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Korean Massacre In 1951: The Crossing Of Art And Politics

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The crossing of art and politics is an interesting one, and can be inspiring, or contentious, even discreditable. Massacre in Korea painting in 1951 evokes the ideas and emotional perceptions of Pablo Picasso in Korean War. It depicts an act of mass killing in Sinchon Massacre that is carried out by North and South Koreans and Americans. During this time, the civilians are salvaged by the anti- communist forces. The artwork is said to be inspire by the issues of American atrocities. Picasso’s work is drawn and has similarities from Francisco Goya’s The Third of May 1808 which shows Napoleon’s soldiers murdering the Spanish civilians under the power of Joachim Murat. His artistic work is marked by diverge composition and divided into two parts.

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