Lady Brett Ashley In Ernest Hemingway's The Sun Also Rises

“Oh, Jake, we could have had such a damned good time together.’ ‘Yes, Isn’t it pretty to think so?”. Their final discussion is right where they started in the back of a cab. Brett has just dug a hole even deeper into the abyss of disappointment that Brett has already given him. Jake has lost his masculinity in more ways than one. He has to live without Brett, and with his disability, denying him any chance at all with women. He has finally accepted the loveless relationship that has become of them, and will push forward knowing how it will never be.

Lady Brett Ashley in The Sun Also Rises has always been regarded as one of Ernest Hemingway’s most hated characters. Both critics and readers have seen her simply as a bitch, and do not view her as a likeable or relatable character in any way. Her alcoholism, her use and abuse of men, and her seeming indifference to Jake Barnes’s love are just a few reasons why Hemingway’s readers have not been able to stand Brett, and do not give her a fair chance. It is clear that Jake is biased in his narration, but no one wants to question his opinions and judgments of Brett; in fact, since the book was

Jake is consciously aware that there is a problem, which is more than can be said about his friends. Perhaps the people that surround Jake are the issue, though. His close friends and the people whom he travels with include Lady Brett Ashley, Robert Cohn, Bill, and Mike. Brett, the target of Jake’s unrequited affections, is likely someone whom he should stop spending time with; however, it seems that he just can’t get away from her. She is a very strong and independent woman who isn’t known to behave in a traditionally feminine way. Jakes does remark that although she is very independent, “She can’t go anywhere alone.” Robert Cohn is a Jewish, wealthy expatriate; but unlike many of his friends, did not spend any time in the war. Cohn also falls head over heels in love with Brett, who soon rejects his affections as well. As a wealthy, Jewish, non war veteran Cohn stands out in the group and his fumbling attempts to court Brett are the source of much mockery and leads to many fights. Bill is also an American veteran who seems to be always drinking. He tends to use humor to try and deal with the emotional scars of war; however, is not immune to the immaturity and cruelty sometimes characterized by Jake and his friends. Finally, Mike is a very heavy drinking Scottish war veteran who is completely bankrupt. He is seen to have a terrible temper, which most often displays while he is drunk. Mike is also not comfortable with the

The part of the novel that best defines the relationship of the two is when Brett and Jake are alone while Jake is getting dressed. Jake tells her that he loves her, and Brett asks if he wants her to send the man she is with away. She goes outside and sends Count to get some champagne, so the two can talk alone. Everything seems to be going well, until they talk about the situation in detail.

Ernest Hemingway wrote A Farewell to Arms, a celebrated historical fiction, amidst a time of war and personal suffering. Hemingway believed at this time that “life is a tragedy that can only have one end” (Hemingway, VIII). He continues further, calling war a “constant, bullying, murderous, slovenly crime” (Hemingway, IX). Hemingway also suffered at home, in addition to his issues regarding the state of the world. His wife had just endured a difficult pregnancy and delivery, which contributed to the last bitter chapter of his story. Keeping in mind the tortured and surly mental state of Hemingway, it is difficult to swallow the idea that he would write a wholesome, well founded love story that attracts people. To some readers, A Farewell to Arms tells of a whirlwind romance between an ambulance driver and a nurse that is based on an unbreakable foundation of love, trust, magnetism, and compassion. Anxious modernists, like Trevor Dodman who are cited in Joel Armstrong’s nonfiction text, will come up with a remarkably different outlook on this tragedy. With aid from “‘A Powerful Beacon’ Love Illuminating Human Attachment in Hemingway’s A Farewell to Arms”, the loveless relationship between Frederic Henry and Catherine Barkley will be seen as rushed, meaningless, and mentally destructive to the parties involved.

There are many hidden and sub-surface meanings in life. Ernest Hemingway’s The Sun Also Rises is no exception to that fact. As the title of the novel suggests, the novel is about the rise of a new generation that breaks away from the societal conventions of the previous generation. Though The Sun Also Rises seems to be simply about the rise of a new generation, a closer look at the relationship between Jake Barnes and Lady Brett Ashley suggests a queer relationship produced out of gender role nonconformity. Their relationship enables one to see the blurring of the lines that divide the conventional gender roles.

Ernest Hemingway once said, “Life isn’t hard to manage when you’ve nothing to lose” (Ernest Hemingway). Perhaps this is the reason 1920’s new woman Lady Brett Ashley was able to control her life with such ease. She had never been tied down to a man, therefore she had no real love to lose. She was free. As the novel progresses so does Brett’s outlook on love. Lady Brett Ashley is very much her own person. The character she depicts is placed in this story to strongly emphasize the hypermasculinity of women in the 1920’s. Brett was written by Hemingway as the complete opposite of Frances, married housewife, who was the ideal woman before the new era was brought upon by the 20’s.

