Lewis Carroll's Through the Looking Glass
“If it was so, it might be; and if it were so, it would be; but as it isn’t, it ain’t. That’s logic,” according to Tweedledee, a character in Lewis Carroll’s famous children’s work Through the Looking Glass (Complete Works 181). Of course, Lewis Carroll is most well known for that particular book, and maybe even more so for the first Alice book, Alice’s Adventures in Wonderland. The connection between Lewis Carroll and logic is less obvious for most people. In reality, Lewis Carroll is the nom de guerre for the Reverend Charles L. Dodgson, a “puttering, fussy, fastidious, didactic bachelor, who was almost painfully humorless in his relations with the grown-up world around
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His hope that it might “be of real service to the young, and be taken up, in High Schools and in private families, as a valuable addition to their stock of healthful mental recreations” was reflected through his incorporation of such logic games and problems in all of his children’s books (qtd Braithwaite 174). His love of chess and card games is apparent in his Alice books; each contains characters that are portrayed by cards or pieces in a chess game. The two books, especially Through the Looking Glass, are rich in mathematical humor. In the latter, Alice takes a journey into the reversed world behind the Looking-Glass, allowing Dodgson to introduce not only reversals of space, but reversals of time as well—this world is abundant in left and right symmetries. The Tweedle brothers, who are mirror images of each other, exemplify these symmetries (Gardner, Universe 3). In addition, the White Queen’s memory works both forward and backward in time—she can feel pain even before the sharp point of a pin touches her finger (3). There is also an example of a somewhat recursive sequence of events. The reader can easily lose himself or herself in what Gardener calls “endless labyrinths.” While sleeping, the Red King dreams about Alice, who is also napping and dreaming about the Red King. In both of these dreams, “each dreams of the other, forming a pair of infinite regresses” (3). In Sylvie
In the story, The Looking Glass Wars by Frank Beddor, the author writes a spin on Alice's Adventures in Wonderland by Lewis Carroll. The story begins with Princess Alyss Hart whose life is turned upside down when her Aunt Redd takes over the queendom forcing Alyss into hiding.Eventually Alyss returns home, claims her throne and restores peace to the queendom.Beddor puts a new spin on Alice's Adventures in Wonderland with a variety of themes like,determination.This is shown throughout the book by many different characters like Alyss,Hatter,and Queen Genevieve.
A caterpillar that smokes from pipes and eats tarty-tarts is only the beginning of Frank Beddor’s first book in his trilogy The Looking Glass Wars. Many of us are familiar with the infamous fairy tale of Alice who stumbles upon a hole that leads her to Wonderland and meets strange characters like the Cheshire Cat and others. Now there are many differences in Beddor’s tale; not only is the Cat an assassin with nine lives but Alice-the character we grew up knowing-has a different name, Alyss Heart. She is a young girl whose kingdom of Wonderland is taken over by her blood thirsty and cruel Aunt Redd, who is truly the incarnation of evil. This book is one with many
The person someone becomes is influenced by the losses they have experienced in their life. In Catcher
Carroll’s use of the chess board is also important in Alice’s transition to adulthood. Her journey across the chess board from being a pawn to reaching the status of Queen represents the growth of being a child to becoming an adult. This emphasis is conveyed primarily in Through the Looking Glass and Carroll conveys this through the encounters that Alice has with the various characters, mainly the Queens and the Kings. The Queen always seems one step ahead of Alice, similar to what a child feels in an “adult” world. Carroll continues to express the tyranny of adulthood through Alice’s encounters and journey. She soon learns that becoming a Queen was not all
By Frank Beddor’s The Looking Glass Wars, he retells the story of Alice in Wonderland by putting it in the perspective of Alyss as the princess of Wonderland, when she is forced to flee Wonderland when her Aunt Redd (Queen Genevieve’s sister) comes to retake her throne. Alyss ends up in Victorian London and is separated from her keeper Hatter Madigan. Beddor changes the story to provide good significance and inspiring themes to give good imagery throughout the story. For example, in the story Queen Genevieve, Hatter, and Alyss forget their own survival to sacrifice themselves for the good of others.
In 1862, floating upon the river Isis, Charles Dodgson narrated for Alice Liddell and a few others in company his original tale of Alice’s Adventures in Wonderland. Gliding along underneath the blue sky, Dodgson wove his words into one of the most classic children stories of all time. Thesis: Although Carroll’s Alice’s Adventures in Wonderland may have only begun as a children’s story, many adults have sought to discover the “true meaning” of the novel. Curiosity has led to years of searching and interpretation of the origins of Carroll’s novels, and the symbols inside, developing into theories ranging from practical to nearly impossible, eventually evolving into their own stories in the film industry.
In the movie, Rear Window, Alfred Hitchcock uses the story of a cripple free lance photographer, Jeff Jeffries, to explain the twisted sense of society in the 1950’s. Hitchcock uses clever things from the way the apartments are being filmed to the dialogue between Jeffries, Lisa, and Stella to show societies interest in pain, tragedy, and discomfort, and in the end you see how tragedy is what makes everyone happy.
1) According to Dillard, lovers and the knowledgeable can see well. Yet she also suggests that those who are knowledgeable on a topic, such as people who have been blind from birth and can suddenly see (due to an opperation), can perhaps view more objectively the world around them, and see it in a way that those with vision from birth cannot. Infants, she says, can see very clearly, for they are viewing the world for the first time, and can observe the colors and the light with no prejudgments, but we forget this experience as we grow older, and only occasionally catch glimpses of this phenomenon.
