love triangle throughout Mansfield Park. When the Crawford’s arrive in town, Mary 's charming attitude about life draws Edmund closer and closer to her, while Fanny 's quiet devotion to Edmund fades slowly into the background. Austen shows many differences between Mary and Fanny. In Chapter IV, Miss Crawford desires the company of Fanny, because of her ongoing boredom without the Bertram sisters ' presence in Mansfield Park. In this chapter, Fanny and Mary stroll throughout the garden and Fanny is completely taken with astonishment

With an attempt to distinguish between the old and the new, Charlotte Bronte creates the character of Bertha Mason as the exhibition of female repression and desire frequently found in the East. Bertha Rochester is the emblem of Eastern society, one which the British see as static and barbaric, and Jane Eyre is representative of the Western Civilization. In Reaches of Empire, Suvendrini Perera argues that "if the barely human prisoner caged in the Thornfield attic is the truest expression of women's anger and aspiration . . . [it is overlooked] that she is also the racial Other incarnate - a bestial, violent creature with an inordinate sexual appetite, caught in the colonized West Indies and confined 'for her own good' by a master who has appropriated both her body and her wealth" (82). If the reader only sees Bertha as the surrogate of Jane, one neglects to take note of the enriching importance of the text's suppression of Bertha. Charlotte Bronte presents Bertha as a sexually vigorous woman. This can be seen when Rochester indirectly describes

In Charlotte Bronte’s Jane Eyre, the character Bertha Mason is a manifestation of the feelings that Jane cannot express, and thus acts as an alter ego. Every time Bertha acts, it is predicated by a strong emotion or what should have been a strong emotion on Jane’s part. In the Victorian Era, women were expected to follow strict rules and isolate themselves from the outside world. In order to be the “angel in the house,” women were expected to obey and not question their fathers and husbands. Societal expectations dictate that Jane cannot show the full extent of her emotions, particularly when Mr. Rochester is involved. As a result, she does not do so, and they come out in the form of Bertha Mason. Throughout the novel, some sort of action by Bertha closely follows Jane’s musings on her frustrations, her discontent, or her anger. When Jane recognizes her emotions, Bertha’s expression is mild. However, Jane fails to recognize fully her emotions in multiple cases and Bertha responds violently. Because Bertha represents emotions that Jane possesses but represses in order to meet societal expectations, Bertha and these emotions must be removed before she can marry Mr. Rochester. Therefore, Bertha is a key character because she represents an important aspect of Jane and prevents Jane from fulfilling societal expectations.

Bertha Mason, although a minor character in Charlotte Bronte’s Jane Eyre , played a crucial role in the love story between Jane and Rochester and gives a deeper understanding of how mentally impaired people were treated at the time. She is necessary to Jane and Rochester’s imminent marriage and her actions lead the two to reconcile. Her motives and the causes for behavior are unclear, besides her obvious jealousy towards Jane and betrayal she felt from Rochester. Not only that, but Bertha also symbolizes everything Jane is not, mirroring her in a way as a polar opposite.

Girls & Sex by Peggy Orenstein portrays teenage sexuality as anything but light-hearted. While the title would lead a person to believe that the book is all about girls’ sexuality, it is not. Sexuality among todays teen seems to be more focused on boys than girls. Today’s teenage culture is what is known as a “hook-up” culture. This hook-up culture seems to be driving teenagers into impersonal relationships consisting of various sexual acts. This book is a must read for educators, mothers, fathers, Aunts, Uncles, and so on, but be forewarned, the information that girls have shared with the author as she interviewed more than seventy young women between the ages of fifteen and twenty (Orenstein, P., 2016), can be alarming to anyone who is not yet aware of this culture.

Katherine Mansfield was born October 14, 1888 in Wellington New Zealand. Mansfield was a well-known and respected prominent writer in the 20th century. She attended Queens College in London with her sisters. Mansfield broke barriers for female writers in the early 20th century and even still today. Her stories commonly focus on the theme of reality /world versus human nature while also touching the themes of the darker and more complex sides of life.