In The Sun Also Rises, during the transition of society from World War I to post-war, values transformed from the “old-fashioned” system of what was morally acceptable to a system that held the basic belief that anything of value, whether tangible or intangible, could be exchanged for something of equal value. This novel specifically pinpoints the transformation of the values of money, alcohol, sex and passion (aficion), friendships and relationships, and even one’s pain.

The 1920s were times of loss for the United States. After seeing countless deaths of soldiers in a war many didn’t believe in, the years after World War I were times when people lost hope in classic principles such as bravery and courage. The “Lost Generation” were people who saw the horrors of the war throughout their life. Ernest Hemingway shows major themes of the “Lost Generation” through his stories after the war; he shows the pursuit of decadence in “Hills of White Elephants,” impotence through “Soldier’s Home,” and idealism through both stories (O’Connor).

At first glance, Ernest Hemingway’s The  Sun Also Rises is an over-dramatized love story of bohemian characters, but with further analysis, the book provides a crucial insight into the effects of World War I on the generation who participated in it. Hemingway’s novel follows a group of expatriates as they travel Europe and experience the post war age of the early 1900’s. The protagonist is Jake Barnes, an American war veteran who lives in Paris and is working as a journalist. Jake was injured during the War and has remained impotent ever since. His love interest, Lady Brett Ashley, is an alcoholic englishwoman with severe promiscuity, which is representative of women and the sexual freedom that emerged during the Progressive Era. Jake and Brett

Women of the 1920’s compared to women today are seen as very passive and were usually domestic wives whose main responsibility was to take care of the house and children. But throughout this decade, women were starting to slowly modernize and become more independent. In The Sun Also Rises by Ernest Hemingway, Lady Brett Ashley is somewhat portrayed as “the admirable new woman” of the 1920’s-the woman who openly flaunts accepted conventions of the passive, dependent female role in society and emerges as a positive, inspiring, and risk-taking figure in Paris, Pamplona, and Madrid among the male expatriate artists. In the novel, we see Brett as a modern and somewhat inspiring woman through characterization and the analysis of specific moments

Jake is not a wealthy man; however, his ego gets the better of him. Time and again, he keeps a tight check of his bank account balance. But when Brett starts hanging out with Count Mippipopolous, Jake is not averse to offering up his money when they all go out together. Money takes a back seat to Jake's ego. Once, Brett sends the Count out for champagne so that she could be alone with Jake. Whereupon she talks to him about her fiancé, Michael and this shoots down Jake's already bruised ego to its lowest. However, For Jake, just to be with Brett is pure happiness. He is so blinded with love for her that he doesn't even flinch when she does

Hemingway’s novel The Sun Also Rises has his male characters struggling with what it means to be a man in the post-war world. With this struggle one the major themes in the novel emits, masculine identity. Many of these “Lost Generation” men returned from that war in dissatisfaction with their life, the main characters of Hemingway’s novel are found among them. His main characters find themselves drifting, roaming around France and Spain, at a loss for something meaningful in their lives. The characters relate to each other in completely shallow ways, often ambiguously saying one thing, while meaning another. The Sun Also Rises first person narration offers few clues to the real meaning of his characters’ interactions with each other. The

It has been called one of Hemingway’s greatest literary works as it is the “quintessential novel of the Lost Generation.” Its strong language and subject matter portray a powerful image of the state of disenchantment felt in the 1920’s after the war. The interactions between the characters in this novel display a society living without convictions, affirming Gertrude Stein’s quotation at the beginning of the novel, “You are all a lost generation.” To paint this vivid picture of discontentment and disillusionment Hemingway tears away traditional ideas and values by stifling the appearance of God and religion. Ernest Hemingway’s The Sun Also Rises is a poignant take on how the consequences of war can limit or diminish the presence of God and religious faith amongst those living in a post war society.

In the first chapters of Ernest Hemingway’s novel, The Sun Also Rises, we start to look into what is to be considered to be the New Woman in the 1920s. Young woman with bobbed hair and short skirts who drank, smoked and said “unladylike” things, in addition to being more sexually free than previous generations. “This later New Woman pushed past the example of the preceding generation by infringing on the masculine in her physical appearance as well as in her level of education and career choice by combining masculine and feminine traits” (Yu). In the first chapters of this novel Hemingway emphasizes the New Woman and their social culture. He does this by his portrayal of Brett. Brett in the novel is the perfect example of the New Woman in her apperance, the role she plays, and how she uses sexuality.