“Dreams feel real while we’re in them. It’s only when we wake up that we realize something was actually strange. -Inception” (50 Dream Quotes). Carroll writes Through the Looking Glass based off of the dream concept. This novel is strange compared to most because of the dream Alice has. In the beginning, Alice is playing with her kittens. As she drifts off to sleep, Alice goes through the mirror and enters Looking Glass World. While there, Alice joins a chess game as a pawn. She continues across the board and meets all sorts of characters who help Alice in her journey to become Queen. She meets the Red Queen, White Queen, Humpty Dumpty, and White Knight in different squares throughout the game. When she reaches the honor of Queen, Alice is
Lewis Carroll's use of puns and riddles in Alice in Wonderland help set the theme and tone. He uses word play in the book to show a world of warped reality and massive confusion. He uses such play on words to reveal the underlying theme of growing up', but with such an unusual setting and ridiculous characters, there is need for some deep analyzing to show this theme. The book contains many examples of assonance and alliteration to add humor. Carroll also adds strange diction and extraordinary syntax to support the theme.
The Victorian Era was a time where not many ethical ideals and moral standards were sustained. Yet, it is also an Era in which modern society uses to make advancements in both humanity, and philosophy. Lewis Carroll, author of Alice in Wonderland, was a novelist who wrote pass his time. He wrote further in the future of the "common" Victorian Era. The ideology he presents in Alice in Wonderland is conducive to an individual attempting to bring attention to the deteriorating mental health and humane conditions in Victorian-Era England. Alice is representative of a normal child in everyday-Victorian England. This child, Alice, has not been exposed to the likes of diversity, but instead solidarity. The type of solidarity that is all too prevalent throughout the Victorian Era, primarily in the upbringing of children during this time. Children in Victorian Era England were taught to be followers of the norms already established by adults, and to ask no questions. These types of parameters placed restraints on children growing-up during this time; not only physical restraints, but also mental restraints, such as their imaginations'. Carroll was no stranger to this ideal or the likes of this concept; In fact, he constructed Alice in The Wonderland with this in mind, to defy the imaginative 'norm' of Victorian-Era England. He created a character that dreamt of falling down a rabbit hole into another universe. This dream or imagination becomes so vivid in his novel that the
Lewis Carroll's Wonderland is a queer little universe where a not so ordinary girl is faced with the contradicting nature of the fantastic creatures who live there. Alice's Adventures in Wonderland is a child's struggle to survive in the condescending world of adults. The conflict between child and adult gives direction to Alice's adventures and controls all the outstanding features of the work- Alice's character, her relationship with other characters, and the dialogue. " Alice in Wonderland is on one hand so nonsensical that children sometimes feel ashamed to have been interested in anything so silly (Masslich 107)."
Written in 1944, Tennessee Williams wrote a play during World War II when people were barely making ends meet. Centering on the Wingfield family, the story consisted of five characters: Amanda Wingfield (the mother), Laura Wingfield (the daughter), Tom Wingfield (son, narrator, Laura’s older brother), Jim Connor (Tom and Laura’s old acquaintance from high school) and Mr. Wingfield (father to Tom and Laura, and Amanda’s husband)- who abandoned the family long before the start of the play. The title, “The Glass Menagerie”, represented a collection of glass animals on display in the Wingfields’ home. At one point or another, these animals then represented each character when they couldn’t accept reality. The theme of this play were about the
Alice in Wonderland by Lewis Carroll endures as one of the most iconic children 's books of all time. It remains one of the most ambiguous texts to decipher as Alice 's adventures in Wonderland have created endless critical debate as to whether we can deduce any true literary meaning, or moral implication from her journey down the rabbit hole. Alice 's station as a seven year old Victorian child creates an interesting construct within the novel as she attempts to navigate this magical parallel plain, yet retain her Victorian sensibilities and learn from experience as she encounters new creatures and life lessons. Therefore, this essay will focus on the debate as to whether Alice is the imaginatively playful child envisaged by the Romantics, or a Victorian child whose imagination has been stunted by her education and upbringing.
Alice’s Adventures in Wonderland and Through the Looking-Glass are both widely thought to be books filled of nonsense by adults because adults search for meaning in the wrong places. People are taught from a young age to analyze books in a “traditional” way, which is identifying the five stages of plot (exposition, rising action, climax, falling action, and resolution) and to look at the story one part at a time, slowly analyzing the whole book. This method becomes ingrained in their minds and they do it subconsciously. This frame of thought causes most adults to be unable to see the true meaning of Lewis Carroll’s two books, but at the same time helps adults obtain more than originally intended: “Although we can never hope to explain fully what these books mean or how they have secured their high place in the world’s literature, our efforts in this regard can yield many important insights about them and about their meanings for us,” (Rackin, 18). Adults are also taught there is always main plot that slowly builds towards the end, revealing a central theme. But in these books there is no main plot and Carroll uses the central theme to go back and give meaning to the rest of the events in the books. The themes of Alice’s Adventures in Wonderland and Through the Looking-Glass are conveyed through the structure of the book, rather than the theme. The theme must also be read with the perspective with that of a child rather than an adult to fully understand these books.